Philip Gentry
Biographic Data
| ID | 7347856 |
|---|---|
| NAME | Philip Gentry |
| GIVEN NAMES | Philip |
| FAMILY NAME | Gentry |
| SIGNATURE | GENTRY P |
| AFFILIATIONS | University of Delaware |
| ORCID | 0000-0001-8267-5869 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“I Just Told Them Like It Was”
Since its organization in the mid-twentieth century, Colonial Williamsburg (CW) has been an important site for the consolidation of powerful narratives of American exceptionalism, patriotism, and the so-called consensus history of the American Revolution. This article looks at the role that music and performance has played in this historiography, taking as its primary texts two films produced by CW: The Story of a Patriot (1957) and The Music of …
Lucier, Alvin
Hamilton ’s Ghosts
Research Article| July 01 2017 Hamilton's Ghosts Hamilton: An American Musical. Thomas Kail, director; Sander Jacobs, Jill Furman, Jeffrey Seller, and the Public Theater, producers; Lin-Manuel Miranda, writer, book, music, and lyrics; Ron Chernow, historical consultant. Richard Rodgers Theatre, New York City, performance date, August 6, 2015.Hamilton: The Revolution. By Lin-Manuel Miranda and Jeremy McCarter. New York: Grand Central Publishing, 2…
Body, the
Leonard Bernstein’s The Age of Anxiety
Leonard Bernstein's 1949 second symphony, subtitled "The Age of Anxiety," is an exploration of post-war apathy and exhaustion at the dawn of McCarthyism. Examining the work both in its political context and also within the context of Bernstein's beloved American symphonic tradition, I show how Bernstein flipped the triumphal musical rhetoric of the "Koussevitzky manner" on its head to bid farewell to the modernist and Popular Front traditions tha…
No prominent works on this page.
Leonard Bernstein’s The Age of Anxiety
Leonard Bernstein's 1949 second symphony, subtitled "The Age of Anxiety," is an exploration of post-war apathy and exhaustion at the dawn of McCarthyism. Examining the work both in its political context and also within the context of Bernstein's beloved American symphonic tradition, I show how Bernstein flipped the triumphal musical rhetoric of the "Koussevitzky manner" on its head to bid farewell to the modernist and Popular Front traditions tha…
Body, the
Hamilton ’s Ghosts
Research Article| July 01 2017 Hamilton's Ghosts Hamilton: An American Musical. Thomas Kail, director; Sander Jacobs, Jill Furman, Jeffrey Seller, and the Public Theater, producers; Lin-Manuel Miranda, writer, book, music, and lyrics; Ron Chernow, historical consultant. Richard Rodgers Theatre, New York City, performance date, August 6, 2015.Hamilton: The Revolution. By Lin-Manuel Miranda and Jeremy McCarter. New York: Grand Central Publishing, 2…
Lucier, Alvin
“I Just Told Them Like It Was”
Since its organization in the mid-twentieth century, Colonial Williamsburg (CW) has been an important site for the consolidation of powerful narratives of American exceptionalism, patriotism, and the so-called consensus history of the American Revolution. This article looks at the role that music and performance has played in this historiography, taking as its primary texts two films produced by CW: The Story of a Patriot (1957) and The Music of …
Art (4 works) · Art history (3 works) · History (3 works) · Computer Science (2 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Political science (2 works) · Aesthetics (1 work) · American exceptionalism (1 work)