Julie Hubbert
Biographic Data
| ID | 7347961 |
|---|---|
| NAME | Julie Hubbert |
| GIVEN NAMES | Julie |
| FAMILY NAME | Hubbert |
| SIGNATURE | HUBBERT J |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Film, Music, Memory , by Berthold Hoeckner
The idea of a “mind’s eye,” of externalizing internal thoughts and memories, has been a preoccupation of writers throughout literature. From Chaucer and Shakespeare to Philip K. Dick and Greg Daniels, who recently penned the 2019 hit Amazon series Upload, writers have long been interested in examining how and why the brain remembers. With the introduction of mechanical remembering devices—photographs, sound recordings, film, television, and strea…
Hollywood Theory, Non-Hollywood Practice
Book Review| July 01 2006 Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Annette Davison. Julie Hubbert Julie Hubbert Search for other works by this author on: This Site Google American Music (2006) 24 (2): 225–228. https://doi.org/10.2307/25046016 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Se…
"Whatever Happened to Great Movie Music?"
In the early 1970s two well-known and well-respected film composers, Elmer Bernstein and David Raksin, wrote articles similar not only in their nearly identical titles, but in their assessment of a dramatic change that was taking over Hollywood film music. Bernstein's article, Whatever Happened to Great Movie Music?, which appeared in a 1972 issue of High Fidelity, was the first to signal that all was not well in the film-music community. A profo…
No prominent works on this page.
"Whatever Happened to Great Movie Music?"
In the early 1970s two well-known and well-respected film composers, Elmer Bernstein and David Raksin, wrote articles similar not only in their nearly identical titles, but in their assessment of a dramatic change that was taking over Hollywood film music. Bernstein's article, Whatever Happened to Great Movie Music?, which appeared in a 1972 issue of High Fidelity, was the first to signal that all was not well in the film-music community. A profo…
Hollywood Theory, Non-Hollywood Practice
Book Review| July 01 2006 Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s, Annette Davison. Julie Hubbert Julie Hubbert Search for other works by this author on: This Site Google American Music (2006) 24 (2): 225–228. https://doi.org/10.2307/25046016 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Se…
Film, Music, Memory , by Berthold Hoeckner
The idea of a “mind’s eye,” of externalizing internal thoughts and memories, has been a preoccupation of writers throughout literature. From Chaucer and Shakespeare to Philip K. Dick and Greg Daniels, who recently penned the 2019 hit Amazon series Upload, writers have long been interested in examining how and why the brain remembers. With the introduction of mechanical remembering devices—photographs, sound recordings, film, television, and strea…
Art (3 works) · Art history (3 works) · Hollywood (3 works) · Cinema and Media Studies (2 works) · Literature (2 works) · Movie theater (2 works) · Citation (1 work) · Computer Science (1 work) · Cybernetics and Technology in Society (1 work) · Diverse Musicological Studies (1 work)