Marysol Quevedo
Biographic Data
| ID | 7348093 |
|---|---|
| NAME | Marysol Quevedo |
| GIVEN NAMES | Marysol |
| FAMILY NAME | Quevedo |
| SIGNATURE | QUEVEDO M |
| AFFILIATIONS | University of Miami |
| ORCID | 0000-0001-7304-1063 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Demystifying, Reimagining, and Modeling Career Paths Within and Outside Music Academia
The past seven years of my career look like the most idealized career path in music academia: in the 2016–2017 job cycle, I applied to twenty-five tenure-track (TT) positions and accepted a job offer at what is possibly the most compatible institution (for me), a school of music within an R1 university that happens to have the most complete and significant archive in my area of research, Cuban studies. Upon arriving at this institution, I focused…
Guest Editor's Introduction
The issue you have in front of you is the result of a call for submissions of articles on Caribbean music topics that the editorial team conceptualized and disseminated in the summer of 2023. This call was met with an enthusiastic response, resulting in more than twenty abstract submissions. The selected entries, chosen through a blind review process, pointed to rather clear themes revolving around questions of stylistic and generic labels in mus…
Cuban Music Counterpoints
Cuban Music Counterpoints maps the intellectual and artistic networks. Cuban composers forged between 1940 and 1991 by exploring moments—concerts, festivals, recordings—that shed light on how they negotiated aesthetic and political agendas at local and international levels. Beginning with the modernist neoclassicism of the Grupo de Renovación Musical in the 1940s and its Pan Americanist backdrop, the book moves through the more turbulent 1950s, w…
Zenaida Romeu, Camerata Romeu. La Bella Habana CD. Habana, Cuba
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Experimental Music and the Avant-garde in Post-1959 Cuba
This chapter examines how experimental music in the 1960s in Cuba reached wider audiences as a product of the cultural policies of the Cuban Revolution and of the aesthetic goals of a particular set of individuals who took advantage of the new cultural institutions to promote experimental music under the banner of vanguardia . As music advisor of the Orquesta Sinfónica Nacional, Juan Blanco programed new music by international and Cuban composers…
Golijov, Osvaldo
No prominent works on this page.
Golijov, Osvaldo
Experimental Music and the Avant-garde in Post-1959 Cuba
This chapter examines how experimental music in the 1960s in Cuba reached wider audiences as a product of the cultural policies of the Cuban Revolution and of the aesthetic goals of a particular set of individuals who took advantage of the new cultural institutions to promote experimental music under the banner of vanguardia . As music advisor of the Orquesta Sinfónica Nacional, Juan Blanco programed new music by international and Cuban composers…
Zenaida Romeu, Camerata Romeu. La Bella Habana CD. Habana, Cuba
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Cuban Music Counterpoints
Cuban Music Counterpoints maps the intellectual and artistic networks. Cuban composers forged between 1940 and 1991 by exploring moments—concerts, festivals, recordings—that shed light on how they negotiated aesthetic and political agendas at local and international levels. Beginning with the modernist neoclassicism of the Grupo de Renovación Musical in the 1940s and its Pan Americanist backdrop, the book moves through the more turbulent 1950s, w…
Guest Editor's Introduction
The issue you have in front of you is the result of a call for submissions of articles on Caribbean music topics that the editorial team conceptualized and disseminated in the summer of 2023. This call was met with an enthusiastic response, resulting in more than twenty abstract submissions. The selected entries, chosen through a blind review process, pointed to rather clear themes revolving around questions of stylistic and generic labels in mus…
Demystifying, Reimagining, and Modeling Career Paths Within and Outside Music Academia
The past seven years of my career look like the most idealized career path in music academia: in the 2016–2017 job cycle, I applied to twenty-five tenure-track (TT) positions and accepted a job offer at what is possibly the most compatible institution (for me), a school of music within an R1 university that happens to have the most complete and significant archive in my area of research, Cuban studies. Upon arriving at this institution, I focused…
Cuban History and Society (4 works) · Art (3 works) · Humanities (3 works) · History (2 works) · History and criticism (2 works) · Law (2 works) · Music (2 works) · Musical (2 works) · Performance art (2 works) · Political science (2 works)