John O’Flynn
Biographic Data
| ID | 7348493 |
|---|---|
| NAME | John O’Flynn |
| GIVEN NAMES | John |
| FAMILY NAME | O’Flynn |
| SIGNATURE | O’FLYNN J |
| AFFILIATIONS | St Patrick’s College, Dublin City University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Alex North’s Adapted Score for The Dead (John Huston, 1987)
Research Article| July 01 2018 Alex North’s Adapted Score for The Dead (John Huston, 1987) John O’Flynn John O’Flynn John O’Flynn is associate professor of music at Dublin City University. His publications include The Irishness of Irish Music (Ashgate, 2009); the coedited volume Music and Identity in Ireland and Beyond (Routledge, 2014); and numerous journal articles, book chapters, and encyclopedia entries on a range of subjects, including popul…
The Irishness of Irish Music
This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consu…
National Identity and Music in Transition
This chapter argues that, far from being a redundant category, national identity continues to have significance in both the production and the consumption of music. The construction of national identities is inevitably situated within global and local historical contexts, it follows that the interface between national identity and music is constantly in a state of flux. The chapter also argues how the ideas of nation and identity continue to have…
Strengthening choral community
This article reports on a small-scale study investigating the interaction of face-to-face and online group activities by members of a Dublin-based college choir (where the researcher is also a lecturer and choral leader) over a period of twelve months in 2009–2010. Research data are gathered by way of participation–observation of – and sometimes participation in – the choir’s Facebook page and through an extended real-time interview with a group …
No prominent works on this page.
Strengthening choral community
This article reports on a small-scale study investigating the interaction of face-to-face and online group activities by members of a Dublin-based college choir (where the researcher is also a lecturer and choral leader) over a period of twelve months in 2009–2010. Research data are gathered by way of participation–observation of – and sometimes participation in – the choir’s Facebook page and through an extended real-time interview with a group …
National Identity and Music in Transition
This chapter argues that, far from being a redundant category, national identity continues to have significance in both the production and the consumption of music. The construction of national identities is inevitably situated within global and local historical contexts, it follows that the interface between national identity and music is constantly in a state of flux. The chapter also argues how the ideas of nation and identity continue to have…
The Irishness of Irish Music
This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consu…
Alex North’s Adapted Score for The Dead (John Huston, 1987)
Research Article| July 01 2018 Alex North’s Adapted Score for The Dead (John Huston, 1987) John O’Flynn John O’Flynn John O’Flynn is associate professor of music at Dublin City University. His publications include The Irishness of Irish Music (Ashgate, 2009); the coedited volume Music and Identity in Ireland and Beyond (Routledge, 2014); and numerous journal articles, book chapters, and encyclopedia entries on a range of subjects, including popul…
Art (4 works) · Aesthetics (2 works) · History (2 works) · Music History and Culture (2 works) · Psychology (2 works) · Affordance (1 works) · Chemistry (1 works) · Choir (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works)