Horace J Maxile Jr
Biographic Data
| ID | 7348509 |
|---|---|
| NAME | Horace J Maxile Jr |
| GIVEN NAMES | Horace J |
| FAMILY NAME | Maxile Jr |
| SIGNATURE | JR H J M |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Fantasie nègre
Since the recent processing of the addenda to the Florence Beatrice Smith Price Collection at the University of Arkansas Library and Archives and G. Schirmer’s acquisition of her catalog, interest in the composer and her music has flowered into a revival, albeit one with a peculiar frame. In concert halls, on recordings, and in musicological discourse and pedagogy, the revival of this Black woman’s music unfolds in a sociopolitical climate where …
On Vernacular Emblems and Signification in David N. Baker’s The Black Experience
Research Article| July 01 2014 On Vernacular Emblems and Signification in David N. Baker’s The Black Experience Horace J. Maxile Jr. Horace J. Maxile Jr. Search for other works by this author on: This Site Google American Music (2014) 32 (2): 223–251. https://doi.org/10.5406/americanmusic.32.2.0223 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Horace J. Maxile Jr.; On Vernacular Emblems and Signi…
No prominent works on this page.
On Vernacular Emblems and Signification in David N. Baker’s The Black Experience
Research Article| July 01 2014 On Vernacular Emblems and Signification in David N. Baker’s The Black Experience Horace J. Maxile Jr. Horace J. Maxile Jr. Search for other works by this author on: This Site Google American Music (2014) 32 (2): 223–251. https://doi.org/10.5406/americanmusic.32.2.0223 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Horace J. Maxile Jr.; On Vernacular Emblems and Signi…
Fantasie nègre
Since the recent processing of the addenda to the Florence Beatrice Smith Price Collection at the University of Arkansas Library and Archives and G. Schirmer’s acquisition of her catalog, interest in the composer and her music has flowered into a revival, albeit one with a peculiar frame. In concert halls, on recordings, and in musicological discourse and pedagogy, the revival of this Black woman’s music unfolds in a sociopolitical climate where …
Art (2 works) · Art history (2 works) · Citation (2 works) · Computer Science (2 works) · Icon (2 works) · Music History and Culture (2 works) · Visual arts (2 works) · Diverse Musicological Studies (1 work) · Emblem (1 work) · History (1 work)