Miriama Young
Biographic Data
| ID | 7349963 |
|---|---|
| NAME | Miriama Young |
| GIVEN NAMES | Miriama |
| FAMILY NAME | Young |
| SIGNATURE | YOUNG M |
| AFFILIATIONS | Miriama Young (composer, sound artist, scholar), Melbourne Conservatorium of Music, University of Melbourne, Royal Parade, Parkville VIC 3010, Australia.. Web: . |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Let Me Whisper in Your Earbud
In the contemporary moment, the typical sonic experience is solitary and portable—occurring through headphones, mobile phone, tablet, watch, laptop or in the automobile. This article evaluates some of the possibilities and constraints of producing music for Pod-dissemination
Scratch and Mix
This paper elucidates the practice by which composers and DJs use the turntable to ‘scratch and mix’ samples of recorded female voices, thereby reframing them into new contextual forms. The paper focuses on two pieces: ‘Got ‘Til It's Gone’, a pop song by Janet Jackson and Q-Tip which samples and manipulates a fragment of Joni Mitchell's ‘Big Yellow Taxi’; and Christian Marclay's turntable scratching on the voice of the late Maria Callas. The disc…
Latent body—plastic, malleable, inscribed
This article examines, through the grooves of the record disc as a site, the inscription of the human voice onto the recorded medium, and the way recording technology has changed how the listener hears and comprehends the physical body. Recording technology allowed human presence to be captured onto a concrete and tactile medium, and enabled the material object of the recording to then be bought, consumed and privately owned. The political implic…
No prominent works on this page.
Latent body—plastic, malleable, inscribed
This article examines, through the grooves of the record disc as a site, the inscription of the human voice onto the recorded medium, and the way recording technology has changed how the listener hears and comprehends the physical body. Recording technology allowed human presence to be captured onto a concrete and tactile medium, and enabled the material object of the recording to then be bought, consumed and privately owned. The political implic…
Scratch and Mix
This paper elucidates the practice by which composers and DJs use the turntable to ‘scratch and mix’ samples of recorded female voices, thereby reframing them into new contextual forms. The paper focuses on two pieces: ‘Got ‘Til It's Gone’, a pop song by Janet Jackson and Q-Tip which samples and manipulates a fragment of Joni Mitchell's ‘Big Yellow Taxi’; and Christian Marclay's turntable scratching on the voice of the late Maria Callas. The disc…
Let Me Whisper in Your Earbud
In the contemporary moment, the typical sonic experience is solitary and portable—occurring through headphones, mobile phone, tablet, watch, laptop or in the automobile. This article evaluates some of the possibilities and constraints of producing music for Pod-dissemination
Art (2 works) · Computer Science (2 works) · Linguistics (2 works) · Telecommunications (2 works) · Visual arts (2 works) · Acoustics (1 work) · Communication (1 work) · Diverse Musicological Studies (1 work) · Electrical engineering (1 work) · Engineering (1 work)