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Jeanne Hanna

Biographic Data

ID735070
NAMEJeanne Hanna
GIVEN NAMESJeanne
FAMILY NAMEHanna
SIGNATUREHANNA J
AFFILIATIONSTilburg University
ORCID0000-0002-3891-4081
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Reflections on manifesto writing

    Open Access•Jeanne Hanna, Julian Hanna et al.•ARTICLE•Multimodality & Society•2022

    The manifesto is a hybrid, multivocal and multimodal form that can be used to generate and push into the public sphere radical new ideas, freeing its authors from the constraints of polite speech in times that call for urgent action. Activism within universities is on the rise, motivated by issues such as climate change, migration, race, gender, and institutional reform. The authors, both academics living in The Netherlands, started the Words in …

  • BLAST First (from politeness) ENGLAND’

    Open Access•Jeanne Hanna•ARTICLE•Modernist Cultures•2017

    Aside from the familiar story of Vorticists and Imagists before the war, no detailed analysis of manifestos in Britain (or Ireland) exists. It is true that, by 1914, there had been such an upsurge in manifesto writing that a review of BLAST in The Times (1 July 1914) began: ‘The art of the present day seems to be exhausting its energies in “manifestoes.”’ But after the brief fire ignited by the arrival of Italian Futurism died out, Britain again …

  • Assembling Flann O’Brien

    Jeanne Hanna, Julian Hanna•ARTICLE•Irish Studies Review•2017

    Reading Maebh Long’s recent book, Assembling Flann O’Brien, one cannot help thinking that the poor fellow is finally getting the attention he deserves. Not to claim that O’Brien has been wholly neg

  • Ukip after the Referendum

    Open Access•Jeanne Hanna•ARTICLE•Anthropology News•2017

No prominent works on this page.

  • BLAST First (from politeness) ENGLAND’

    Open Access•Jeanne Hanna•ARTICLE•Modernist Cultures•2017

    Aside from the familiar story of Vorticists and Imagists before the war, no detailed analysis of manifestos in Britain (or Ireland) exists. It is true that, by 1914, there had been such an upsurge in manifesto writing that a review of BLAST in The Times (1 July 1914) began: ‘The art of the present day seems to be exhausting its energies in “manifestoes.”’ But after the brief fire ignited by the arrival of Italian Futurism died out, Britain again …

  • Assembling Flann O’Brien

    Jeanne Hanna, Julian Hanna•ARTICLE•Irish Studies Review•2017

    Reading Maebh Long’s recent book, Assembling Flann O’Brien, one cannot help thinking that the poor fellow is finally getting the attention he deserves. Not to claim that O’Brien has been wholly neg

  • Ukip after the Referendum

    Open Access•Jeanne Hanna•ARTICLE•Anthropology News•2017

  • Reflections on manifesto writing

    Open Access•Jeanne Hanna, Julian Hanna et al.•ARTICLE•Multimodality & Society•2022

    The manifesto is a hybrid, multivocal and multimodal form that can be used to generate and push into the public sphere radical new ideas, freeing its authors from the constraints of polite speech in times that call for urgent action. Activism within universities is on the rise, motivated by issues such as climate change, migration, race, gender, and institutional reform. The authors, both academics living in The Netherlands, started the Words in …

Law (3 works) · Political science (3 works) · Art (2 works) · Manifesto (2 works) · Politics (2 works) · Art history (1 work) · Child Development and Digital Technology (1 work) · Citation (1 work) · Classics (1 work) · Classics (1 work)

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