Bosede Funke Afolayan
Biographic Data
| ID | 7351808 |
|---|---|
| NAME | Bosede Funke Afolayan |
| GIVEN NAMES | Bosede Funke |
| FAMILY NAME | Afolayan |
| SIGNATURE | AFOLAYAN B F |
| AFFILIATIONS | University of Lagos |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Sex Strike in Aristophanes’ Lysistrata, J.P Clark’s Wives’ Revolt and Julie Okoh’s Edewede
Issues of injustice, exploitation, and dehumanization in the domestic setting are usually downplayed. They become national points only and when women revolt against such indignities. The three plays chosen for this study centre on women’s protests incessant wars, unjust sharing formula and circumcision. The women in the plays are fearless against a patriarchal system that tries to stifle their social, economic, personal, medical, and psychologica…
A Comparative Analysis of the Poetics of Anger in John Osborne’s Look Back in Anger and Femi Osofisan’s The Chattering and the Song
Anger is a basic human emotion which has a force for constructive or destructive ends. Its expression in any circumstance can be a trigger for a desire to change a prevailing situation. In all cases, anger is a fundamental component of art. This study examines the use of anger in Osborne’s Look Back in Anger and Osofisan’s The Chattering and the Song. Osborne and Osofisan are two writers who are very anxious to change their societies through thei…
The Court Poet/Praise Singer in Wole Soyinka’s Death and the King’s Horseman and Ola Rotimi’s Ovonramwen Nogbaisi
Oral artists are a common sight in traditional African societies and were most prominent in old empires such as Oyo, Benin, Songhai and Mali. They also existed in the Zulu empire, northern Nigeria and among the Akan in Ghana. Their place is integral to the social and political well-being of these empires. In the Oyo empire, court poets are known as Olohun-Iyo. They are called griots in Senegal and Mali and among the Akan of Ghana, they are called…
The Court Poet/Praise Singer in Wole Soyinka's Death and the King's Horseman and Ola Rotimi's Ovonramwen Nogbaisi
Oral artists are a common sight in traditional African societies and were most prominent in old empires such as Oyo, Benin, Songhai and Mali. They also existed in the Zulu empire, northern Nigeria and among the Akan in Ghana. Their place is integral to the social and political well-being of these empires. In the Oyo empire, court poets are known as Olohun-Iyo. They are called griots in Senegal and Mali and among the Akan of Ghana, they are called…
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The Court Poet/Praise Singer in Wole Soyinka’s Death and the King’s Horseman and Ola Rotimi’s Ovonramwen Nogbaisi
Oral artists are a common sight in traditional African societies and were most prominent in old empires such as Oyo, Benin, Songhai and Mali. They also existed in the Zulu empire, northern Nigeria and among the Akan in Ghana. Their place is integral to the social and political well-being of these empires. In the Oyo empire, court poets are known as Olohun-Iyo. They are called griots in Senegal and Mali and among the Akan of Ghana, they are called…
The Court Poet/Praise Singer in Wole Soyinka's Death and the King's Horseman and Ola Rotimi's Ovonramwen Nogbaisi
Oral artists are a common sight in traditional African societies and were most prominent in old empires such as Oyo, Benin, Songhai and Mali. They also existed in the Zulu empire, northern Nigeria and among the Akan in Ghana. Their place is integral to the social and political well-being of these empires. In the Oyo empire, court poets are known as Olohun-Iyo. They are called griots in Senegal and Mali and among the Akan of Ghana, they are called…
A Comparative Analysis of the Poetics of Anger in John Osborne’s Look Back in Anger and Femi Osofisan’s The Chattering and the Song
Anger is a basic human emotion which has a force for constructive or destructive ends. Its expression in any circumstance can be a trigger for a desire to change a prevailing situation. In all cases, anger is a fundamental component of art. This study examines the use of anger in Osborne’s Look Back in Anger and Osofisan’s The Chattering and the Song. Osborne and Osofisan are two writers who are very anxious to change their societies through thei…
Sex Strike in Aristophanes’ Lysistrata, J.P Clark’s Wives’ Revolt and Julie Okoh’s Edewede
Issues of injustice, exploitation, and dehumanization in the domestic setting are usually downplayed. They become national points only and when women revolt against such indignities. The three plays chosen for this study centre on women’s protests incessant wars, unjust sharing formula and circumcision. The women in the plays are fearless against a patriarchal system that tries to stifle their social, economic, personal, medical, and psychologica…
Art (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Sociology (3 works) · Literary Theory and Cultural Hermeneutics (2 works) · Philosophy (2 works) · Politics (2 works) · Praise (2 works) · Psychoanalysis (2 works)