David Vanden Bossche
Biographic Data
| ID | 7351833 |
|---|---|
| NAME | David Vanden Bossche |
| GIVEN NAMES | David Vanden |
| FAMILY NAME | Bossche |
| SIGNATURE | BOSSCHE D V |
| AFFILIATIONS | Ghent University Hospital |
| ORCID | 0000-0002-7973-9603 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Man and Camera Become One
Since its introduction in 1976, the rhetoric surrounding Steadicam has emphasized the embodied nature of the technology. This article tests these claims against scholarly work on visual conventions as well as on embodiment and the related concept of Image Schemas as coined by Maarten Coëgnarts and Peter Kravanja. I will link both these approaches to the underlying idea of contingent human universals and how these undergird visual conventions. I w…
Translating ritual into film – Notes on Paul Henley’s ‘spirit, possession, power, and the absent presence of Islam
In his 2006 article for the Journal of the Royal Anthropological Institute, ‘Spirit Possession, power, and the absent presence of Islam: re-viewing Les Maîtres Fous’ (Henley, 2006, pp 731-62), Paul Henley gives an in-depth analysis and re-examination of the seminal classic “Les Maîtres Fous” by the late French film director Jean Rouch. One of the most striking elements in the text is the rift Henley detects between what he calls ‘Rouch The Author…
No prominent works on this page.
Translating ritual into film – Notes on Paul Henley’s ‘spirit, possession, power, and the absent presence of Islam
In his 2006 article for the Journal of the Royal Anthropological Institute, ‘Spirit Possession, power, and the absent presence of Islam: re-viewing Les Maîtres Fous’ (Henley, 2006, pp 731-62), Paul Henley gives an in-depth analysis and re-examination of the seminal classic “Les Maîtres Fous” by the late French film director Jean Rouch. One of the most striking elements in the text is the rift Henley detects between what he calls ‘Rouch The Author…
Man and Camera Become One
Since its introduction in 1976, the rhetoric surrounding Steadicam has emphasized the embodied nature of the technology. This article tests these claims against scholarly work on visual conventions as well as on embodiment and the related concept of Image Schemas as coined by Maarten Coëgnarts and Peter Kravanja. I will link both these approaches to the underlying idea of contingent human universals and how these undergird visual conventions. I w…
Philosophy (2 works) · Sociology (2 works) · Aesthetic Perception and Analysis (1 work) · African history and culture analysis (1 work) · Anthropological Studies and Insights (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Biology (1 work) · Cognitive science (1 work)