Edward Gunn
Biographic Data
| ID | 735557 |
|---|---|
| NAME | Edward Gunn |
| GIVEN NAMES | Edward |
| FAMILY NAME | Gunn |
| SIGNATURE | GUNN E |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Shanghai’s “Orphan Island” and the Development of Modern Drama
Chinese-Language Film
Modernism and the Nativist Resistance
Rewriting Chinese
Rewriting Chinese
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way t…
The rhetoric of He Shang
The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…
Shanghai's "Orphan Island" and the Development of Modern Drama
Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979
The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…
Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979
The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…
The rhetoric of He Shang
The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…
Shanghai's "Orphan Island" and the Development of Modern Drama
Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979
The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…
Rewriting Chinese
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way t…
The rhetoric of He Shang
The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…
Rewriting Chinese
Modernism and the Nativist Resistance
Chinese-Language Film
Shanghai’s “Orphan Island” and the Development of Modern Drama
Art (8 works) · Literature (7 works) · History (6 works) · Chinese history and philosophy (4 works) · Asian Culture and Media Studies (3 works) · China (3 works) · Hong Kong and Taiwan Politics (3 works) · Law (3 works) · Law (3 works) · Political science (3 works)