Frank Hoff
Biographic Data
| ID | 736761 |
|---|---|
| NAME | Frank Hoff |
| GIVEN NAMES | Frank |
| FAMILY NAME | Hoff |
| SIGNATURE | HOFF F |
| AFFILIATIONS | University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 1991 |
| H-INDEX | 1 |
The Artistry of Aeschylus and Zeami
Zeami's Style
On the Art of the Nō Drama
Audience and Actors
Killing the Self
Joruria, theJapanese puppet theatre, is a type of animated storytelling illustrated with puppets. One or more tayub (reciter, narrator, chanter, or storyteller) and a musician sit apart from the main stage, where puppeteers silently manipulate large dolls without the use of strings (Plate 1). One Western observer, Roland Barthes, finds in this type of theatre, where words and movement are produced separately, an opportunity to reexamine certain W…
Hokushū. 1977
Chushingura. Studies in Kabuki and the Puppet Theater
Warlords, Artists and Commoners
Song, Dance, Storytelling. Aspects of the Performing Arts in Japan
Cornell University East Asia Papers, No. 15, 223 p
Dance Notation Preserved at Mōtsuji (An addendum to “Dance to Song in Japan” 1 )
In the northeastern part of the main island of Japan at the temple of Mōtsuji, documents survive which show notational practices used to preserve the choreography of dances performed there as part of the Buddhist ceremony of Ennen. I have discussed the Ennen of Mōtsuji in the section called “ Ennen: Dance to a Buddhist Text” in my article on “Dance to Song in Japan” and would like to explore here the records of some of its dances since they exemp…
Workshop on Nō Drama and Greek Tragedy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dance to Song in Japan
Although there are dance types in Japan where movement is unaccompanied by song, dance to song comprises a major part of the various traditions of dance in its classical theaters and is widely found in the countryside as well. In some cases, of course, song includes meaningless words, or the voice is used like an instrument, simply to provide a musical element or beat to which to dance. But it has seemed to me that a unique aesthetic underlies a …
Yamabushi "Kagura" and "Bangaku"
Concerned Theatre Japan. Discrimination. Vol. II, nos. 3 & 4
The Genial Seed
Twenty Plays of the No Theatre
Warlords, Artists and Commoners
Dance to Song in Japan
Although there are dance types in Japan where movement is unaccompanied by song, dance to song comprises a major part of the various traditions of dance in its classical theaters and is widely found in the countryside as well. In some cases, of course, song includes meaningless words, or the voice is used like an instrument, simply to provide a musical element or beat to which to dance. But it has seemed to me that a unique aesthetic underlies a …
Twenty Plays of the No Theatre
Concerned Theatre Japan. Discrimination. Vol. II, nos. 3 & 4
The Genial Seed
Yamabushi "Kagura" and "Bangaku"
Dance to Song in Japan
Although there are dance types in Japan where movement is unaccompanied by song, dance to song comprises a major part of the various traditions of dance in its classical theaters and is widely found in the countryside as well. In some cases, of course, song includes meaningless words, or the voice is used like an instrument, simply to provide a musical element or beat to which to dance. But it has seemed to me that a unique aesthetic underlies a …
Dance Notation Preserved at Mōtsuji (An addendum to “Dance to Song in Japan” 1 )
In the northeastern part of the main island of Japan at the temple of Mōtsuji, documents survive which show notational practices used to preserve the choreography of dances performed there as part of the Buddhist ceremony of Ennen. I have discussed the Ennen of Mōtsuji in the section called “ Ennen: Dance to a Buddhist Text” in my article on “Dance to Song in Japan” and would like to explore here the records of some of its dances since they exemp…
Workshop on Nō Drama and Greek Tragedy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Song, Dance, Storytelling. Aspects of the Performing Arts in Japan
Cornell University East Asia Papers, No. 15, 223 p
Warlords, Artists and Commoners
Hokushū. 1977
Chushingura. Studies in Kabuki and the Puppet Theater
Killing the Self
Joruria, theJapanese puppet theatre, is a type of animated storytelling illustrated with puppets. One or more tayub (reciter, narrator, chanter, or storyteller) and a musician sit apart from the main stage, where puppeteers silently manipulate large dolls without the use of strings (Plate 1). One Western observer, Roland Barthes, finds in this type of theatre, where words and movement are produced separately, an opportunity to reexamine certain W…
On the Art of the Nō Drama
Audience and Actors
Zeami's Style
The Artistry of Aeschylus and Zeami
Art (12 works) · History (8 works) · Visual arts (7 works) · Japanese History and Culture (5 works) · Literature (4 works) · Aesthetics (3 works) · Asian Culture and Media Studies (3 works) · Dance (3 works) · Linguistics (3 works) · Philosophy (3 works)