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Alejandro Mitrani

Biographic Data

ID73835
NAMEAlejandro Mitrani
GIVEN NAMESAlejandro
FAMILY NAMEMitrani
SIGNATUREMITRANI A
AFFILIATIONSUniversidad Nacional Autonoma de Mexico
ORCID0000-0002-0877-5033
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS8
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Additional Fieldwork and Reassessments Support Human Presence since the Last Glacial Maximum at Chiquihuite Cave, Mexico

    Ciprian F Ardelean, Joaquin Arroyo-Cabrales et al.•ARTICLE•PaleoAmerica•2026

    Chiquihuite Cave became known for its silica-rich limestone artifacts from stratified deposits that indicated human occupations dating between the Last Glacial Maximum (LGM) and the Younger Dryas (YD). The claims were received with skepticism by some peers. This paper presents the results of further explorations performed at the site in 2019 that confirm the presence of artifacts at other locations in the cavern. We communicate the findings of de…

  • One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Journal of Archaeological Science…•2025•Cited by: 1•References: 4

  • Unraveling the Olmec rubber balls from El Manatí, Mexico: A Technological and Compositional Analysis

    Open Access•Nora A Pérez, Víctor Hugo Guzmán et al.•ARTICLE•Archaeological and Anthropological…•2024•References: 40

    This work presents an analysis towards a description of the manufacturing technique of the Olmec rubber balls found at the offerings at El Manatí. The results present this procedure from the extraction of the Mesoamerican rubber from the Castilla elastica tree, discussing its composition and origin of the rubber balls analyzed towards the production of strips that are rolled to make the ball round form. This characterization was achieved through …

  • Oldest art or symbolic expressions in North America? Pleistocene modified bones and a human remain at Sima de las Golondrinas cave, Zacatecas, Mexico

    Open Access•Ciprian F Ardelean, Joaquin Arroyo-Cabrales et al.•ARTICLE•L Anthropologie•2023

  • Mayan Fire: Calibration curve for the determination of heating temperatures of limestone, lime and related materials by FTIR measurements

    Open Access•Soledad Ortiz Ruiz, O G De Lucio et al.•ARTICLE•Journal of Archaeological Science…•2023•References: 24

  • Characterisation of obsidian subsource variability at El Paredón, Mexico

    Open Access•Armando Castellanos, Aurelio López Corral et al.•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    Portable X‐ray fluorescence (pXRF) geochemical analysis on obsidian from five Formative period (1200 BCE to AC 100) sites from Tlaxcala, Mexico, has revealed that most of the material had similar values to those found in the closest obsidian source, named El Paredón, Puebla. Nevertheless, initial analyses did not resolve whether these materials came from the same caldera or from a specific obsidian deposit. Here we present a methodology that allo…

  • New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Archaeological and Anthropological…•2023•Cited by: 3•References: 47

    Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …

  • Technical Non-Invasive Study of an 18th Century Novo-Hispanic Panel Painting

    Open Access•Miguel Pérez, Nathael Cano et al.•ARTICLE•Heritage•2021•Cited by: 1•References: 3

    Purísima Concepción, a large-format and unusual panel painting attributed to the 18th century, based on style and the common aspect of the visual tradition of the Virgin Mary found in the Viceroyalty of New Spain, is sheltered at the Museo Ex-convento San Agustín Acolman-INAH, México, an institution opened in late 1920, and one of the oldest museums in México. In this work, we present the material characterization of the surface layer of the pain…

  • Characterization of Adobe Blocks: Point-Load Assessment as a Complementary Study of Damaged Buildings and Samples

    Open Access•Adrià Sánchez-Calvillo, Elía Mercedes Alonso Guzmán et al.•ARTICLE•Heritage•2021•Cited by: 2•References: 2

    Adobe masonry is one of the oldest construction systems still in use today, Mexico has an enormous cultural heritage with traditional adobe houses being very representative of the rural communities and their culture. The 2017 Puebla Earthquake on September 19th struck the country causing the loss, destruction, and damage of historic buildings in several Mexican states, with the traditional earthen dwellings being the most vulnerable structures to…

  • Technological analysis of Capacha pottery from the Colima Valley (western Mexico) by ED-XRF and thin-section petrography

    Open Access•Carlos Salgado-Ceballos, Alejandro Mitrani et al.•ARTICLE•Journal of Archaeological Science…•2021•References: 14

  • Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

    Open Access•Karla Muñoz-Alcocer, Laura Fuster-López et al.•ARTICLE•STAR Science & Technology of…•2019

    An interdisciplinary and multi-institutional group of science and art conservation specialists has provided new insight into the painting materials used in the polychrome walls and wooden ceilings in four seventeenth century Spanish colonial churches of Nueva Vizcaya (Chihuahua, Mexico). A multi-analytical study of the decorative surfaces was performed in situ using spectroscopic approaches (XRF, FORS), False Colour Infrared Reflectography – IRFC…

  • New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Archaeological and Anthropological…•2023•Cited by: 3•References: 47

    Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …

  • Characterization of Adobe Blocks: Point-Load Assessment as a Complementary Study of Damaged Buildings and Samples

    Open Access•Adrià Sánchez-Calvillo, Elía Mercedes Alonso Guzmán et al.•ARTICLE•Heritage•2021•Cited by: 2•References: 2

    Adobe masonry is one of the oldest construction systems still in use today, Mexico has an enormous cultural heritage with traditional adobe houses being very representative of the rural communities and their culture. The 2017 Puebla Earthquake on September 19th struck the country causing the loss, destruction, and damage of historic buildings in several Mexican states, with the traditional earthen dwellings being the most vulnerable structures to…

  • One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Journal of Archaeological Science…•2025•Cited by: 1•References: 4

  • Characterisation of obsidian subsource variability at El Paredón, Mexico

    Open Access•Armando Castellanos, Aurelio López Corral et al.•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    Portable X‐ray fluorescence (pXRF) geochemical analysis on obsidian from five Formative period (1200 BCE to AC 100) sites from Tlaxcala, Mexico, has revealed that most of the material had similar values to those found in the closest obsidian source, named El Paredón, Puebla. Nevertheless, initial analyses did not resolve whether these materials came from the same caldera or from a specific obsidian deposit. Here we present a methodology that allo…

  • Technical Non-Invasive Study of an 18th Century Novo-Hispanic Panel Painting

    Open Access•Miguel Pérez, Nathael Cano et al.•ARTICLE•Heritage•2021•Cited by: 1•References: 3

    Purísima Concepción, a large-format and unusual panel painting attributed to the 18th century, based on style and the common aspect of the visual tradition of the Virgin Mary found in the Viceroyalty of New Spain, is sheltered at the Museo Ex-convento San Agustín Acolman-INAH, México, an institution opened in late 1920, and one of the oldest museums in México. In this work, we present the material characterization of the surface layer of the pain…

  • Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

    Open Access•Karla Muñoz-Alcocer, Laura Fuster-López et al.•ARTICLE•STAR Science & Technology of…•2019

    An interdisciplinary and multi-institutional group of science and art conservation specialists has provided new insight into the painting materials used in the polychrome walls and wooden ceilings in four seventeenth century Spanish colonial churches of Nueva Vizcaya (Chihuahua, Mexico). A multi-analytical study of the decorative surfaces was performed in situ using spectroscopic approaches (XRF, FORS), False Colour Infrared Reflectography – IRFC…

  • Technical Non-Invasive Study of an 18th Century Novo-Hispanic Panel Painting

    Open Access•Miguel Pérez, Nathael Cano et al.•ARTICLE•Heritage•2021•Cited by: 1•References: 3

    Purísima Concepción, a large-format and unusual panel painting attributed to the 18th century, based on style and the common aspect of the visual tradition of the Virgin Mary found in the Viceroyalty of New Spain, is sheltered at the Museo Ex-convento San Agustín Acolman-INAH, México, an institution opened in late 1920, and one of the oldest museums in México. In this work, we present the material characterization of the surface layer of the pain…

  • Characterization of Adobe Blocks: Point-Load Assessment as a Complementary Study of Damaged Buildings and Samples

    Open Access•Adrià Sánchez-Calvillo, Elía Mercedes Alonso Guzmán et al.•ARTICLE•Heritage•2021•Cited by: 2•References: 2

    Adobe masonry is one of the oldest construction systems still in use today, Mexico has an enormous cultural heritage with traditional adobe houses being very representative of the rural communities and their culture. The 2017 Puebla Earthquake on September 19th struck the country causing the loss, destruction, and damage of historic buildings in several Mexican states, with the traditional earthen dwellings being the most vulnerable structures to…

  • Technological analysis of Capacha pottery from the Colima Valley (western Mexico) by ED-XRF and thin-section petrography

    Open Access•Carlos Salgado-Ceballos, Alejandro Mitrani et al.•ARTICLE•Journal of Archaeological Science…•2021•References: 14

  • Oldest art or symbolic expressions in North America? Pleistocene modified bones and a human remain at Sima de las Golondrinas cave, Zacatecas, Mexico

    Open Access•Ciprian F Ardelean, Joaquin Arroyo-Cabrales et al.•ARTICLE•L Anthropologie•2023

  • Mayan Fire: Calibration curve for the determination of heating temperatures of limestone, lime and related materials by FTIR measurements

    Open Access•Soledad Ortiz Ruiz, O G De Lucio et al.•ARTICLE•Journal of Archaeological Science…•2023•References: 24

  • Characterisation of obsidian subsource variability at El Paredón, Mexico

    Open Access•Armando Castellanos, Aurelio López Corral et al.•ARTICLE•Archaeometry•2023•Cited by: 1•References: 31

    Portable X‐ray fluorescence (pXRF) geochemical analysis on obsidian from five Formative period (1200 BCE to AC 100) sites from Tlaxcala, Mexico, has revealed that most of the material had similar values to those found in the closest obsidian source, named El Paredón, Puebla. Nevertheless, initial analyses did not resolve whether these materials came from the same caldera or from a specific obsidian deposit. Here we present a methodology that allo…

  • New insights on Teotihuacan color technology: A Proposal of a Technological Style for Mural Painting

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Archaeological and Anthropological…•2023•Cited by: 3•References: 47

    Teotihuacan, the main city of the Classic period in Central Mexico (ca. 150/200-650 CE), was among many things, a colorful city. Through its application on mural painting, ceramics, lapidary, bone, textiles, and the human body itself, coloring materials gave meaning to the Teotihuacan reality. This research presents color as a socio-technological phenomenon from the archaeology of color, the anthropology of technology, and the application of the …

  • Unraveling the Olmec rubber balls from El Manatí, Mexico: A Technological and Compositional Analysis

    Open Access•Nora A Pérez, Víctor Hugo Guzmán et al.•ARTICLE•Archaeological and Anthropological…•2024•References: 40

    This work presents an analysis towards a description of the manufacturing technique of the Olmec rubber balls found at the offerings at El Manatí. The results present this procedure from the extraction of the Mesoamerican rubber from the Castilla elastica tree, discussing its composition and origin of the rubber balls analyzed towards the production of strips that are rolled to make the ball round form. This characterization was achieved through …

  • One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings

    Open Access•Carlos López-Puértolas, Edgar Casanova-González et al.•ARTICLE•Journal of Archaeological Science…•2025•Cited by: 1•References: 4

  • Additional Fieldwork and Reassessments Support Human Presence since the Last Glacial Maximum at Chiquihuite Cave, Mexico

    Ciprian F Ardelean, Joaquin Arroyo-Cabrales et al.•ARTICLE•PaleoAmerica•2026

    Chiquihuite Cave became known for its silica-rich limestone artifacts from stratified deposits that indicated human occupations dating between the Last Glacial Maximum (LGM) and the Younger Dryas (YD). The claims were received with skepticism by some peers. This paper presents the results of further explorations performed at the site in 2019 that confirm the presence of artifacts at other locations in the cavern. We communicate the findings of de…

Geography (9 works) · Archaeology (8 works) · Archaeology and ancient environmental studies (6 works) · Building materials and conservation (6 works) · Conservation Techniques and Studies (5 works) · Cultural Heritage Materials Analysis (5 works) · Geology (5 works) · Mineralogy (5 works) · Art (4 works) · Chemistry (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae