Zsuzsanna Fagyal
Biographic Data
| ID | 738808 |
|---|---|
| NAME | Zsuzsanna Fagyal |
| GIVEN NAMES | Zsuzsanna |
| FAMILY NAME | Fagyal |
| SIGNATURE | FAGYAL Z |
| AFFILIATIONS | University of Illinois Urbana-Champaign |
| ORCID | 0000-0002-9712-9198 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 46 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 2 |
Sociolinguistic Variation in Contemporary French (Impact Series) edited by Kate Beeching, Nigel Armstrong and Françoise Gadet
Prosodic style-shifting in preadolescent peer-group interactions in a working-class suburb of Paris
In this chapter, we study the variable use of phrase-final intonation contours in French by male adolescents recorded in guided interviews in a multi-ethnic working-class suburb of Paris. We show that speakers use pragmatically neutral rising or falling intonation when listing target words depicted on images shown by a fieldworker, but resort to a characteristic rising-falling intonation attributed to a working-class youth vernacular in contact w…
Centers and peripheries: Network roles in language change
Comparing Single and Double Sayings of the German Response Token ja and the Role of Prosody: A Conversation Analytic Perspective
or ja^ja., cannot be considered a more intense version of the same action. Moreover, the two forms ^jaja. and ja^ja. systematically accomplish separate interactional goals. Both forms are produced when the prior speaker utters something that is obvious and/or known by the jaja speaker. However, by uttering ^jaja. (with pitch peak on the first syllable), the speaker merely indicates that the prior utterance contains already known information and t…
Acoustic aspects of vowel harmony in French
La Valeur Marchande Des Anglicismes
Phonetics and speaking machines: On the mechanical simulation of human speech in the 17th century
This paper shows that in the 17th century various attempts were made to build fully automatic speaking devices resembling those exhibited in the late 18th-century in France and Germany. Through the analysis of writings by well-known 17th-century scientists, and a document hitherto unknown in the history of phonetics and speech synthesis, an excerpt from La Science universelle (1667[1641]) of the French writer Charles Sorel (1599-1674), it is argu…
Comparing Single and Double Sayings of the German Response Token ja and the Role of Prosody: A Conversation Analytic Perspective
or ja^ja., cannot be considered a more intense version of the same action. Moreover, the two forms ^jaja. and ja^ja. systematically accomplish separate interactional goals. Both forms are produced when the prior speaker utters something that is obvious and/or known by the jaja speaker. However, by uttering ^jaja. (with pitch peak on the first syllable), the speaker merely indicates that the prior utterance contains already known information and t…
Centers and peripheries: Network roles in language change
Acoustic aspects of vowel harmony in French
Phonetics and speaking machines: On the mechanical simulation of human speech in the 17th century
This paper shows that in the 17th century various attempts were made to build fully automatic speaking devices resembling those exhibited in the late 18th-century in France and Germany. Through the analysis of writings by well-known 17th-century scientists, and a document hitherto unknown in the history of phonetics and speech synthesis, an excerpt from La Science universelle (1667[1641]) of the French writer Charles Sorel (1599-1674), it is argu…
La Valeur Marchande Des Anglicismes
Comparing Single and Double Sayings of the German Response Token ja and the Role of Prosody: A Conversation Analytic Perspective
or ja^ja., cannot be considered a more intense version of the same action. Moreover, the two forms ^jaja. and ja^ja. systematically accomplish separate interactional goals. Both forms are produced when the prior speaker utters something that is obvious and/or known by the jaja speaker. However, by uttering ^jaja. (with pitch peak on the first syllable), the speaker merely indicates that the prior utterance contains already known information and t…
Acoustic aspects of vowel harmony in French
Centers and peripheries: Network roles in language change
Prosodic style-shifting in preadolescent peer-group interactions in a working-class suburb of Paris
In this chapter, we study the variable use of phrase-final intonation contours in French by male adolescents recorded in guided interviews in a multi-ethnic working-class suburb of Paris. We show that speakers use pragmatically neutral rising or falling intonation when listing target words depicted on images shown by a fieldworker, but resort to a characteristic rising-falling intonation attributed to a working-class youth vernacular in contact w…
Sociolinguistic Variation in Contemporary French (Impact Series) edited by Kate Beeching, Nigel Armstrong and Françoise Gadet
Linguistics (5 works) · Computer Science (3 works) · Linguistic Variation and Morphology (3 works) · Phonetics and Phonology Research (3 works) · Psychology (3 works) · Artificial Intelligence (2 works) · Communication (2 works) · History (2 works) · Language, Discourse, Communication Strategies (2 works) · Mathematics (2 works)