W Andrew Schloss
Biographic Data
| ID | 7398199 |
|---|---|
| NAME | W Andrew Schloss |
| GIVEN NAMES | W Andrew |
| FAMILY NAME | Schloss |
| SIGNATURE | SCHLOSS W A |
| AFFILIATIONS | University of Victoria |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 1 |
African Rhythms
Book Review| January 01 2007 African Rhythms African Rhythms, Pierre-Laurent Aimard, György Ligeti, Steve Reich and Simha Arom. Dániel Péter Biró; Dániel Péter Biró Search for other works by this author on: This Site Google W. Andrew Schloss W. Andrew Schloss Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 162–165. https://doi.org/10.2307/20174514 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn …
Preservation and extension of traditional techniques
This article describes systems for capturing gestures from a performing artist playing North Indian instruments. Modified traditional instruments use sensor technology and microcontrollers to digitize performance, enabling a computer to synthesize sound and generate visual meaning. Specifically, systems were built to capture data from three traditional North Indian instruments: the tabla (a pair of tonal hand drums), the dholak (a barrel-shaped f…
Using Contemporary Technology in Live Performance
The use of computers in live performance has resulted in a situation in which cause-and-effect has effectively disappeared, for the first time since music began. Once we started to use computers in live performance – to interpret gestures and generate sound as a result – the age-old relationship between gesture and result became so blurred as to be often imperceptible. In historical terms, this problem is extremely recent, involving only the last…
Using Contemporary Technology in Live Performance
The use of computers in live performance has resulted in a situation in which cause-and-effect has effectively disappeared, for the first time since music began. Once we started to use computers in live performance – to interpret gestures and generate sound as a result – the age-old relationship between gesture and result became so blurred as to be often imperceptible. In historical terms, this problem is extremely recent, involving only the last…
Using Contemporary Technology in Live Performance
The use of computers in live performance has resulted in a situation in which cause-and-effect has effectively disappeared, for the first time since music began. Once we started to use computers in live performance – to interpret gestures and generate sound as a result – the age-old relationship between gesture and result became so blurred as to be often imperceptible. In historical terms, this problem is extremely recent, involving only the last…
Preservation and extension of traditional techniques
This article describes systems for capturing gestures from a performing artist playing North Indian instruments. Modified traditional instruments use sensor technology and microcontrollers to digitize performance, enabling a computer to synthesize sound and generate visual meaning. Specifically, systems were built to capture data from three traditional North Indian instruments: the tabla (a pair of tonal hand drums), the dholak (a barrel-shaped f…
African Rhythms
Book Review| January 01 2007 African Rhythms African Rhythms, Pierre-Laurent Aimard, György Ligeti, Steve Reich and Simha Arom. Dániel Péter Biró; Dániel Péter Biró Search for other works by this author on: This Site Google W. Andrew Schloss W. Andrew Schloss Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (1): 162–165. https://doi.org/10.2307/20174514 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn …
Art (3 works) · Computer Science (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works) · Diverse Musicological Studies (2 works) · Gesture (2 works) · Music and Audio Processing (2 works) · Music Technology and Sound Studies (2 works) · Art history (1 work) · Citation (1 work)