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Edward M Gunn

Biographic Data

ID741143
NAMEEdward M Gunn
GIVEN NAMESEdward M
FAMILY NAMEGunn
SIGNATUREGUNN E M
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS19
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Shanghai’s “Orphan Island” and the Development of Modern Drama

    Edward Gunn, Edward M Gunn•CHAPTER•Popular Chinese Literature and…•2024

  • Rendering the Regional

    Edward M Gunn•BOOK•Rendering the Regional•2017

    For centuries the sub-national languages of China have been a fundamental feature in daily life and popular culture, while a standardized form of Mandarin has been adopted as the language of the state (including education). Suppressed during powerful movements to establish a modern, national culture, these local languages or dialects have nevertheless survived, and their resurgence in the media and literature has caused tensions to surface. Conce…

  • Chinese-Language Film

    Edward Gunn, Edward M Gunn•ARTICLE•The China Journal•2006

  • Modernism and the Nativist Resistance

    Edward Gunn, Edward M Gunn et al.•ARTICLE•Chinese Literature Essays…•1994

  • Rewriting Chinese

    Edward Gunn, Edward M Gunn•BOOK•Rewriting Chinese•1991

    Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way t…

  • The rhetoric of He Shang

    Edward Gunn, Edward M Gunn•ARTICLE•Bulletin of Concerned Asian…•1991•Cited by: 1•References: 4

    The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…

  • Shanghai's "Orphan Island" and the Development of Modern Drama

    Edward Gunn, Edward M Gunn•CHAPTER•Popular Chinese Literature and…•1984

  • Twentieth-Century Chinese Drama

    K C Leung, Edward M Gunn•ARTICLE•World Literature Today•1984•Cited by: 2

  • Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979

    Paul Clark, Michael Egan et al.•BOOK•Popular Chinese Literature and…•1984•Cited by: 15

    The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…

  • Actors Are Madmen

    Becky Prophet, Becky B Prophet et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • Unwelcome Muse

    Bonnie S Mcdougall, Edward M Gunn•ARTICLE•Harvard Journal of Asiatic Studies•1981

  • Unwelcome Muse. Chinese Literature in Shanghai and Peking, 1937-1945

    T D Huters, Edward M Gunn•ARTICLE•Pacific Affairs•1981

  • Unwelcome Muse Chinese Literature in Shanghai and Peking 1937–1945

    Edward M Gunn•BOOK•Unwelcome Muse Chinese Literature…•1980

  • Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979

    Paul Clark, Michael Egan et al.•BOOK•Popular Chinese Literature and…•1984•Cited by: 15

    The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…

  • Twentieth-Century Chinese Drama

    K C Leung, Edward M Gunn•ARTICLE•World Literature Today•1984•Cited by: 2

  • The rhetoric of He Shang

    Edward Gunn, Edward M Gunn•ARTICLE•Bulletin of Concerned Asian…•1991•Cited by: 1•References: 4

    The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…

  • Actors Are Madmen

    Becky Prophet, Becky B Prophet et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • Unwelcome Muse Chinese Literature in Shanghai and Peking 1937–1945

    Edward M Gunn•BOOK•Unwelcome Muse Chinese Literature…•1980

  • Unwelcome Muse

    Bonnie S Mcdougall, Edward M Gunn•ARTICLE•Harvard Journal of Asiatic Studies•1981

  • Unwelcome Muse. Chinese Literature in Shanghai and Peking, 1937-1945

    T D Huters, Edward M Gunn•ARTICLE•Pacific Affairs•1981

  • Shanghai's "Orphan Island" and the Development of Modern Drama

    Edward Gunn, Edward M Gunn•CHAPTER•Popular Chinese Literature and…•1984

  • Twentieth-Century Chinese Drama

    K C Leung, Edward M Gunn•ARTICLE•World Literature Today•1984•Cited by: 2

  • Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979

    Paul Clark, Michael Egan et al.•BOOK•Popular Chinese Literature and…•1984•Cited by: 15

    The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the es…

  • Actors Are Madmen

    Becky Prophet, Becky B Prophet et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • Rewriting Chinese

    Edward Gunn, Edward M Gunn•BOOK•Rewriting Chinese•1991

    Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way t…

  • The rhetoric of He Shang

    Edward Gunn, Edward M Gunn•ARTICLE•Bulletin of Concerned Asian…•1991•Cited by: 1•References: 4

    The television miniseries He shang (River elegy) was produced in 1988, when much of the Chinese public was growing restive with economic instability and unprecedented inflation. As further economic and political reforms appeared stalled in quarrels among national leaders, public perception focused on the official corruption and nepotism that was monopolizing the new avenues of opportunity that had supposedly been opened up to the society at large…

  • Modernism and the Nativist Resistance

    Edward Gunn, Edward M Gunn et al.•ARTICLE•Chinese Literature Essays…•1994

  • Chinese-Language Film

    Edward Gunn, Edward M Gunn•ARTICLE•The China Journal•2006

  • Rendering the Regional

    Edward M Gunn•BOOK•Rendering the Regional•2017

    For centuries the sub-national languages of China have been a fundamental feature in daily life and popular culture, while a standardized form of Mandarin has been adopted as the language of the state (including education). Suppressed during powerful movements to establish a modern, national culture, these local languages or dialects have nevertheless survived, and their resurgence in the media and literature has caused tensions to surface. Conce…

  • Shanghai’s “Orphan Island” and the Development of Modern Drama

    Edward Gunn, Edward M Gunn•CHAPTER•Popular Chinese Literature and…•2024

Art (10 works) · History (9 works) · Chinese history and philosophy (7 works) · Literature (7 works) · Asian Culture and Media Studies (6 works) · China (6 works) · Political science (5 works) · Hong Kong and Taiwan Politics (4 works) · Japanese History and Culture (4 works) · Law (4 works)

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