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Eugene Chen Eoyang

Biographic Data

ID741518
NAMEEugene Chen Eoyang
GIVEN NAMESEugene Chen
FAMILY NAMEEoyang
SIGNATUREEOYANG E C
AFFILIATIONSIndiana University Bloomington
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS8
WORKS AS AUTHOR22
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2017
H-INDEX2
  • This Thing Called the World

    Eugene Eoyang, Eugene Chen Eoyang•REVIEW•World Literature Today•2017

    whose untold amplitude is as important as the words in print. This deconstruction of reality is staged in multiple counterpoints and role reversals : children not yet born cry and suffer while the dead continue to feel, love, see, and move around; mountains get personified while dead bodies grow trees and new life; wind, water, air have feelings and perform purposeful actions. These strategies blur the boundaries between life and death, city and …

  • Gatekeepers

    Eugene Chen Eoyang•ARTICLE•World Literature Today•2016•Cited by: 5

    WORLDLITERATURETODAY.ORG 101 Jonas Zdanys Red Stones Illus. Steven Schroeder Lamar University Press Red Stones's collaborative effort sees Jonas Zdanys's precision of language in these twelve-line lyric poems contrasting with the textural abstractions of Steven Schroeder's paintings. Zdanys, a celebrated bilingual poet who writes in as well as translates from the Lithuanian, navigates from the physical to the philosophical in these short poems th…

  • The Persistence of "Cathay" in World Literature

    Open Access•Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•CLCWeb Comparative Literature and…•2013

    In his article "The Persistence of 'Cathay' in World Literature" Eugene Eoyang argues that China has only recently begun to occupy a place in world literatures as evidenced by the absence of Chinese literature from the early editions of the widely adopted Norton Anthology of World Masterpieces and its token representations in subsequent editions. "Orientalized" images of China still persist partly stemming from the continuing currency of stereoty…

  • The Modernist Response to Chinese Art

    Eugene Chen Eoyang•ARTICLE•Comparative Literature Studies•2008

  • The Blank Slate

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Comparative Literature Studies•2007

  • Intercultural Explorations

    Eugene Chen Eoyang•BOOK•Intercultural Explorations•2005

    Divided into four sections: Asian-Western Intersections, Intercultural Memory, Intercultural Perspectives on Women, Genre Studies, and The Intercultural Arts, these essays from diverse hands and multiple perspectives illuminate the intersections, the cross-sections, and the synergies that characterize significant literary texts and artistic productions. Individually, they exemplify the insights available in an intercultural perspective; together …

  • Borrowed Plumage

    Eugene Chen Eoyang•BOOK•Borrowed Plumage•2003

    This eclectic collection of essays focuses on a number of intriguing issues in translation: some of these “polemic” essays challenge certain widespread beliefs and practices: for example, the belief that humor is untranslatable; the assumption that translations are always inferior to the originals; the spread of translations that are more impenetrable to the target audience than the originals ever were to the source language audience; above all, …

  • English as a postcolonial tool

    Open Access•Eugene Chen Eoyang•ARTICLE•English Today•2003

    English as the global (if not the universal) language reflects a hegemony of the past as well as of the present: both a continuation of the British Empire (and thus demonized as a former colonial language) and, as the preferred language of international business and capitalist development throughout the world, resented as a powerful neo-colonial language. Yet, as this study seeks to show, English is capable of acting against its own imperialisms,…

  • Teaching English as Culture

    Open Access•Eugene Chen Eoyang•ARTICLE•Diogenes•2003

    The teaching of an 'imperialist' language like English in a postcolonial era presents not only unprecedented difficulties to the teacher, it also raises disconcerting questions about the paradigms underlying the concepts of language, language teaching, and culture. This new perspective renders inadequate, on the one hand, the peda-linguistic categories of EFL (English as a Foreign Language) and ESL (English as a Second Language), and, on the othe…

  • L'enseignement de l'anglais dans le discours postcolonial

    Eugene Chen Eoyang•ARTICLE•Diogène•2002

  • Life, Liberty, and the Pursuit of Linguistic Parity

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Journal of American History•1999

    Reading these fascinating essays on translations of the Declaration of Independence into various languages-including Russian, Chinese, Italian, Japanese, French, and Spanish-what emerges is how remarkably paradoxical that document is. It is clearly both revolutionary and universal. Yet, we should perhaps remind ourselves of the inevitable contradiction in those two claims. If it is revolutionary, its precepts run counter to mainstream tradition: …

  • Translating as a mode of thinking translation as a model of thought

    Eugene Chen Eoyang•ARTICLE•Perspectives•1996

    The sympathetic neurons that innervate eccrine sweat glands undergo a phenotypic switch from noradrenergic to cholinergic and peptidergic. The changes in neurotransmitter choice are retrogradely specified by interactions with the target tissue that are mediated by a secreted differentiation factor. Production of the target-derived differentiation factor requires noradrenergic innervation. The switch from noradrenergic to cholinergic and peptiderg…

  • Translating Chinese Literature

    Eugene Eoyang, Eugene Chen Eoyang et al.•BOOK•Translating Chinese literature•1995

    Leading scholar-translators talk about the craft of translating Chinese literature into English

  • T'ang Transformation Texts

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Religion•1992

  • Tao Te Ching

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Religion•1990

  • A Taste For Apricots

    Eugene Eoyang, Eugene Chen Eoyang•CHAPTER•Chinese Narrative•1987

    In 835, Po Chii-yi J his poetry was read by literati and sung by the common people. By his own estimation, he had risen higher in the official hierarchy than many poets before him; yet his songs were sung by proud (and expensive) prostitutes. Behind these lines and their concern with literacy and illiteracy lies an implicit recognition of the disenfranchisement of the unlettered and of the importance of the written word. Command over spoken langu…

  • Selected Poems of Ai Qing

    Michael S Duke, Eugene Chen Eoyang et al.•ARTICLE•Pacific Affairs•1984

  • Selected Poems of Ai Qing

    Robert E Hegel, Ai Qing et al.•ARTICLE•World Literature Today•1983

  • The Wang Chao-chun Legend

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Chinese Literature Essays…•1982

  • Beyond Visual and Aural Criteria

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Critical Inquiry•1979•Cited by: 3

  • The Oral Element in Chinese Fiction

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Journal of the Folklore Institute•1976

  • The Solitary Boat

    Open Access•Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Asian Studies•1973•References: 4

    One critic of Chinese poetry has written, suggestively: "Western readers are sometimes struck by what they do not find ...". One of the most familiar constituents of poetry, particularly of the lyric, that will not be found in much of Chinese nature poetry is an identifiable grammatical subject. It is not uncommon for a translator of Chinese poetry to ask "... who is its subject? I? You? She?" The requirements of the translation into Western lang…

  • Gatekeepers

    Eugene Chen Eoyang•ARTICLE•World Literature Today•2016•Cited by: 5

    WORLDLITERATURETODAY.ORG 101 Jonas Zdanys Red Stones Illus. Steven Schroeder Lamar University Press Red Stones's collaborative effort sees Jonas Zdanys's precision of language in these twelve-line lyric poems contrasting with the textural abstractions of Steven Schroeder's paintings. Zdanys, a celebrated bilingual poet who writes in as well as translates from the Lithuanian, navigates from the physical to the philosophical in these short poems th…

  • Beyond Visual and Aural Criteria

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Critical Inquiry•1979•Cited by: 3

  • The Solitary Boat

    Open Access•Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Asian Studies•1973•References: 4

    One critic of Chinese poetry has written, suggestively: "Western readers are sometimes struck by what they do not find ...". One of the most familiar constituents of poetry, particularly of the lyric, that will not be found in much of Chinese nature poetry is an identifiable grammatical subject. It is not uncommon for a translator of Chinese poetry to ask "... who is its subject? I? You? She?" The requirements of the translation into Western lang…

  • The Oral Element in Chinese Fiction

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Journal of the Folklore Institute•1976

  • Beyond Visual and Aural Criteria

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Critical Inquiry•1979•Cited by: 3

  • The Wang Chao-chun Legend

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Chinese Literature Essays…•1982

  • Selected Poems of Ai Qing

    Robert E Hegel, Ai Qing et al.•ARTICLE•World Literature Today•1983

  • Selected Poems of Ai Qing

    Michael S Duke, Eugene Chen Eoyang et al.•ARTICLE•Pacific Affairs•1984

  • A Taste For Apricots

    Eugene Eoyang, Eugene Chen Eoyang•CHAPTER•Chinese Narrative•1987

    In 835, Po Chii-yi J his poetry was read by literati and sung by the common people. By his own estimation, he had risen higher in the official hierarchy than many poets before him; yet his songs were sung by proud (and expensive) prostitutes. Behind these lines and their concern with literacy and illiteracy lies an implicit recognition of the disenfranchisement of the unlettered and of the importance of the written word. Command over spoken langu…

  • Tao Te Ching

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Religion•1990

  • T'ang Transformation Texts

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•The Journal of Religion•1992

  • Translating Chinese Literature

    Eugene Eoyang, Eugene Chen Eoyang et al.•BOOK•Translating Chinese literature•1995

    Leading scholar-translators talk about the craft of translating Chinese literature into English

  • Translating as a mode of thinking translation as a model of thought

    Eugene Chen Eoyang•ARTICLE•Perspectives•1996

    The sympathetic neurons that innervate eccrine sweat glands undergo a phenotypic switch from noradrenergic to cholinergic and peptidergic. The changes in neurotransmitter choice are retrogradely specified by interactions with the target tissue that are mediated by a secreted differentiation factor. Production of the target-derived differentiation factor requires noradrenergic innervation. The switch from noradrenergic to cholinergic and peptiderg…

  • Life, Liberty, and the Pursuit of Linguistic Parity

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Journal of American History•1999

    Reading these fascinating essays on translations of the Declaration of Independence into various languages-including Russian, Chinese, Italian, Japanese, French, and Spanish-what emerges is how remarkably paradoxical that document is. It is clearly both revolutionary and universal. Yet, we should perhaps remind ourselves of the inevitable contradiction in those two claims. If it is revolutionary, its precepts run counter to mainstream tradition: …

  • L'enseignement de l'anglais dans le discours postcolonial

    Eugene Chen Eoyang•ARTICLE•Diogène•2002

  • Borrowed Plumage

    Eugene Chen Eoyang•BOOK•Borrowed Plumage•2003

    This eclectic collection of essays focuses on a number of intriguing issues in translation: some of these “polemic” essays challenge certain widespread beliefs and practices: for example, the belief that humor is untranslatable; the assumption that translations are always inferior to the originals; the spread of translations that are more impenetrable to the target audience than the originals ever were to the source language audience; above all, …

  • English as a postcolonial tool

    Open Access•Eugene Chen Eoyang•ARTICLE•English Today•2003

    English as the global (if not the universal) language reflects a hegemony of the past as well as of the present: both a continuation of the British Empire (and thus demonized as a former colonial language) and, as the preferred language of international business and capitalist development throughout the world, resented as a powerful neo-colonial language. Yet, as this study seeks to show, English is capable of acting against its own imperialisms,…

  • Teaching English as Culture

    Open Access•Eugene Chen Eoyang•ARTICLE•Diogenes•2003

    The teaching of an 'imperialist' language like English in a postcolonial era presents not only unprecedented difficulties to the teacher, it also raises disconcerting questions about the paradigms underlying the concepts of language, language teaching, and culture. This new perspective renders inadequate, on the one hand, the peda-linguistic categories of EFL (English as a Foreign Language) and ESL (English as a Second Language), and, on the othe…

  • Intercultural Explorations

    Eugene Chen Eoyang•BOOK•Intercultural Explorations•2005

    Divided into four sections: Asian-Western Intersections, Intercultural Memory, Intercultural Perspectives on Women, Genre Studies, and The Intercultural Arts, these essays from diverse hands and multiple perspectives illuminate the intersections, the cross-sections, and the synergies that characterize significant literary texts and artistic productions. Individually, they exemplify the insights available in an intercultural perspective; together …

  • The Blank Slate

    Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•Comparative Literature Studies•2007

  • The Modernist Response to Chinese Art

    Eugene Chen Eoyang•ARTICLE•Comparative Literature Studies•2008

  • The Persistence of "Cathay" in World Literature

    Open Access•Eugene Eoyang, Eugene Chen Eoyang•ARTICLE•CLCWeb Comparative Literature and…•2013

    In his article "The Persistence of 'Cathay' in World Literature" Eugene Eoyang argues that China has only recently begun to occupy a place in world literatures as evidenced by the absence of Chinese literature from the early editions of the widely adopted Norton Anthology of World Masterpieces and its token representations in subsequent editions. "Orientalized" images of China still persist partly stemming from the continuing currency of stereoty…

  • Gatekeepers

    Eugene Chen Eoyang•ARTICLE•World Literature Today•2016•Cited by: 5

    WORLDLITERATURETODAY.ORG 101 Jonas Zdanys Red Stones Illus. Steven Schroeder Lamar University Press Red Stones's collaborative effort sees Jonas Zdanys's precision of language in these twelve-line lyric poems contrasting with the textural abstractions of Steven Schroeder's paintings. Zdanys, a celebrated bilingual poet who writes in as well as translates from the Lithuanian, navigates from the physical to the philosophical in these short poems th…

  • This Thing Called the World

    Eugene Eoyang, Eugene Chen Eoyang•REVIEW•World Literature Today•2017

    whose untold amplitude is as important as the words in print. This deconstruction of reality is staged in multiple counterpoints and role reversals : children not yet born cry and suffer while the dead continue to feel, love, see, and move around; mountains get personified while dead bodies grow trees and new life; wind, water, air have feelings and perform purposeful actions. These strategies blur the boundaries between life and death, city and …

Art (16 works) · Philosophy (13 works) · History (12 works) · Literature (12 works) · Chinese history and philosophy (10 works) · Linguistics (8 works) · Political science (7 works) · Computer Science (6 works) · Law (5 works) · Poetry (5 works)

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