Flaminia Gennari-Santori
Biographic Data
| ID | 7445904 |
|---|---|
| NAME | Flaminia Gennari-Santori |
| GIVEN NAMES | Flaminia |
| FAMILY NAME | Gennari-Santori |
| SIGNATURE | GENNARI-SANTORI F |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
An art collector and his friends
Between 1900 and 1912 the American banker John Pierpont Morgan amassed an unparalleled collection of works of art and in the process greatly contributed to the globalization of the art world. The article analyses Morgan’s strategies as well as his ties with the network of dealers, curators, and experts that transformed the market and the reception for old European art at the turn of the twentieth century. Focusing on his relationships with the Vi…
Medieval art for America
I was to have all the finest
In the first decade of the twentieth century John Pierpont Morgan assembled a collection of Renaissance bronzes which rapidly became the most important of its kind in private hands. The collection, which until 1912 was on loan to the Victoria and Albert Museum, was the result of joint efforts on the part of dealers, experts and Morgan himself to establish a record for the marketing, value and interpretation of Renaissance bronzes. In 1912 Morgan'…
No prominent works on this page.
Medieval art for America
I was to have all the finest
In the first decade of the twentieth century John Pierpont Morgan assembled a collection of Renaissance bronzes which rapidly became the most important of its kind in private hands. The collection, which until 1912 was on loan to the Victoria and Albert Museum, was the result of joint efforts on the part of dealers, experts and Morgan himself to establish a record for the marketing, value and interpretation of Renaissance bronzes. In 1912 Morgan'…
An art collector and his friends
Between 1900 and 1912 the American banker John Pierpont Morgan amassed an unparalleled collection of works of art and in the process greatly contributed to the globalization of the art world. The article analyses Morgan’s strategies as well as his ties with the network of dealers, curators, and experts that transformed the market and the reception for old European art at the turn of the twentieth century. Focusing on his relationships with the Vi…
Archaeology (3 works) · Art (3 works) · Art history (3 works) · Metropolitan area (3 works) · Art History and Market Analysis (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Visual arts (2 works) · Business (1 work) · Context (archaeology) (1 work)