Michelle Ying-Ling Huang
Biographic Data
| ID | 7446216 |
|---|---|
| NAME | Michelle Ying-Ling Huang |
| GIVEN NAMES | Michelle Ying-Ling |
| FAMILY NAME | Huang |
| SIGNATURE | HUANG M Y |
| AFFILIATIONS | Department of Visual Studies, Lingnan University, Hong Kong, China |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Collecting the new
In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Ar…
Introducing the art of modern China
By 1930, the British public took a stronger interest in early Chinese art than in works produced in the pre-modern and modern periods. However, China’s cultural diplomacy in Britain during war-time, as well as the interactions between collectors, scholars and artists of both countries, helped refresh Occidental understanding of the tradition and recent achievements of Chinese art. This article examines the ways in which modern Chinese painting wa…
No prominent works on this page.
Introducing the art of modern China
By 1930, the British public took a stronger interest in early Chinese art than in works produced in the pre-modern and modern periods. However, China’s cultural diplomacy in Britain during war-time, as well as the interactions between collectors, scholars and artists of both countries, helped refresh Occidental understanding of the tradition and recent achievements of Chinese art. This article examines the ways in which modern Chinese painting wa…
Collecting the new
In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Ar…
Art (2 works) · Art history (2 works) · China (2 works) · Chinese art (2 works) · Chinese history and philosophy (2 works) · Exhibition (2 works) · History (2 works) · Japanese History and Culture (2 works) · Modern art (2 works) · Painting (2 works)