Barbara Jouves
Biographic Data
| ID | 7446265 |
|---|---|
| NAME | Barbara Jouves |
| GIVEN NAMES | Barbara |
| FAMILY NAME | Jouves |
| SIGNATURE | JOUVES B |
| AFFILIATIONS | Université Paris 1 Panthéon-Sorbonne |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Protecting private collections of paintings in France in the nineteenth century
Between 1789 and 1870, the ways in which works of art and collections as a whole were to be preserved were debated at length in France by collectors and by a wide array of those with a professional interest. They had a common aim: to prevent works from alteration and degradation owing to their treatment and method of display in private collections. The promotion of such protective measures at a time when private apartments were becoming increasin…
Des collections privées aux musées. La restauration des peintures à Paris au xixe siècle
Préoccupés par la conservation de leurs collections de peintures, les amateurs d’art parisiens font appel, entre 1789 et 1870, aux restaurateurs de tableaux, ces derniers relevant d’une profession qui, à l’époque, se définit indépendamment de celles du marchand, de l’expert ou même du peintre. Si le restaurateur intervient sur les œuvres du particulier, il joue, par ailleurs, pour l’amateur, un rôle de guide dans sa connaissance, voire dans son a…
No prominent works on this page.
Des collections privées aux musées. La restauration des peintures à Paris au xixe siècle
Préoccupés par la conservation de leurs collections de peintures, les amateurs d’art parisiens font appel, entre 1789 et 1870, aux restaurateurs de tableaux, ces derniers relevant d’une profession qui, à l’époque, se définit indépendamment de celles du marchand, de l’expert ou même du peintre. Si le restaurateur intervient sur les œuvres du particulier, il joue, par ailleurs, pour l’amateur, un rôle de guide dans sa connaissance, voire dans son a…
Protecting private collections of paintings in France in the nineteenth century
Between 1789 and 1870, the ways in which works of art and collections as a whole were to be preserved were debated at length in France by collectors and by a wide array of those with a professional interest. They had a common aim: to prevent works from alteration and degradation owing to their treatment and method of display in private collections. The promotion of such protective measures at a time when private apartments were becoming increasin…
Art (2 works) · Historical Art and Culture Studies (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Amateur (1 work) · Art History and Market Analysis (1 work) · Business (1 work) · Humanities (1 work) · Law (1 work) · Painting (1 work) · Political science (1 work)