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Anne-Marie Gaston

Biographic Data

ID745297
NAMEAnne-Marie Gaston
GIVEN NAMESAnne-Marie
FAMILY NAMEGaston
SIGNATUREGASTON A
AFFILIATIONSCarleton University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2001
H-INDEX0
  • Briefly Noted: Recent Indian Publications on Music

    Peter Manuel, Prem Lata Sharma et al.•ARTICLE•Asian Music•2001

  • The Home of the Dancing Sivan: The Traditions of the Hindu Temple in Citamparam

    Anne-Marie Gaston, Paul Younger•ARTICLE•Pacific Affairs•1996

    Younger describes the daily and festival worship of the only Hindu temple in India where Shiva in his dancing form is the primary object of worship. He analyses the history revealed in the architecture of the buildings and the 300 inscriptions on the temple walls, and in the process tries to understand the multifaceted role of the temple in Indian life. His study paints a vivid portrait of the living religion of South India

  • Bharata Natyam: A Classical Indian Dance in Transition

    Anne-Marie Gaston•ARTICLE•South Asian Studies•1991•References: 1

  • Śiva in Dance, Myth and Iconography

    Doris Meth Srinivasan, Anne-Marie Gaston•ARTICLE•Journal of the American Oriental…•1986

  • Siva in Dance, Myth and Iconography

    Partha Mitter, Anne-Marie Gaston•ARTICLE•Dance Research•1984

No prominent works on this page.

  • Siva in Dance, Myth and Iconography

    Partha Mitter, Anne-Marie Gaston•ARTICLE•Dance Research•1984

  • Śiva in Dance, Myth and Iconography

    Doris Meth Srinivasan, Anne-Marie Gaston•ARTICLE•Journal of the American Oriental…•1986

  • Bharata Natyam: A Classical Indian Dance in Transition

    Anne-Marie Gaston•ARTICLE•South Asian Studies•1991•References: 1

  • The Home of the Dancing Sivan: The Traditions of the Hindu Temple in Citamparam

    Anne-Marie Gaston, Paul Younger•ARTICLE•Pacific Affairs•1996

    Younger describes the daily and festival worship of the only Hindu temple in India where Shiva in his dancing form is the primary object of worship. He analyses the history revealed in the architecture of the buildings and the 300 inscriptions on the temple walls, and in the process tries to understand the multifaceted role of the temple in Indian life. His study paints a vivid portrait of the living religion of South India

  • Briefly Noted: Recent Indian Publications on Music

    Peter Manuel, Prem Lata Sharma et al.•ARTICLE•Asian Music•2001

Art (5 works) · Literature (4 works) · Dance (3 works) · History (3 works) · Ancient history (2 works) · Art history (2 works) · Diversity and Impact of Dance (2 works) · Iconography (2 works) · Mythology (2 works) · Ancient Near East History (1 works)

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