David G Muller
Biographic Data
| ID | 746681 |
|---|---|
| NAME | David G Muller |
| GIVEN NAMES | David G |
| FAMILY NAME | Muller |
| SIGNATURE | MULLER D G |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
La Trilogie de la Villégiature by Carlo Goldoni (review)
Bajazet '37
This essay explores a decisive moment in the scenographic history of tragédie classique in the modern French theatre, that of Jacques Copeau's 1937 staging of Jean Racine's Bajazet . Despite Copeau's legacy as a champion of the classical repertoire, this production was his only fully realized staging of Racine. Although a disappointment to critics, it served as an important visual influence on the understanding of Racine in the theatre, serving a…
Improving Futures Intelligence
Predictions are difficult, the saying goes, especially when they concern the future. Much of intelligence analysis looks ahead in time, but usually only for a few days, weeks, or months, and it usu
Intelligence Analysis in Red and Blue
The years since 11 September 2001 (9/11) have witnessed an important increase in the conscientiousness of intelligence analysis in the United States Intelligence Community (IC). In every agency, ma
La Foret (review)
Le Bourgeois Gentilhomme (review)
The centerpiece at the Comédie Française this past season was Jean-Louis Benoit's production of Molière's Le Bourgeois gentilhomme, the acknowledged masterpiece of that "total theatre" genre of the seventeenth-century, the comédie-ballet. A forerunner of the modern musical comedy, but quickly supplanted by the Lully/Quinault operatic repertoire, the genre of comédie-ballet effectively died with its creator, leaving Le Bourgeois gentilhomme subjec…
Phedre, and
China as a Maritime Power
China as a Maritime Power
No prominent works on this page.
China as a Maritime Power
China as a Maritime Power
Phedre, and
Le Bourgeois Gentilhomme (review)
The centerpiece at the Comédie Française this past season was Jean-Louis Benoit's production of Molière's Le Bourgeois gentilhomme, the acknowledged masterpiece of that "total theatre" genre of the seventeenth-century, the comédie-ballet. A forerunner of the modern musical comedy, but quickly supplanted by the Lully/Quinault operatic repertoire, the genre of comédie-ballet effectively died with its creator, leaving Le Bourgeois gentilhomme subjec…
La Foret (review)
Intelligence Analysis in Red and Blue
The years since 11 September 2001 (9/11) have witnessed an important increase in the conscientiousness of intelligence analysis in the United States Intelligence Community (IC). In every agency, ma
Improving Futures Intelligence
Predictions are difficult, the saying goes, especially when they concern the future. Much of intelligence analysis looks ahead in time, but usually only for a few days, weeks, or months, and it usu
Bajazet '37
This essay explores a decisive moment in the scenographic history of tragédie classique in the modern French theatre, that of Jacques Copeau's 1937 staging of Jean Racine's Bajazet . Despite Copeau's legacy as a champion of the classical repertoire, this production was his only fully realized staging of Racine. Although a disappointment to critics, it served as an important visual influence on the understanding of Racine in the theatre, serving a…
La Trilogie de la Villégiature by Carlo Goldoni (review)
Law (4 works) · Political science (4 works) · Art (3 works) · Historical and Literary Analyses (3 works) · Psychology (3 works) · Art history (2 works) · China (2 works) · Economics (2 works) · Geography (2 works) · Historical and Literary Studies (2 works)