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Jerome Silbergeld

Biographic Data

ID746875
NAMEJerome Silbergeld
GIVEN NAMESJerome
FAMILY NAMESilbergeld
SIGNATURESILBERGELD J
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS3
AUTHOR COUNT14
EDITOR COUNT1
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2023
H-INDEX1
  • China: Religion and iconography

    Jonathan M Bloom, Jerome Silbergeld et al.•CHAPTER•2023

  • China: Painting

    Susan H Bush, Jerome Silbergeld et al.•CHAPTER•2023

  • The Zoomorphic Imagination in Chinese Art and Culture

    Qianshen Bai, Sarah Allan et al.•BOOK•The Zoomorphic Imagination in…•2016

    "China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Sple…

  • Album

    Jerome Silbergeld, David Shrensel et al.•CHAPTER•2003

  • Brushline

    Jerome Silbergeld•CHAPTER•2003

  • Gong Xian

    Jerome Silbergeld, Yun-chen Lu•CHAPTER•2003

  • Shitao: Painting and Modernity in Early Qing China

    Jerome Silbergeld, Jonathan Hay•ARTICLE•Harvard Journal of Asiatic Studies•2002

  • Twentieth-Century Chinese Painting

    Ellen Johnston Laing, Mayching Kao et al.•ARTICLE•Journal of the American Oriental…•1994

  • Chinese Painting Studies in the West: A State-of-the-Field Article

    Open Access•Jerome Silbergeld•ARTICLE•The Journal of Asian Studies•1987•Cited by: 3•References: 52

    The contemporary study of Chinese painting history varies considerably according to cultural locus, be it mainland China, Taiwan, Hong Kong, Japan, or the West, making broad generalization about the state of the field quite difficult. Where the intellectual and social context of traditional East Asian culture remains most intact, the study of painting has perpetuated the concerns and modes of the thousandplus years of traditional historiography, …

  • The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 1570-1644

    Jerome Silbergeld, James F Cahill et al.•ARTICLE•The Art Bulletin•1985

  • In Praise of Government: Chao Yung's Painting, "Noble Steeds", and Late Yuan Politics

    Jerome Silbergeld•ARTICLE•Artibus Asiae•1985

  • Chinese Painting Style: Media, Methods, and Principles of Form

    Ann Barrott Wicks, Jerome Silbergeld•ARTICLE•Journal of the American Oriental…•1985

    ChronologyPrefaceIntroductionMaterials and Format1) Brush2) Ink and Pigments3) Ground4) Seals5) FormatThe Elements of Painting6) Line in Calligraphy and Painting7) Wash8) Color9) TextureComposition, The Art of Illusion10) Plasticity and Organic Form11) Linear and Atmospheric PerspectiveComposition, The Art of Abstraction12) Abstract Shapes in Calligraphy and Painting13) Independent Role of the Elements14) Pattern15) Voids16) Compositional Design1…

  • Chinese Painting Style. Media, Methods, and Principles of Form

    James O Caswell, Jerome Silbergeld•ARTICLE•Pacific Affairs•1983

  • Mawangdui, Excavated Materials, and Transmitted Texts: A Cautionary Note

    Open Access•Jerome Silbergeld•ARTICLE•Early China•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Kung Hsien's Self-Portrait in Willows, with Notes on the Willow in Chinese Painting and Literature

    Jerome Silbergeld•ARTICLE•Artibus Asiae•1980

  • Chinese Painting Studies in the West: A State-of-the-Field Article

    Open Access•Jerome Silbergeld•ARTICLE•The Journal of Asian Studies•1987•Cited by: 3•References: 52

    The contemporary study of Chinese painting history varies considerably according to cultural locus, be it mainland China, Taiwan, Hong Kong, Japan, or the West, making broad generalization about the state of the field quite difficult. Where the intellectual and social context of traditional East Asian culture remains most intact, the study of painting has perpetuated the concerns and modes of the thousandplus years of traditional historiography, …

  • Kung Hsien's Self-Portrait in Willows, with Notes on the Willow in Chinese Painting and Literature

    Jerome Silbergeld•ARTICLE•Artibus Asiae•1980

  • Mawangdui, Excavated Materials, and Transmitted Texts: A Cautionary Note

    Open Access•Jerome Silbergeld•ARTICLE•Early China•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Chinese Painting Style. Media, Methods, and Principles of Form

    James O Caswell, Jerome Silbergeld•ARTICLE•Pacific Affairs•1983

  • The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 1570-1644

    Jerome Silbergeld, James F Cahill et al.•ARTICLE•The Art Bulletin•1985

  • In Praise of Government: Chao Yung's Painting, "Noble Steeds", and Late Yuan Politics

    Jerome Silbergeld•ARTICLE•Artibus Asiae•1985

  • Chinese Painting Style: Media, Methods, and Principles of Form

    Ann Barrott Wicks, Jerome Silbergeld•ARTICLE•Journal of the American Oriental…•1985

    ChronologyPrefaceIntroductionMaterials and Format1) Brush2) Ink and Pigments3) Ground4) Seals5) FormatThe Elements of Painting6) Line in Calligraphy and Painting7) Wash8) Color9) TextureComposition, The Art of Illusion10) Plasticity and Organic Form11) Linear and Atmospheric PerspectiveComposition, The Art of Abstraction12) Abstract Shapes in Calligraphy and Painting13) Independent Role of the Elements14) Pattern15) Voids16) Compositional Design1…

  • Chinese Painting Studies in the West: A State-of-the-Field Article

    Open Access•Jerome Silbergeld•ARTICLE•The Journal of Asian Studies•1987•Cited by: 3•References: 52

    The contemporary study of Chinese painting history varies considerably according to cultural locus, be it mainland China, Taiwan, Hong Kong, Japan, or the West, making broad generalization about the state of the field quite difficult. Where the intellectual and social context of traditional East Asian culture remains most intact, the study of painting has perpetuated the concerns and modes of the thousandplus years of traditional historiography, …

  • Twentieth-Century Chinese Painting

    Ellen Johnston Laing, Mayching Kao et al.•ARTICLE•Journal of the American Oriental…•1994

  • Shitao: Painting and Modernity in Early Qing China

    Jerome Silbergeld, Jonathan Hay•ARTICLE•Harvard Journal of Asiatic Studies•2002

  • Album

    Jerome Silbergeld, David Shrensel et al.•CHAPTER•2003

  • Brushline

    Jerome Silbergeld•CHAPTER•2003

  • Gong Xian

    Jerome Silbergeld, Yun-chen Lu•CHAPTER•2003

  • The Zoomorphic Imagination in Chinese Art and Culture

    Qianshen Bai, Sarah Allan et al.•BOOK•The Zoomorphic Imagination in…•2016

    "China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as "running dogs," and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both "the tigers" and "the flies." Sple…

  • China: Religion and iconography

    Jonathan M Bloom, Jerome Silbergeld et al.•CHAPTER•2023

  • China: Painting

    Susan H Bush, Jerome Silbergeld et al.•CHAPTER•2023

Art (11 works) · Chinese history and philosophy (9 works) · History (9 works) · Painting (9 works) · Archaeology (6 works) · Art history (6 works) · China (5 works) · Computer Science (5 works) · Aesthetics (4 works) · Literature (4 works)

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