Anita Herle
Dados Biográficos
| ID | 74781 |
|---|---|
| NOME | Anita Herle |
| PRENOMES | Anita |
| SOBRENOME | Herle |
| ASSINATURA | HERLE A |
| AFILIAÇÕES | National Museum of Archaeology |
| ORCID | 0000-0002-3021-2931 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAÇÕES | 28 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1990 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 3 |
A Munduruku Headdress
Objects in museum collections can be productively explored as repositories of environmental knowledge situated within particular cultural practices and ontologies. Research on a distinctive Munduruku headdress with its crown of golden feathers produced by tapirage —a remarkable Indigenous practice of changing the color of feathers on living parrots—opened up new ways of thinking about the intertwined relations between natural history specimens an…
Museums and Source Communities
Since the closing decades of the twentieth century, museums have increasingly developed more open and collaborative relationships with members of source communities, typically lineal or cultural descendants of the people from whom particular museum collections originated. Histories of encounter, colonialism, and anthropology have highlighted the numerous overlapping and often contradictory historical contexts and trajectories through which object…
Displaying Colonial Relations
This paper focuses on the assemblage and display of Fijian collections at Government House during the first few years of British colonial rule and reflexively considers its re-presentation in the exhibition Chiefs & Governors: Art and Power in Fiji (6 June 2013 - 19 April 21014) at the University of Cambridge Museum of Archaeology and Anthropology (MAA). It moves beyond reductionist accounts of colonial collecting and investigates the specificity…
« L’effet Branly »
Anita Herle, Boris Wastiau, Guido Gryseels, Hamady Bocoum et Friedrich von Bose © musée du quai Branly - Jacques Chirac, photo Cyril Zannettacci Mme Anita HERLE La création du musée du quai Branly a donné lieu à de nombreuses controverses à Paris et dans le monde entier. Son ouverture en 2006 a stimulé les débats d’ordre muséologique autour de la politique de la représentation, de l’héritage du colonialisme dans les collections des musées, des re…
Discussion avec le public
De la salle Merci pour ces intéressantes communications. Nous sommes en train de nous interroger sur les apports du modèle du quai Branly, sur les différences et les ressemblances entre différents projets. Une m’est apparue et me semble tout à fait intéressante. À l’origine et en amont de ces projets, il y a presque toujours eu une discussion sur la réunion ou non des collections européennes et extraeuropéennes. Cela ne se pose évidemment pas pou…
Anthropology Museums and Museum Anthropology
This entry provides an overview of the history, politics and changing roles of anthropology museums. It explores the developing field of museum anthropology, which encompasses the work that anthropologists do within museums and the anthropological study of museums. Museum anthropology is situated within recent theoretical frameworks that underpin the study of objects and the relation between people and things. A central concern is the changing re…
Exhibitions as Research
Drawing on a recent exhibition, Assembling Bodies: Art, Science and Imagination, at the University of Cambridge Museum of Archaeology and Anthropology (MAA), this article argues that curatorial techniques, involving a sustained engagement with objects, can play a vital role in anthropological research. Processes involved in the creation and reception of the exhibition facilitated the investigation of how bodies are composed, known, and acted upon…
Relational Objects
Debates around cultural properties tend to focus on law and ethics, on appropriation and ownership, with media representations often producing stereotypes that reinforce and polarize the terms of the debate. The common, typically polemical, notion is that rapacious museums are merely a final resting point for captive static objects, with repatriation viewed as simply restorative compensation. A robust challenge to this view was developed in the D…
Woven histories, dancing lives
Torres Strait Islanders Stories from an Exhibition
Preparations for a centenary exhibition to mark the 1898 Cambridge Anthropological Expedition to the Torres Strait incorporated cross-cultural collaborative work, reflecting the changing roles of museums as sites for contact and research combining curatorial expertise and indigenous knowledge. Specific objects in the collections of the University of Cambridge Museum of Archaeology and Anthropology continue to be active intermediaries in the relat…
Museums and Shamans
La collaboration entre le Musee d'archeologie de l'universite de Cambridge et un chaman tamu - cooperation ayant pour but la mise en place d'une exposition sur les objets chamaniques tamu du Nepal - a certes necessite des compromis (modification de la classification et de la conservation, limites de la portee spirituelle..) mais a permis de mieux connaitre cette civilisation et d'aider la communaute tamu a preserver sa culture et ses traditions
Medium and Message in an Anthropological Exhibit
Relational Objects
Debates around cultural properties tend to focus on law and ethics, on appropriation and ownership, with media representations often producing stereotypes that reinforce and polarize the terms of the debate. The common, typically polemical, notion is that rapacious museums are merely a final resting point for captive static objects, with repatriation viewed as simply restorative compensation. A robust challenge to this view was developed in the D…
Torres Strait Islanders Stories from an Exhibition
Preparations for a centenary exhibition to mark the 1898 Cambridge Anthropological Expedition to the Torres Strait incorporated cross-cultural collaborative work, reflecting the changing roles of museums as sites for contact and research combining curatorial expertise and indigenous knowledge. Specific objects in the collections of the University of Cambridge Museum of Archaeology and Anthropology continue to be active intermediaries in the relat…
Museums and Shamans
La collaboration entre le Musee d'archeologie de l'universite de Cambridge et un chaman tamu - cooperation ayant pour but la mise en place d'une exposition sur les objets chamaniques tamu du Nepal - a certes necessite des compromis (modification de la classification et de la conservation, limites de la portee spirituelle..) mais a permis de mieux connaitre cette civilisation et d'aider la communaute tamu a preserver sa culture et ses traditions
Medium and Message in an Anthropological Exhibit
Medium and Message in an Anthropological Exhibit
Museums and Shamans
La collaboration entre le Musee d'archeologie de l'universite de Cambridge et un chaman tamu - cooperation ayant pour but la mise en place d'une exposition sur les objets chamaniques tamu du Nepal - a certes necessite des compromis (modification de la classification et de la conservation, limites de la portee spirituelle..) mais a permis de mieux connaitre cette civilisation et d'aider la communaute tamu a preserver sa culture et ses traditions
Torres Strait Islanders Stories from an Exhibition
Preparations for a centenary exhibition to mark the 1898 Cambridge Anthropological Expedition to the Torres Strait incorporated cross-cultural collaborative work, reflecting the changing roles of museums as sites for contact and research combining curatorial expertise and indigenous knowledge. Specific objects in the collections of the University of Cambridge Museum of Archaeology and Anthropology continue to be active intermediaries in the relat…
Woven histories, dancing lives
Relational Objects
Debates around cultural properties tend to focus on law and ethics, on appropriation and ownership, with media representations often producing stereotypes that reinforce and polarize the terms of the debate. The common, typically polemical, notion is that rapacious museums are merely a final resting point for captive static objects, with repatriation viewed as simply restorative compensation. A robust challenge to this view was developed in the D…
Exhibitions as Research
Drawing on a recent exhibition, Assembling Bodies: Art, Science and Imagination, at the University of Cambridge Museum of Archaeology and Anthropology (MAA), this article argues that curatorial techniques, involving a sustained engagement with objects, can play a vital role in anthropological research. Processes involved in the creation and reception of the exhibition facilitated the investigation of how bodies are composed, known, and acted upon…
Anthropology Museums and Museum Anthropology
This entry provides an overview of the history, politics and changing roles of anthropology museums. It explores the developing field of museum anthropology, which encompasses the work that anthropologists do within museums and the anthropological study of museums. Museum anthropology is situated within recent theoretical frameworks that underpin the study of objects and the relation between people and things. A central concern is the changing re…
« L’effet Branly »
Anita Herle, Boris Wastiau, Guido Gryseels, Hamady Bocoum et Friedrich von Bose © musée du quai Branly - Jacques Chirac, photo Cyril Zannettacci Mme Anita HERLE La création du musée du quai Branly a donné lieu à de nombreuses controverses à Paris et dans le monde entier. Son ouverture en 2006 a stimulé les débats d’ordre muséologique autour de la politique de la représentation, de l’héritage du colonialisme dans les collections des musées, des re…
Discussion avec le public
De la salle Merci pour ces intéressantes communications. Nous sommes en train de nous interroger sur les apports du modèle du quai Branly, sur les différences et les ressemblances entre différents projets. Une m’est apparue et me semble tout à fait intéressante. À l’origine et en amont de ces projets, il y a presque toujours eu une discussion sur la réunion ou non des collections européennes et extraeuropéennes. Cela ne se pose évidemment pas pou…
Museums and Source Communities
Since the closing decades of the twentieth century, museums have increasingly developed more open and collaborative relationships with members of source communities, typically lineal or cultural descendants of the people from whom particular museum collections originated. Histories of encounter, colonialism, and anthropology have highlighted the numerous overlapping and often contradictory historical contexts and trajectories through which object…
Displaying Colonial Relations
This paper focuses on the assemblage and display of Fijian collections at Government House during the first few years of British colonial rule and reflexively considers its re-presentation in the exhibition Chiefs & Governors: Art and Power in Fiji (6 June 2013 - 19 April 21014) at the University of Cambridge Museum of Archaeology and Anthropology (MAA). It moves beyond reductionist accounts of colonial collecting and investigates the specificity…
A Munduruku Headdress
Objects in museum collections can be productively explored as repositories of environmental knowledge situated within particular cultural practices and ontologies. Research on a distinctive Munduruku headdress with its crown of golden feathers produced by tapirage —a remarkable Indigenous practice of changing the color of feathers on living parrots—opened up new ways of thinking about the intertwined relations between natural history specimens an…
Sociology (8 obras) · Museums and Cultural Heritage (7 obras) · Anthropology (6 obras) · History (6 obras) · Art (5 obras) · Computer Science (5 obras) · Cultural Heritage Management and Preservation (5 obras) · Archaeology (4 obras) · Media studies (4 obras) · Art history (3 obras)