Nanik Sri Prihatini
Biographic Data
| ID | 7500623 |
|---|---|
| NAME | Nanik Sri Prihatini |
| GIVEN NAMES | Nanik Sri |
| FAMILY NAME | Prihatini |
| SIGNATURE | PRIHATINI N S |
| AFFILIATIONS | Institut Seni Indonesia Surakarta |
| ORCID | 0000-0003-1566-2333 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Otoritas Estetik pada Pertunjukan Tari Dolalak di Kabupaten Purworejo, Jawa Tengah
The Dolalak dance in Purworejo Regency is interesting to observe because it has developed with a creative appearance. At first Dolalak was presented by male dancers who seemed dashing, but with the presence of female dancers Dolalak appeared coquettish or cool. This happens because of the aesthetic authority exercised by the artists, both the composing artists and the performers. The purpose of this study was to identify and analyze the authority…
Revitalisasi Tari Topeng Kemindu Kutai Kartanegara ing Martadipura Kalimantan Timur
Penelitian ini bertujuan untuk membangkitkan kembali ketertarikan generasi muda sebagai warisan budaya lokal. Pengenalan budaya keraton kepada masyarakat adalah sebuah gebrakan dalam menggalakkan pariwisata sekaligus sebagai penjaga cagar budaya. Suatu pengorbanan dalam kesenian yang dilakukan Sultan ke-20, Sultan H. Adji Muhammad Salehuddin II untuk mendapatkan pengakuan keberadaan mahligai Kutai Kartanegara. Dengan memperbolehkan tarian klasik …
Menjilid Sitaralak: Konsep Garap Penciptaan Tari dari Memori Silek Pak Guru
Aktifitas silat, selain sebagai praktik untuk meningkatkan ketahanan fisik, juga menjadi bekal ketika menghadapi betapa kerasnya dunia terutama ketika berada di rantau. Hal ini bisa dilihat pada masyarakat Minangkabau zaman dahulu yang menganggap bahwa silat ibarat sebuah pakaian atau identitas diri yang wajib dibawa ke manapun pergi. Penciptaan karya ini mengarah pada pendekatan istilah tradisional Minangkabau, yaitu Kiek Kieh. Istilah Kiek Kieh…
Regional Branding: Transfers Medium Dance into Visual Identity in Ponorogo Image Construction
This article discusses how the people of Ponorogo, East Java, Indonesia, designed a visual identity as a representation of Reyog dance to build up a regional image through a series of branding communication activities. This study uses a qualitative paradigm with a case study approach. The data was collected through in-depth interviews, participatory observation, and document investigation. All data collected were analyzed using an interactive mod…
Rekonstruksi Tari Bedhaya Endhol-endhol di Keraton Kasunanan Surakarta Hadiningrat
The Bedhaya Endhol-endhol dance was created by Paku Buwono X and performed exclusively by the king’s daughters. After his death, the dance was no longer performed and its form was no longer known. The goal of this research is to reveal the process of reconstruction of the Bedhaya Endhol-endhol dance, as carried out by Gusti Kanjeng Ratu Wandansari, and to describe the form of the dance. The research method used is a qualitative method with an eth…
No prominent works on this page.
Rekonstruksi Tari Bedhaya Endhol-endhol di Keraton Kasunanan Surakarta Hadiningrat
The Bedhaya Endhol-endhol dance was created by Paku Buwono X and performed exclusively by the king’s daughters. After his death, the dance was no longer performed and its form was no longer known. The goal of this research is to reveal the process of reconstruction of the Bedhaya Endhol-endhol dance, as carried out by Gusti Kanjeng Ratu Wandansari, and to describe the form of the dance. The research method used is a qualitative method with an eth…
Regional Branding: Transfers Medium Dance into Visual Identity in Ponorogo Image Construction
This article discusses how the people of Ponorogo, East Java, Indonesia, designed a visual identity as a representation of Reyog dance to build up a regional image through a series of branding communication activities. This study uses a qualitative paradigm with a case study approach. The data was collected through in-depth interviews, participatory observation, and document investigation. All data collected were analyzed using an interactive mod…
Revitalisasi Tari Topeng Kemindu Kutai Kartanegara ing Martadipura Kalimantan Timur
Penelitian ini bertujuan untuk membangkitkan kembali ketertarikan generasi muda sebagai warisan budaya lokal. Pengenalan budaya keraton kepada masyarakat adalah sebuah gebrakan dalam menggalakkan pariwisata sekaligus sebagai penjaga cagar budaya. Suatu pengorbanan dalam kesenian yang dilakukan Sultan ke-20, Sultan H. Adji Muhammad Salehuddin II untuk mendapatkan pengakuan keberadaan mahligai Kutai Kartanegara. Dengan memperbolehkan tarian klasik …
Menjilid Sitaralak: Konsep Garap Penciptaan Tari dari Memori Silek Pak Guru
Aktifitas silat, selain sebagai praktik untuk meningkatkan ketahanan fisik, juga menjadi bekal ketika menghadapi betapa kerasnya dunia terutama ketika berada di rantau. Hal ini bisa dilihat pada masyarakat Minangkabau zaman dahulu yang menganggap bahwa silat ibarat sebuah pakaian atau identitas diri yang wajib dibawa ke manapun pergi. Penciptaan karya ini mengarah pada pendekatan istilah tradisional Minangkabau, yaitu Kiek Kieh. Istilah Kiek Kieh…
Otoritas Estetik pada Pertunjukan Tari Dolalak di Kabupaten Purworejo, Jawa Tengah
The Dolalak dance in Purworejo Regency is interesting to observe because it has developed with a creative appearance. At first Dolalak was presented by male dancers who seemed dashing, but with the presence of female dancers Dolalak appeared coquettish or cool. This happens because of the aesthetic authority exercised by the artists, both the composing artists and the performers. The purpose of this study was to identify and analyze the authority…
Art (5 works) · Cultural and Artistic Studies (4 works) · Child Development and Education (3 works) · Dance (3 works) · Humanities (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Sociology (2 works) · Sports and Physical Education Research (2 works) · Advertising (1 works)