Iryna Liashenko
Biographic Data
| ID | 7500892 |
|---|---|
| NAME | Iryna Liashenko |
| GIVEN NAMES | Iryna |
| FAMILY NAME | Liashenko |
| SIGNATURE | LIASHENKO I |
| AFFILIATIONS | Ukrainian State University of Chemical Technology |
| ORCID | 0000-0002-7816-2339 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Fluid” temporality
Temporality, being an intrinsic property of the subject/object relations in the multiplicity of the socio-cultural and gender narratives, presents one of the most complicated ideas of postmodernity. The project of temporality embraces ambivalent scripts in their “momentous transition”, revealing the attempts at generalizing ages of men and women in the certain “unified” narratives. The latter is expressed in the triad paradigm of “past-present-fu…
Chinese Studies in Ukrainian Philosophy of the Soviet Period
This paper presents the results of the authors’ study of the perception of Ancient Chinese philosophy in the Ukrainian philosophy of the Soviet period in the second half of the 20th century. The study is based on a unique source: a monograph by two authoritative and influential Soviet philosophers, Volodymyr Dmytrychenko and Volodymyr Shynkaruk, which was published in Ukrainian in 1958. The authors described the way of perception of Ancient Chine…
European Plastic Art in Anthropological Dimension
Purpose. The article is devoted to the analysis of corporality as an attribute of plastic art in the Ancient art, the Middle Ages, the Renaissance, the modernism and the postmodernism. Theoretical basis. The authors consider historical development of the art as a change of paradigms. Within each paradigm a special understanding of art is created, which is characterized both by the act of creativity itself and by the evaluation of its results. Par…
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European Plastic Art in Anthropological Dimension
Purpose. The article is devoted to the analysis of corporality as an attribute of plastic art in the Ancient art, the Middle Ages, the Renaissance, the modernism and the postmodernism. Theoretical basis. The authors consider historical development of the art as a change of paradigms. Within each paradigm a special understanding of art is created, which is characterized both by the act of creativity itself and by the evaluation of its results. Par…
Chinese Studies in Ukrainian Philosophy of the Soviet Period
This paper presents the results of the authors’ study of the perception of Ancient Chinese philosophy in the Ukrainian philosophy of the Soviet period in the second half of the 20th century. The study is based on a unique source: a monograph by two authoritative and influential Soviet philosophers, Volodymyr Dmytrychenko and Volodymyr Shynkaruk, which was published in Ukrainian in 1958. The authors described the way of perception of Ancient Chine…
Fluid” temporality
Temporality, being an intrinsic property of the subject/object relations in the multiplicity of the socio-cultural and gender narratives, presents one of the most complicated ideas of postmodernity. The project of temporality embraces ambivalent scripts in their “momentous transition”, revealing the attempts at generalizing ages of men and women in the certain “unified” narratives. The latter is expressed in the triad paradigm of “past-present-fu…
Aesthetics (3 works) · Epistemology (3 works) · History (3 works) · Philosophy (3 works) · Sociology (3 works) · Art (2 works) · Postmodernism (2 works) · Psychology (2 works) · Ambivalence (1 work) · Art history (1 work)