Deniz Çelik
Biographic Data
| ID | 7500937 |
|---|---|
| NAME | Deniz Çelik |
| GIVEN NAMES | Deniz |
| FAMILY NAME | Çelik |
| SIGNATURE | ÇELIK D |
| AFFILIATIONS | Çanakkale Onsekiz Mart Üniversitesi |
| ORCID | 0000-0002-4881-9192 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Modal fractures and rhythmic embodiments
The disjuncture between narrative representation and affective embodiment poses a central problematic for film analysis: how cinema articulates subjectivities resistant to stable definition amid historical crises. Zoltan Korda’s The Macomber Affair (1947), set against a charged backdrop of post-war anxiety and colonial ideology, provides a potent case study. Through close analysis of visual composition, modal configurations, and passional traject…
The Unconscious as Cinematographic Form
Freud’s “unconscious,” a lauded seminal psychological contribution, has transitioned into an efficacious narrative device in cinema, evolving into a paradigmatic relationship. This article scrutinizes Inception (2010), a quintessential psychoanalytical film written and directed by Christopher Nolan. It explicates the director’s linkage to psychoanalysis and reveals how he demystifies the unconscious through its utilization both as a cinematic for…
No prominent works on this page.
The Unconscious as Cinematographic Form
Freud’s “unconscious,” a lauded seminal psychological contribution, has transitioned into an efficacious narrative device in cinema, evolving into a paradigmatic relationship. This article scrutinizes Inception (2010), a quintessential psychoanalytical film written and directed by Christopher Nolan. It explicates the director’s linkage to psychoanalysis and reveals how he demystifies the unconscious through its utilization both as a cinematic for…
Modal fractures and rhythmic embodiments
The disjuncture between narrative representation and affective embodiment poses a central problematic for film analysis: how cinema articulates subjectivities resistant to stable definition amid historical crises. Zoltan Korda’s The Macomber Affair (1947), set against a charged backdrop of post-war anxiety and colonial ideology, provides a potent case study. Through close analysis of visual composition, modal configurations, and passional traject…
Cinema and Media Studies (2 works) · Narrative (2 works) · Psychoanalytic theory (2 works) · Art (1 work) · Colonialism (1 work) · Diverse academic research themes (1 work) · Dream (1 work) · Film in Education and Therapy (1 work) · Ideology (1 work) · Linguistics (1 work)