Samantha Prigge-Pienaar
Biographic Data
| ID | 7501709 |
|---|---|
| NAME | Samantha Prigge-Pienaar |
| GIVEN NAMES | Samantha |
| FAMILY NAME | Prigge-Pienaar |
| SIGNATURE | PRIGGE-PIENAAR S |
| AFFILIATIONS | Stellenbosch University |
| ORCID | 0000-0001-5561-3347 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Who’s game? Embodied play in theatre and sport
This article offers some preliminary suggestions of where perceived boundaries usually drawn between theatre and sport may be porous and malleable, with the individual performing body serving as the source point of complex action and exchange. By means of an intertextual approach, this article therefore starts to give account of the dynamic relationships between spontaneity, subjectivity, control and conditioning that exist in both sport and thea…
Encountering ensemble
Encountering Ensemble is described as 'the first book to combine definitions and analysis with historical and contemporary practical examples' (back page). The book is edited by director, performer, writer and educator John Britton, with contributions from an extensive range of established and emerging academics and practitioners worldwide. This collaborative and interdisciplinary approach offers wide-ranging, as well as in-depth, perspectives on…
Agency & embodiment
‘One of the most remarkable discoveries I have made while writing this book is the extent to which both dance scholars and contemporary neuroscientists (or at least a substantial subset of them) re
The Rehearsal
In the case of some academic book reviews, a reviewer may feel it necessary to act as translator and mediator, deciphering a highly abstract theoretical proposition presented in a primarily deductive format in the hopes of offering practitioners a conceptual foothold. In other cases, a book can be considered self-explanatory, requiring nothing more from a reviewer than an emphatic framing. The Rehearsal is such a book: as a coherent multiontologi…
No prominent works on this page.
The Rehearsal
In the case of some academic book reviews, a reviewer may feel it necessary to act as translator and mediator, deciphering a highly abstract theoretical proposition presented in a primarily deductive format in the hopes of offering practitioners a conceptual foothold. In other cases, a book can be considered self-explanatory, requiring nothing more from a reviewer than an emphatic framing. The Rehearsal is such a book: as a coherent multiontologi…
Agency & embodiment
‘One of the most remarkable discoveries I have made while writing this book is the extent to which both dance scholars and contemporary neuroscientists (or at least a substantial subset of them) re
Encountering ensemble
Encountering Ensemble is described as 'the first book to combine definitions and analysis with historical and contemporary practical examples' (back page). The book is edited by director, performer, writer and educator John Britton, with contributions from an extensive range of established and emerging academics and practitioners worldwide. This collaborative and interdisciplinary approach offers wide-ranging, as well as in-depth, perspectives on…
Who’s game? Embodied play in theatre and sport
This article offers some preliminary suggestions of where perceived boundaries usually drawn between theatre and sport may be porous and malleable, with the individual performing body serving as the source point of complex action and exchange. By means of an intertextual approach, this article therefore starts to give account of the dynamic relationships between spontaneity, subjectivity, control and conditioning that exist in both sport and thea…
Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Epistemology (3 works) · Philosophy (3 works) · Visual arts (3 works) · Diversity and Impact of Dance (2 works) · History (2 works) · Psychology (2 works)