Amanda Swart
Biographic Data
| ID | 7501710 |
|---|---|
| NAME | Amanda Swart |
| GIVEN NAMES | Amanda |
| FAMILY NAME | Swart |
| SIGNATURE | SWART A |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 0 |
Die Soldaat as Metafoor in Twee Van Hennie Aucamp Se Kabarettekste / the Metaphorical Use of the Soldier in Two of Hennie Aucamp's Cabaret Scripts
War is a consistent theme throughout the European cabaret. It is also familiar to the Afrikaans cabaret form and occurs regularly in Hennie Aucamp's writing. The nature thereof can be gauged by a detailed analysis of two war sequences from Oudisie! (Audition!) and Met permissie gesê (By your leave). The first example is the final scene from Oudisie!: a monologue, “Die laaste soldaat” (“The last soldier”), leading into a song, “Die afwaartse spina…
No prominent works on this page.
Die Soldaat as Metafoor in Twee Van Hennie Aucamp Se Kabarettekste / the Metaphorical Use of the Soldier in Two of Hennie Aucamp's Cabaret Scripts
War is a consistent theme throughout the European cabaret. It is also familiar to the Afrikaans cabaret form and occurs regularly in Hennie Aucamp's writing. The nature thereof can be gauged by a detailed analysis of two war sequences from Oudisie! (Audition!) and Met permissie gesê (By your leave). The first example is the final scene from Oudisie!: a monologue, “Die laaste soldaat” (“The last soldier”), leading into a song, “Die afwaartse spina…
Art (1 works) · Decadence (1 works) · Hermeneutics and Narrative Identity (1 works) · History (1 works) · Humanity (1 works) · Language, Metaphor, and Cognition (1 works) · Law (1 works) · Literature (1 works) · Philosophy (1 works) · Sociology (1 works)