Clare Stopford
Biographic Data
| ID | 7501715 |
|---|---|
| NAME | Clare Stopford |
| GIVEN NAMES | Clare |
| FAMILY NAME | Stopford |
| SIGNATURE | STOPFORD C |
| AFFILIATIONS | University of Pretoria |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Mise en scène as a feminine textual body
The question of ownership of the meaning conveyed by a new play in performance, in the negotiated space between the writer and the director, provides the frame for this article. My focus is on exploring the director's intuitive, unconscious modality, which I have identified as ‘feminine’, a term which in this text favours sexual differentiation as a feminist strategy. Rosi Braidotti's evocation of Cixous’ creative writing as a ‘feminine textual b…
Intuition / Intellect—Sex / Sensibility
In contrast to the vast array of books which deal with the craft of acting and stagemanagement, \nthere seem to be far fewer books which attempt to describe what directors \ndo. The most common contemporary approach seems to be to present a collection of \ninterviews, such as In Contact with the gods? Directors talk theatre (edited by Maria M. \nDelgado and Paul Heritage, 1996) and On directing (edited by Gabriella Giannachi and \nMary Luckhurst,…
No prominent works on this page.
Intuition / Intellect—Sex / Sensibility
In contrast to the vast array of books which deal with the craft of acting and stagemanagement, \nthere seem to be far fewer books which attempt to describe what directors \ndo. The most common contemporary approach seems to be to present a collection of \ninterviews, such as In Contact with the gods? Directors talk theatre (edited by Maria M. \nDelgado and Paul Heritage, 1996) and On directing (edited by Gabriella Giannachi and \nMary Luckhurst,…
Mise en scène as a feminine textual body
The question of ownership of the meaning conveyed by a new play in performance, in the negotiated space between the writer and the director, provides the frame for this article. My focus is on exploring the director's intuitive, unconscious modality, which I have identified as ‘feminine’, a term which in this text favours sexual differentiation as a feminist strategy. Rosi Braidotti's evocation of Cixous’ creative writing as a ‘feminine textual b…
Art (2 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Aesthetics (1 work) · Alterity (1 work) · Computer Science (1 work) · Conceptualization (1 work) · Evocation (1 work)