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Kirsten Zemke

Biographic Data

ID7509248
NAMEKirsten Zemke
GIVEN NAMESKirsten
FAMILY NAMEZemke
SIGNATUREZEMKE K
AFFILIATIONSUniversity of Auckland
ORCID0000-0001-6171-0557
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Fan engagement, community, and belonging

    Open Access•Sunhee Koo, Kirsten Zemke et al.•ARTICLE•International Journal of Asian…•2026

    Freyberg Place in Auckland’s central business district has emerged as a focal site for youth cultural gatherings. Within this space, university students have localised transnational popular culture, generating new cultural meanings, identities, and affiliations. Over the past decade, Hallyu, and K-pop in particular, has expanded significantly in Aotearoa, New Zealand. This study draws on personal accounts from university student K-pop fans of div…

  • Interview

    Kirsten Zemke, Luka Leleiga Lim-Cowley•ARTICLE•Perfect Beat•2021

    This discussion is between Dr Kirsten Zemke, from the University of Auckland and her MA student-poet, dancer and climate activist, Luka Leleiga Lim-Cowley. Luka’s musical performance experiences in, and insights from, Pasifika climate activist and Pacific Indigenous sovereignty events led them to further explore the perspectives of Pasifika queer and/or disabled activists. Luka argues that disabled and gendersexuality-divergent folks should be at…

  • Claiming Ka Mate

    Lauren E Sweetman, Kirsten Zemke et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter unpacks the sociocultural and legal issues surrounding the Māori haka (chant/dance) “Ka Mate” authored by Ngāti Toa chief Te Rauparaha in the 1820s. In Aotearoa New Zealand, this beloved haka has become a symbolic display of biculturalism and is integral to the national imaginary. Historical associations and usages in wartime and sport, particularly rugby, have exacerbated associations with aggression and masculinity with essential m…

  • This Is My Life’

    Kirsten Zemke-White, Kirsten Zemke•ARTICLE•Perfect Beat•2015

    In her essay on New Zealand hip-hop, Zemke-White focuses on the content of hip-hop lyrics as a way of showing biography, whether real or fictional. She elucidates themes inherent in New Zealand hip-hop that show clear tropes important to the localisation of a US and now global phenomenon

  • Nesian Styles (Re) Present R‘n’ B

    Kirsten Zemke-White, Kirsten Zemke•ARTICLE•Sites a journal of social…•2005

    This paper will first give a brief cultural context of hip hop and its meanings in Aotearoa. The relationship and nature of hip hop and r‘n’ b at its point of origin (in America) is explored showing how the two pop genres are intimately related historically and musically, in Aotearoa and in the United States. From the Pacific community and media, a contemporary [Poly] ‘Nesian Style’ is evolving which utilises this creative and cultural combinatio…

No prominent works on this page.

  • Nesian Styles (Re) Present R‘n’ B

    Kirsten Zemke-White, Kirsten Zemke•ARTICLE•Sites a journal of social…•2005

    This paper will first give a brief cultural context of hip hop and its meanings in Aotearoa. The relationship and nature of hip hop and r‘n’ b at its point of origin (in America) is explored showing how the two pop genres are intimately related historically and musically, in Aotearoa and in the United States. From the Pacific community and media, a contemporary [Poly] ‘Nesian Style’ is evolving which utilises this creative and cultural combinatio…

  • This Is My Life’

    Kirsten Zemke-White, Kirsten Zemke•ARTICLE•Perfect Beat•2015

    In her essay on New Zealand hip-hop, Zemke-White focuses on the content of hip-hop lyrics as a way of showing biography, whether real or fictional. She elucidates themes inherent in New Zealand hip-hop that show clear tropes important to the localisation of a US and now global phenomenon

  • Claiming Ka Mate

    Lauren E Sweetman, Kirsten Zemke et al.•CHAPTER•Oxford Handbook of Musical…•2019

    This chapter unpacks the sociocultural and legal issues surrounding the Māori haka (chant/dance) “Ka Mate” authored by Ngāti Toa chief Te Rauparaha in the 1820s. In Aotearoa New Zealand, this beloved haka has become a symbolic display of biculturalism and is integral to the national imaginary. Historical associations and usages in wartime and sport, particularly rugby, have exacerbated associations with aggression and masculinity with essential m…

  • Interview

    Kirsten Zemke, Luka Leleiga Lim-Cowley•ARTICLE•Perfect Beat•2021

    This discussion is between Dr Kirsten Zemke, from the University of Auckland and her MA student-poet, dancer and climate activist, Luka Leleiga Lim-Cowley. Luka’s musical performance experiences in, and insights from, Pasifika climate activist and Pacific Indigenous sovereignty events led them to further explore the perspectives of Pasifika queer and/or disabled activists. Luka argues that disabled and gendersexuality-divergent folks should be at…

  • Fan engagement, community, and belonging

    Open Access•Sunhee Koo, Kirsten Zemke et al.•ARTICLE•International Journal of Asian…•2026

    Freyberg Place in Auckland’s central business district has emerged as a focal site for youth cultural gatherings. Within this space, university students have localised transnational popular culture, generating new cultural meanings, identities, and affiliations. Over the past decade, Hallyu, and K-pop in particular, has expanded significantly in Aotearoa, New Zealand. This study draws on personal accounts from university student K-pop fans of div…

Art (4 works) · History (4 works) · Dance (3 works) · Gender Studies (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Aotearoa (2 works) · Appropriation (2 works) · Art history (2 works)

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