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Andrew H Plaks

Biographic Data

ID751316
NAMEAndrew H Plaks
GIVEN NAMESAndrew H
FAMILY NAMEPlaks
SIGNATUREPLAKS A H
AFFILIATIONSPrinceton University
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS11
AUTHOR COUNT20
EDITOR COUNT1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Shining Ideal and Uncertain Reality: Commentaries on the “Golden Rule” in Confucianism and Other Traditions

    Open Access•Andrew H Plaks•ARTICLE•Journal of Chinese Humanities•2015

    This paper considers a number of problematic issues underlying the seemingly unassailable truth of moral philosophy expressed in the “Golden Rule” in a variety of cultural spheres. These issues include the place of this teaching within its given religious or philosophical context, the defense of this principle as an inviolable tenet of revealed dogma or as a piece of utilitarian advice for the regulation of social life, the manner in which the pr…

  • Chinese Narrative: Critical and Theoretical Essays

    Andrew H Plaks•BOOK•Chinese Narrative•2014

  • Aristotle in China: Language, Categories, and Translation

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2004

    Book Review| April 01 2004 Aristotle in China: Language, Categories, and Translation Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2004) 10 (2): 358. https://doi.org/10.1215/0961754X-10-2-358 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2003•Cited by: 1

    Book Review| January 01 2003 The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2003) 9 (1): 164–165. https://doi.org/10.1215/0961754X-9-1-164-a Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Andrew Plaks; The Ambivalence of Creation: Debates concerning Innovation and Artifice in Earl…

  • Dream Cultures: Explorations in the Comparative History of Dreaming

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2002

    Book Review| January 01 2002 Dream Cultures: Explorations in the Comparative History of Dreaming Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2002) 8 (1): 212. https://doi.org/10.1215/0961754X-8-1-212 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew Plaks; Dream Cultures: Explorations in the Comparative History of Dreaming. Common Kno…

  • James T. C. Liu (1919–1993)

    Open Access•Andrew H Plaks, Willard J Peterson et al.•ARTICLE•The Journal of Asian Studies•1994

    Obituary| August 01 1994 James T. C. Liu (1919–1993) Andrew H. Plaks; Andrew H. Plaks Princeton University Search for other works by this author on: This Site Google Willard J. Peterson; Willard J. Peterson Princeton University Search for other works by this author on: This Site Google Hai-tao Tang; Hai-tao Tang Princeton University Search for other works by this author on: This Site Google Ying-shih Yu Ying-shih Yu Princeton University Search fo…

  • The Four Masterworks of The Ming Novel

    Robert E Hegel, Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1990

  • Where the Lines Meet: Parallelism in Chinese and Western Literatures

    Andrew H Plaks•ARTICLE•Poetics Today•1990•Cited by: 1

    It is virtually impossible for any critical description of classical Chinese literature, whether prose or poetry, to avoid drawing attention to one of its most obtrusive aesthetic features: the tendency of the texts of the tradition to fall sooner or later into steady rhythms of parallel constructions. This feature has been cited by many recent critics as a central structural principle of composition, and has been brought forward as a key to read…

  • The Four Masterworks of the Ming Novel: Ssu ta ch'i-shu

    Wilt L Idema, Andrew H Plaks•ARTICLE•Journal of the American Oriental…•1989

    Andrew Plaks reinterprets the great texts of Chinese fiction known as the Four Masterworks of the Ming Novel (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source mat…

  • The Four Masterworks of the Ming Novel: Ssu ta ch'i-shu

    Andrew H Plaks•BOOK•Four Masterworks of the Ming Novel•1988

    Andrew Plaks reinterprets the great texts of Chinese fiction known as the "Four Masterworks of the Ming Novel" ( ssu ta ch'i-shu ). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source…

  • Fleur en Fiole d'Or (Jin Ping Mei cihua)

    Andrew H Plaks, Andre Levy•ARTICLE•Journal of the American Oriental…•1988

  • Towards a Critical Theory of Chinese Narrative

    Andrew H Plaks•CHAPTER•Chinese Narrative•1987

  • Chûgoku Kinsei Ni Okeru) Tanpen Hakuwa Shôsetsu No Kenkyû (Studies on the Colloquial Short Story in Early Modern China

    Andrew H Plaks, Andrew Plaks•ARTICLE•Ming Studies•1987

    (CHûGOKU KINSEI NI OKERU) TANPEN HAKUWA SHôSETSU NO KENKYû (STUDIES ON THE COLLOQUIAL SHORT STORY IN EARLY MODERN CHINA." Ming Studies, 1987(1), pp. 74–75

  • After the Fall: Hsing-shih yin-yuan chuan and The Seventeenth-Century Chinese Novel

    Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1985•Cited by: 1

  • Chinese Narrative: Critical and Theoretical Essays

    Anthony C Yu, Andrew H Plaks•ARTICLE•Journal of the American Oriental…•1981

    Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship. Originally publish…

  • Chinese Narrative: Critical and Theoretical Essays

    Open Access•D S Willis, Dave Willis et al.•ARTICLE•Modern Language Journal•1979

  • Archetype and Allegory in The Dream of The Red Chamber

    C T Hsia, Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Masks of Fiction in Dream of the Red Chamber: Myth, Mimesis, and Persona

    John C Y Wang, Lucien Miller et al.•ARTICLE•Journal of the American Oriental…•1979

  • Chinese Narrative: Critical and Theoretical Essays

    James M Hargett, Andrew H Plaks•ARTICLE•World Literature Today•1978•Cited by: 8

  • Chinese Narrative: Critical and Theoretical Essays

    T D Huters, Andrew H Plaks•ARTICLE•Pacific Affairs•1978

  • The Journey to the West

    Andrew H Plaks, Anthony C Yu•ARTICLE•Modern Language Notes•1977

  • Chinese Narrative: Critical and Theoretical Essays

    James M Hargett, Andrew H Plaks•ARTICLE•World Literature Today•1978•Cited by: 8

  • The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2003•Cited by: 1

    Book Review| January 01 2003 The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2003) 9 (1): 164–165. https://doi.org/10.1215/0961754X-9-1-164-a Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Andrew Plaks; The Ambivalence of Creation: Debates concerning Innovation and Artifice in Earl…

  • Where the Lines Meet: Parallelism in Chinese and Western Literatures

    Andrew H Plaks•ARTICLE•Poetics Today•1990•Cited by: 1

    It is virtually impossible for any critical description of classical Chinese literature, whether prose or poetry, to avoid drawing attention to one of its most obtrusive aesthetic features: the tendency of the texts of the tradition to fall sooner or later into steady rhythms of parallel constructions. This feature has been cited by many recent critics as a central structural principle of composition, and has been brought forward as a key to read…

  • After the Fall: Hsing-shih yin-yuan chuan and The Seventeenth-Century Chinese Novel

    Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1985•Cited by: 1

  • The Journey to the West

    Andrew H Plaks, Anthony C Yu•ARTICLE•Modern Language Notes•1977

  • Chinese Narrative: Critical and Theoretical Essays

    James M Hargett, Andrew H Plaks•ARTICLE•World Literature Today•1978•Cited by: 8

  • Chinese Narrative: Critical and Theoretical Essays

    T D Huters, Andrew H Plaks•ARTICLE•Pacific Affairs•1978

  • Chinese Narrative: Critical and Theoretical Essays

    Open Access•D S Willis, Dave Willis et al.•ARTICLE•Modern Language Journal•1979

  • Archetype and Allegory in The Dream of The Red Chamber

    C T Hsia, Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Masks of Fiction in Dream of the Red Chamber: Myth, Mimesis, and Persona

    John C Y Wang, Lucien Miller et al.•ARTICLE•Journal of the American Oriental…•1979

  • Chinese Narrative: Critical and Theoretical Essays

    Anthony C Yu, Andrew H Plaks•ARTICLE•Journal of the American Oriental…•1981

    Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship. Originally publish…

  • After the Fall: Hsing-shih yin-yuan chuan and The Seventeenth-Century Chinese Novel

    Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1985•Cited by: 1

  • Towards a Critical Theory of Chinese Narrative

    Andrew H Plaks•CHAPTER•Chinese Narrative•1987

  • Chûgoku Kinsei Ni Okeru) Tanpen Hakuwa Shôsetsu No Kenkyû (Studies on the Colloquial Short Story in Early Modern China

    Andrew H Plaks, Andrew Plaks•ARTICLE•Ming Studies•1987

    (CHûGOKU KINSEI NI OKERU) TANPEN HAKUWA SHôSETSU NO KENKYû (STUDIES ON THE COLLOQUIAL SHORT STORY IN EARLY MODERN CHINA." Ming Studies, 1987(1), pp. 74–75

  • The Four Masterworks of the Ming Novel: Ssu ta ch'i-shu

    Andrew H Plaks•BOOK•Four Masterworks of the Ming Novel•1988

    Andrew Plaks reinterprets the great texts of Chinese fiction known as the "Four Masterworks of the Ming Novel" ( ssu ta ch'i-shu ). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source…

  • Fleur en Fiole d'Or (Jin Ping Mei cihua)

    Andrew H Plaks, Andre Levy•ARTICLE•Journal of the American Oriental…•1988

  • The Four Masterworks of the Ming Novel: Ssu ta ch'i-shu

    Wilt L Idema, Andrew H Plaks•ARTICLE•Journal of the American Oriental…•1989

    Andrew Plaks reinterprets the great texts of Chinese fiction known as the Four Masterworks of the Ming Novel (ssu ta ch'i-shu). Arguing that these are far more than collections of popular narratives, Professor Plaks shows that their fullest recensions represent a sophisticated new genre of Chinese prose fiction arising in the late Ming dynasty, especially in the sixteenth century. He then analyzes these radical transformations of prior source mat…

  • The Four Masterworks of The Ming Novel

    Robert E Hegel, Andrew H Plaks•ARTICLE•Harvard Journal of Asiatic Studies•1990

  • Where the Lines Meet: Parallelism in Chinese and Western Literatures

    Andrew H Plaks•ARTICLE•Poetics Today•1990•Cited by: 1

    It is virtually impossible for any critical description of classical Chinese literature, whether prose or poetry, to avoid drawing attention to one of its most obtrusive aesthetic features: the tendency of the texts of the tradition to fall sooner or later into steady rhythms of parallel constructions. This feature has been cited by many recent critics as a central structural principle of composition, and has been brought forward as a key to read…

  • James T. C. Liu (1919–1993)

    Open Access•Andrew H Plaks, Willard J Peterson et al.•ARTICLE•The Journal of Asian Studies•1994

    Obituary| August 01 1994 James T. C. Liu (1919–1993) Andrew H. Plaks; Andrew H. Plaks Princeton University Search for other works by this author on: This Site Google Willard J. Peterson; Willard J. Peterson Princeton University Search for other works by this author on: This Site Google Hai-tao Tang; Hai-tao Tang Princeton University Search for other works by this author on: This Site Google Ying-shih Yu Ying-shih Yu Princeton University Search fo…

  • Dream Cultures: Explorations in the Comparative History of Dreaming

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2002

    Book Review| January 01 2002 Dream Cultures: Explorations in the Comparative History of Dreaming Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2002) 8 (1): 212. https://doi.org/10.1215/0961754X-8-1-212 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew Plaks; Dream Cultures: Explorations in the Comparative History of Dreaming. Common Kno…

  • The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2003•Cited by: 1

    Book Review| January 01 2003 The Ambivalence of Creation: Debates concerning Innovation and Artifice in Early China Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2003) 9 (1): 164–165. https://doi.org/10.1215/0961754X-9-1-164-a Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Andrew Plaks; The Ambivalence of Creation: Debates concerning Innovation and Artifice in Earl…

  • Aristotle in China: Language, Categories, and Translation

    Andrew H Plaks, Andrew Plaks•ARTICLE•Common Knowledge•2004

    Book Review| April 01 2004 Aristotle in China: Language, Categories, and Translation Andrew Plaks Andrew Plaks Search for other works by this author on: This Site Google Common Knowledge (2004) 10 (2): 358. https://doi.org/10.1215/0961754X-10-2-358 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Ci…

  • Chinese Narrative: Critical and Theoretical Essays

    Andrew H Plaks•BOOK•Chinese Narrative•2014

  • Shining Ideal and Uncertain Reality: Commentaries on the “Golden Rule” in Confucianism and Other Traditions

    Open Access•Andrew H Plaks•ARTICLE•Journal of Chinese Humanities•2015

    This paper considers a number of problematic issues underlying the seemingly unassailable truth of moral philosophy expressed in the “Golden Rule” in a variety of cultural spheres. These issues include the place of this teaching within its given religious or philosophical context, the defense of this principle as an inviolable tenet of revealed dogma or as a piece of utilitarian advice for the regulation of social life, the manner in which the pr…

Art (13 works) · Chinese history and philosophy (13 works) · History (13 works) · Literature (8 works) · Philosophy (7 works) · Computer Science (6 works) · Epistemology (6 works) · Narrative (6 works) · Sociology (6 works) · Psychology (5 works)

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