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Eelka Lampe

Biographic Data

ID7523496
NAMEEelka Lampe
GIVEN NAMESEelka
FAMILY NAMELampe
SIGNATURELAMPE E
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR1994
H-INDEX0
  • Lampe Responds to Kitazawa

    Eelka Lampe, Alan Filewod•ARTICLE•TDR/The Drama Review•1994

  • Collaboration and Cultural Clashing

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1993

    SARATOGA SPRINGS, August-September 1992 Anne Bogart stands firmly rooted-note pad in her left hand, energy focused in her right-in the green room of the Spa Little Theatre, Saratoga Springs. actors and I, the visitor, form a loose circle around her as Bogart gives notes after the first run through of Orestes by Charles L. Mee, Jr., The only reason I'm in the theatre is because of what Tom Nelis did tonight. He went all the way with it. Pursuing a…

  • From the Battle to the Gift

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1992

    What will you be doing five years from now? Anne Bogart asked a bunch of acting students at the Experimental Theatre Wing of the Tisch School of the Arts, NYU, in September of 1982. It was in the middle of her improvisation class; I was a visitor trying to decide if I would come to NYU a year later. We were all panting and sweating after several rounds of demanding physical exercise. One by one we uttered our visions of the future. I remember it …

  • Rachel Rosenthal Creating Her Selves

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1988

No prominent works on this page.

  • Rachel Rosenthal Creating Her Selves

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1988

  • From the Battle to the Gift

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1992

    What will you be doing five years from now? Anne Bogart asked a bunch of acting students at the Experimental Theatre Wing of the Tisch School of the Arts, NYU, in September of 1982. It was in the middle of her improvisation class; I was a visitor trying to decide if I would come to NYU a year later. We were all panting and sweating after several rounds of demanding physical exercise. One by one we uttered our visions of the future. I remember it …

  • Collaboration and Cultural Clashing

    Eelka Lampe•ARTICLE•TDR/The Drama Review•1993

    SARATOGA SPRINGS, August-September 1992 Anne Bogart stands firmly rooted-note pad in her left hand, energy focused in her right-in the green room of the Spa Little Theatre, Saratoga Springs. actors and I, the visitor, form a loose circle around her as Bogart gives notes after the first run through of Orestes by Charles L. Mee, Jr., The only reason I'm in the theatre is because of what Tom Nelis did tonight. He went all the way with it. Pursuing a…

  • Lampe Responds to Kitazawa

    Eelka Lampe, Alan Filewod•ARTICLE•TDR/The Drama Review•1994

Art (4 works) · History (4 works) · History (4 works) · Sociology (3 works) · Art history (2 works) · Media studies (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Artificial Intelligence (1 work) · Battle (1 work)

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