Luis Rincón Alba
Biographic Data
| ID | 7523669 |
|---|---|
| NAME | Luis Rincón Alba |
| GIVEN NAMES | Luis Rincón |
| FAMILY NAME | Alba |
| SIGNATURE | ALBA L R |
| AFFILIATIONS | New York University |
| ORCID | 0009-0003-5025-6602 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Anarquismos negros
Drawing from Black studies, this article inquires into “anarchist themes” in the lyrics of Brazilian carnival songs, focusing the analysis on Leci Brandão’s Zé do Caroço, and connecting it with other compositions. Taking Saidiya Hartman and Cedric Robinson as a meeting point, I present festivity as a praxis challenging institutional structures and hierarchical leadership. Furthermore, I argue that carnival, in its political potential, does not ai…
Joe Arroyo’s “Musical Mechanism”
Joe Arroyo’s music, specifi cally his carnival compositions, generates modes of solidarity that transcend national and temporal boundaries. His “musical mechanism,” employing the clave rhythm and improvisational structures, facilitates a collective reinhabitation of the past, a redemptive challenging of colonial divisions between the living and the dead. Arroyo’s work, therefore, demonstrates the transformative power of music to forge solidarity …
No prominent works on this page.
Joe Arroyo’s “Musical Mechanism”
Joe Arroyo’s music, specifi cally his carnival compositions, generates modes of solidarity that transcend national and temporal boundaries. His “musical mechanism,” employing the clave rhythm and improvisational structures, facilitates a collective reinhabitation of the past, a redemptive challenging of colonial divisions between the living and the dead. Arroyo’s work, therefore, demonstrates the transformative power of music to forge solidarity …
Anarquismos negros
Drawing from Black studies, this article inquires into “anarchist themes” in the lyrics of Brazilian carnival songs, focusing the analysis on Leci Brandão’s Zé do Caroço, and connecting it with other compositions. Taking Saidiya Hartman and Cedric Robinson as a meeting point, I present festivity as a praxis challenging institutional structures and hierarchical leadership. Furthermore, I argue that carnival, in its political potential, does not ai…
Acknowledgement (1 work) · Art (1 work) · Arts and Performance Studies (1 work) · Caribbean history, culture, and politics (1 work) · Diverse Musicological Studies (1 work) · Epistemology (1 work) · History (1 work) · Lyrics (1 work) · Music History and Culture (1 work) · Musical (1 work)