Rabih Mroué
Biographic Data
| ID | 7523700 |
|---|---|
| NAME | Rabih Mroué |
| GIVEN NAMES | Rabih |
| FAMILY NAME | Mroué |
| SIGNATURE | MROUÉ R |
| AFFILIATIONS | Rabih Mroué was born in Beirut in 1967. He is an actor, director, playwright, and a Contributing Editor of TDR and the Lebanese quarterly Kalamon. He is one of the founders and sits on the executive board of the Beirut Art Center association (BAC). In 1990 he began putting on his own plays, performances, and videos. Grant awards include: Foundation for Contemporary Arts, New York, 2010; The Spalding Gray Award, P.S.122, New York, 2010; and the Prince Claus Award, Amsterdam, 2011. His works include Photo... |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Nous ne pouvons vivre sans la représentation
Youssef Mrou (en rouge) dans Riding on a cloud Joe Namy Nous ne pouvons vivre sans la reprsentation Agn , Points de vue M.S. Le spectacle soulve des questionnements philosophiques autour du concept d' identit . En effet, pourquoi a-t-on besoin de la reprsentation, si ce n'est pour crer une Nous ne pouvons vivre sans la reprsentation Agn , Points de vue
Interweaving Performance Cultures
Richard Gough: What in your view is the usefulness or efficacy of ‘interweaving performance cultures’ as a term, as a category, a strategy, or a provocation, distinct from ‘intercultural’? And I wo
The Pixelated Revolution
How should we understand the mobile phone images uploaded to the internet during the ongoing Syrian Revolution? Are the broken-up and incomplete images taken by Syrians an extension of their physical experiences? Are mobile phones extensions of photographers' brains, of their bodies, of their beings
Biokhraphia
This mockumentary in the form of a self-interview takes a sidelong glance at the role of the artist in Lebanon, a country torn apart by years of civil strife and war
Three Posters
Three Posters plays with fiction and truth by offering a voyeuristic view of multiple takes of Jamal Sati's farewell video testimonial, recorded shortly before his suicide mission, and juxtaposing them with an actor's real-time testimonial. The videos consider the limits of truth and its representations, asking: Were the artists violating the sacred space of the martyr in order to critique the concept of martyrdom and the powers that nourish such…
No prominent works on this page.
Three Posters
Three Posters plays with fiction and truth by offering a voyeuristic view of multiple takes of Jamal Sati's farewell video testimonial, recorded shortly before his suicide mission, and juxtaposing them with an actor's real-time testimonial. The videos consider the limits of truth and its representations, asking: Were the artists violating the sacred space of the martyr in order to critique the concept of martyrdom and the powers that nourish such…
Biokhraphia
This mockumentary in the form of a self-interview takes a sidelong glance at the role of the artist in Lebanon, a country torn apart by years of civil strife and war
The Pixelated Revolution
How should we understand the mobile phone images uploaded to the internet during the ongoing Syrian Revolution? Are the broken-up and incomplete images taken by Syrians an extension of their physical experiences? Are mobile phones extensions of photographers' brains, of their bodies, of their beings
Interweaving Performance Cultures
Richard Gough: What in your view is the usefulness or efficacy of ‘interweaving performance cultures’ as a term, as a category, a strategy, or a provocation, distinct from ‘intercultural’? And I wo
Nous ne pouvons vivre sans la représentation
Youssef Mrou (en rouge) dans Riding on a cloud Joe Namy Nous ne pouvons vivre sans la reprsentation Agn , Points de vue M.S. Le spectacle soulve des questionnements philosophiques autour du concept d' identit . En effet, pourquoi a-t-on besoin de la reprsentation, si ce n'est pour crer une Nous ne pouvons vivre sans la reprsentation Agn , Points de vue
Art (4 works) · History (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Jewish and Middle Eastern Studies (2 works) · Law (2 works) · Memory, Trauma, and Commemoration (2 works) · Middle East Politics and Society (2 works) · Philosophy (2 works)