Andreea Chiriță
Biographic Data
| ID | 7523718 |
|---|---|
| NAME | Andreea Chiriță |
| GIVEN NAMES | Andreea |
| FAMILY NAME | Chiriță |
| SIGNATURE | CHIRIȚĂ A |
| AFFILIATIONS | University of Bucharest |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Memories of Wars and Revolutions in Wang Chong’s Theatre
Challenging China’s official history since the establishment of the People’s Republic in 1949 is uncommon among Chinese theatre makers in the twenty-first century. Given the stringent rules that severely limit artistic expression, such attempts are rare and, aesthetically, noticeably obscure. Director Wang Chong (b. 1982) and his collective Théâtre du Rêve Expérimental nevertheless embark on an audacious journey of deconstructing and reassembling…
Troubles of the Heart
The Sino-German coproduction Mouzhong leisi yu wode didong: xinshi pianduan explores the medical process of a heart transplant and its aftermath through the Foucauldian theoretical framework of the “clinical gaze.” The doctors’ “biomedical reductionism” is caricatured for its lack of humanness; patients’ physical and emotional agony denies the possibility of peaceful coexistence of the human self and technology. Cynical irony is one way of coping…
Redefining Borders in Contemporary Chinese Theater
For the past twenty years, director Tian Gebing and his Beijing-based independent artist collective, Paper Tiger Theater Studio, have pushed the boundaries of performance art and theater by probing, critiquing, and reconfiguring notions of the avant-garde. This article analyzes their recent production from 2017, 500 Meters: Kafka, the Great Wall, or Images from the Unreal World and Daily Heroism, highlighting the latent political and social ideol…
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Redefining Borders in Contemporary Chinese Theater
For the past twenty years, director Tian Gebing and his Beijing-based independent artist collective, Paper Tiger Theater Studio, have pushed the boundaries of performance art and theater by probing, critiquing, and reconfiguring notions of the avant-garde. This article analyzes their recent production from 2017, 500 Meters: Kafka, the Great Wall, or Images from the Unreal World and Daily Heroism, highlighting the latent political and social ideol…
Troubles of the Heart
The Sino-German coproduction Mouzhong leisi yu wode didong: xinshi pianduan explores the medical process of a heart transplant and its aftermath through the Foucauldian theoretical framework of the “clinical gaze.” The doctors’ “biomedical reductionism” is caricatured for its lack of humanness; patients’ physical and emotional agony denies the possibility of peaceful coexistence of the human self and technology. Cynical irony is one way of coping…
Memories of Wars and Revolutions in Wang Chong’s Theatre
Challenging China’s official history since the establishment of the People’s Republic in 1949 is uncommon among Chinese theatre makers in the twenty-first century. Given the stringent rules that severely limit artistic expression, such attempts are rare and, aesthetically, noticeably obscure. Director Wang Chong (b. 1982) and his collective Théâtre du Rêve Expérimental nevertheless embark on an audacious journey of deconstructing and reassembling…
Art (2 works) · History (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Bioethics and Human Rights Issues (1 work) · Biomedical Ethics and Regulation (1 work) · Chinese history and philosophy (1 work) · Cinema and Media Studies (1 work) · Epistemology (1 work)