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Konstantina Georgelou

Biographic Data

ID7523809
NAMEKonstantina Georgelou
GIVEN NAMESKonstantina
FAMILY NAMEGeorgelou
SIGNATUREGEORGELOU K
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX0
  • It caught me”

    Open Access•Konstantina Georgelou•ARTICLE•TDR/The Drama Review•2025

    Bodies in possession and in revolt are often framed as being “caught” by some other entity—a spirit, a force, or a memory. Cases of rebellion involve a loss of intentionality of movement, unlike a subject who wills and decides. What is the political significance of the illegibility of such movements, before they are consigned to taxonomies and diagnoses that render them pathological, criminal, or demonic? What thinking about dance might this perm…

  • Three Acts of Care in Performance and Beyond

    Özgül Akıncı, Konstantina Georgelou et al.•ARTICLE•Performance Research•2022

    We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Performance Studies international’s (PSi’s) conference ‘Crises of Care: Act respond engage’. The conference did not take place, but with the COVID 19 pandemic, its theme became more urgently lived, and we kept coming back to one another to reflect on what care meant for vulnerable bodies in crisis and their broader material circumstances and relations.O…

  • Meeting on Paper

    Open Access•Efrosini Protopapa, Konstantina Georgelou et al.•ARTICLE•Performance Research•2021

No prominent works on this page.

  • Meeting on Paper

    Open Access•Efrosini Protopapa, Konstantina Georgelou et al.•ARTICLE•Performance Research•2021

  • Three Acts of Care in Performance and Beyond

    Özgül Akıncı, Konstantina Georgelou et al.•ARTICLE•Performance Research•2022

    We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Performance Studies international’s (PSi’s) conference ‘Crises of Care: Act respond engage’. The conference did not take place, but with the COVID 19 pandemic, its theme became more urgently lived, and we kept coming back to one another to reflect on what care meant for vulnerable bodies in crisis and their broader material circumstances and relations.O…

  • It caught me”

    Open Access•Konstantina Georgelou•ARTICLE•TDR/The Drama Review•2025

    Bodies in possession and in revolt are often framed as being “caught” by some other entity—a spirit, a force, or a memory. Cases of rebellion involve a loss of intentionality of movement, unlike a subject who wills and decides. What is the political significance of the illegibility of such movements, before they are consigned to taxonomies and diagnoses that render them pathological, criminal, or demonic? What thinking about dance might this perm…

Art (2 works) · Posthumanist Ethics and Activism (2 works) · Aesthetics (1 work) · Business (1 work) · Computer Science (1 work) · Critical Theory and Political Philosophy (1 work) · Diversity and Impact of Dance (1 work) · Dramaturgy (1 work) · Geographies of human-animal interactions (1 work) · Law (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae