Kate Sicchio
Biographic Data
| ID | 7524033 |
|---|---|
| NAME | Kate Sicchio |
| GIVEN NAMES | Kate |
| FAMILY NAME | Sicchio |
| SIGNATURE | SICCHIO K |
| AFFILIATIONS | New York University |
| ORCID | 0000-0001-5760-3767 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Live Notation for Patterns of Movement
If computer programming languages can be used to control the movement of robots, they can therefore be used as choreographic notations. Weaving, dance, and musical forms can be taken as places of inspiration for this, bringing together patterns, computation, movement, and notation in live telematic performance involving live coding of both audience and robots
Live coding choreography
This article aims to explore live coding of choreography as real time scoring of the dance performance it is creating. It will define live coding as a performance practice, and way of creating choreographic scores, as well as consider some forms of esoteric programming languages (esolangs) as forms of multicoding and explanations of text. It will then explore the work Terpsicode, a live coding language created to make choreography in real-time re…
Hacking the Body 2.0
This paper features the creative practice from the long-running collaborative research project, Hacking the Body and Hacking the Body 2.0, between media artist/researcher Camille Baker and media artist/choreographer Kate Sicchio. It focuses on our ongoing concerns to combine, rework, reconstruct and evolve our performative research on the use of wearable technology and smart textiles in performance. By exploring both the technologies that are com…
Crafting Wearables
This book introduces the exciting intersection of technology and fashion known as wearable computing. Learn about the future of electronics in clothing and testiles, and be a part of creating that future! Crafting Wearables begins with the history of the field, then covers current practices and future trends. You will gain deeper insight into the strategy behind the design of wearable devices while learning about the tools and materials needed to…
Writing with shaky hands
I am no doubt not the only one who writes in order to have no face. Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are i
No prominent works on this page.
Crafting Wearables
This book introduces the exciting intersection of technology and fashion known as wearable computing. Learn about the future of electronics in clothing and testiles, and be a part of creating that future! Crafting Wearables begins with the history of the field, then covers current practices and future trends. You will gain deeper insight into the strategy behind the design of wearable devices while learning about the tools and materials needed to…
Writing with shaky hands
I am no doubt not the only one who writes in order to have no face. Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are i
Hacking the Body 2.0
This paper features the creative practice from the long-running collaborative research project, Hacking the Body and Hacking the Body 2.0, between media artist/researcher Camille Baker and media artist/choreographer Kate Sicchio. It focuses on our ongoing concerns to combine, rework, reconstruct and evolve our performative research on the use of wearable technology and smart textiles in performance. By exploring both the technologies that are com…
Live coding choreography
This article aims to explore live coding of choreography as real time scoring of the dance performance it is creating. It will define live coding as a performance practice, and way of creating choreographic scores, as well as consider some forms of esoteric programming languages (esolangs) as forms of multicoding and explanations of text. It will then explore the work Terpsicode, a live coding language created to make choreography in real-time re…
Live Notation for Patterns of Movement
If computer programming languages can be used to control the movement of robots, they can therefore be used as choreographic notations. Weaving, dance, and musical forms can be taken as places of inspiration for this, bringing together patterns, computation, movement, and notation in live telematic performance involving live coding of both audience and robots
Computer Science (5 works) · Art (3 works) · Choreography (3 works) · Dance (3 works) · Human–computer interaction (3 works) · Linguistics (3 works) · Multimedia (3 works) · Music Technology and Sound Studies (3 works) · Sociology (3 works) · Visual arts (3 works)