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Amanda Stuart Fisher

Biographic Data

ID7524038
NAMEAmanda Stuart Fisher
GIVEN NAMESAmanda Stuart
FAMILY NAMEFisher
SIGNATUREFISHER A S
AFFILIATIONSUniversity of London
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Ugly Feelings

    Open Access•Amanda Stuart Fisher•ARTICLE•Performance Research•2022

    At the height of the pandemic, the concept of care and the moral imperative to take care of one another rapidly entered public discourse. Yet while the UK government sought to assure us that we were ‘all in this together’, a very different picture soon emerged as a lack of protective personal equipment meant that NHS staff found themselves at a greater risk of dying of Covid-19. This risk was also disproportionately distributed as many Black and …

  • Trauma, Authenticity and the Limits of Verbatim

    Amanda Stuart Fisher•ARTICLE•Performance Research•2011

    In his short essay to accompany the publication of Robin Soans's verbatim play Talking to Terrorists, David Hare describes the resurgence of verbatim – or to use Hare's terminology – ‘factual’ thea...

  • Introduction to Rustom Bharucha's keynote lecture

    Sally Mackey, Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2011

    Keywords: applied theatrespectatorshipcommunitypost-genocide theatreprison theatrebeauty Notes 1. In this essay I draw on the original text of 'The Emancipated Spectator' which was first delivered as a lecture in English by Jacques Rancière at the opening of the Fifth International Summer Academy of Arts in Frankfurt on 20 August 2004. A more recent and finely honed translation of the lecture by Gregory Elliott has now been published (Rancière 20…

  • Theatre Applications

    Sally Mackey, Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2011

    The three papers and the pictorial essay that follow Rustom Bharucha's keynote published here all originated at Theatre Applications (Central School of Speech and Drama, London, April 2010). One th

  • Developing an ethics of practice in applied theatre

    Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2005

  • The Playwright in Residence

    Amanda Stuart Fisher•ARTICLE•TDR/The Drama Review•2004

    What are the ways that collective storytelling becomes a community-forming activity, where individual and communal identity is negotiated and explored? What are the interactive exchanges between the storyteller and community

No prominent works on this page.

  • The Playwright in Residence

    Amanda Stuart Fisher•ARTICLE•TDR/The Drama Review•2004

    What are the ways that collective storytelling becomes a community-forming activity, where individual and communal identity is negotiated and explored? What are the interactive exchanges between the storyteller and community

  • Developing an ethics of practice in applied theatre

    Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2005

  • Trauma, Authenticity and the Limits of Verbatim

    Amanda Stuart Fisher•ARTICLE•Performance Research•2011

    In his short essay to accompany the publication of Robin Soans's verbatim play Talking to Terrorists, David Hare describes the resurgence of verbatim – or to use Hare's terminology – ‘factual’ thea...

  • Introduction to Rustom Bharucha's keynote lecture

    Sally Mackey, Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2011

    Keywords: applied theatrespectatorshipcommunitypost-genocide theatreprison theatrebeauty Notes 1. In this essay I draw on the original text of 'The Emancipated Spectator' which was first delivered as a lecture in English by Jacques Rancière at the opening of the Fifth International Summer Academy of Arts in Frankfurt on 20 August 2004. A more recent and finely honed translation of the lecture by Gregory Elliott has now been published (Rancière 20…

  • Theatre Applications

    Sally Mackey, Amanda Stuart Fisher•ARTICLE•Research in Drama Education The…•2011

    The three papers and the pictorial essay that follow Rustom Bharucha's keynote published here all originated at Theatre Applications (Central School of Speech and Drama, London, April 2010). One th

  • Ugly Feelings

    Open Access•Amanda Stuart Fisher•ARTICLE•Performance Research•2022

    At the height of the pandemic, the concept of care and the moral imperative to take care of one another rapidly entered public discourse. Yet while the UK government sought to assure us that we were ‘all in this together’, a very different picture soon emerged as a lack of protective personal equipment meant that NHS staff found themselves at a greater risk of dying of Covid-19. This risk was also disproportionately distributed as many Black and …

Art (5 works) · Sociology (4 works) · Drama (3 works) · History (3 works) · Literature (3 works) · Media studies (3 works) · Philosophy (3 works) · Theatre and Performance Studies (3 works) · Visual arts (3 works) · Art history (2 works)

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