Richard Bass
Biographic Data
| ID | 7525942 |
|---|---|
| NAME | Richard Bass |
| GIVEN NAMES | Richard |
| FAMILY NAME | Bass |
| SIGNATURE | BASS R |
| AFFILIATIONS | University of Connecticut |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music
The expression P 3,0 refers to one class of parsimonious voice-leading transformations between seventh chords introduced in a 1998 article by Jack Douthett and Peter Steinbach as P m,n ( Journal of Music Theory 42 (2): 241–63). In addition to tones that may be held in common, the subscripts indicate the number of voices that move by half step (m) or whole step (n) in connecting one seventh chord to the next. P 3,0 designates a transformation in w…
Prokofiev's Technique of Chromatic Displacement
Prokofiev's Technique of Chromatic Displacement
Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music
The expression P 3,0 refers to one class of parsimonious voice-leading transformations between seventh chords introduced in a 1998 article by Jack Douthett and Peter Steinbach as P m,n ( Journal of Music Theory 42 (2): 241–63). In addition to tones that may be held in common, the subscripts indicate the number of voices that move by half step (m) or whole step (n) in connecting one seventh chord to the next. P 3,0 designates a transformation in w…
Art (2 works) · Art, Technology, and Culture (1 work) · Chromatic scale (1 work) · Computer Science (1 work) · Literature (1 work) · Music History and Culture (1 work) · Musical (1 work) · Musicology and Musical Analysis (1 work) · Neuroscience and Music Perception (1 work) · Opera (1 work)