Avior Byron
Biographic Data
| ID | 7526030 |
|---|---|
| NAME | Avior Byron |
| GIVEN NAMES | Avior |
| FAMILY NAME | Byron |
| SIGNATURE | BYRON A |
| AFFILIATIONS | Royal Holloway, University of London and Bar-Ilan University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 0 |
Sprechstimme Reconsidered Once Again
The MTO article “The Test Pressings of Schoenberg Conducting Pierrot lunaire : Sprechstimme Reconsidered” by Avior Byron claimed that “Schoenberg accepted very different performances . . . of the Sprechstimme notation by Erika Stiedry-Wagner in a period of not more than three days.” The present article discusses a surprising letter that Schoenberg wrote at the end of 1941, which seems (at first) to contradict Byron’s claim. We present this letter…
The Test Pressings of Schoenberg Conducting Pierrot lunaire
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme ). These recordings reveal that in a period of not more than three days, Schoenberg accepted relatively great freedom in the Sprechstimme pitch contour; as well as a contradictory tendency towards consistency and a certain systematic approach towards pitc…
No prominent works on this page.
The Test Pressings of Schoenberg Conducting Pierrot lunaire
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme ). These recordings reveal that in a period of not more than three days, Schoenberg accepted relatively great freedom in the Sprechstimme pitch contour; as well as a contradictory tendency towards consistency and a certain systematic approach towards pitc…
Sprechstimme Reconsidered Once Again
The MTO article “The Test Pressings of Schoenberg Conducting Pierrot lunaire : Sprechstimme Reconsidered” by Avior Byron claimed that “Schoenberg accepted very different performances . . . of the Sprechstimme notation by Erika Stiedry-Wagner in a period of not more than three days.” The present article discusses a surprising letter that Schoenberg wrote at the end of 1941, which seems (at first) to contradict Byron’s claim. We present this letter…
Art (2 works) · Diverse Musicological Studies (2 works) · Literature (2 works) · Music Technology and Sound Studies (2 works) · Musicology and Musical Analysis (2 works)