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Matthias Pasdzierny

Biographic Data

ID7526031
NAMEMatthias Pasdzierny
GIVEN NAMESMatthias
FAMILY NAMEPasdzierny
SIGNATUREPASDZIERNY M
AFFILIATIONSBerlin-Brandenburg Academy of Sciences and Humanities
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv

    Open Access•Nadia Bahra, Lando Kirchmair et al.•ARTICLE•the world of music (new series)•2024

    The introduction summarizes the key topics of the themed issue "Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv (BPhA)” and its contributions. It discusses the ethical, legal, and technical considerations involved in making these culturally significant but also sensitive recordings from the Arab world accessible to the public, especially in the context of ongoing debates around “decolonization” and cultural r…

  • Whom to Remember – How to Return? Brigitte Schiffer, the Voices of Siwa and the Entangled History of the Berlin School of Ethnomusicology

    Open Access•Matthias Pasdzierny•ARTICLE•the world of music (new series)•2024

    For some years now, there has been an intense and controversial debate about the relationship between the culture of memory and research into the consequences of colonialism, on the one hand, and the Holocaust, on the other. Michael Rothberg's concept of multidirectional memory and Nathan Sznaider's contribution to the debate on the vanishing points of memory ("Fluchtpunkte der Erinnerung") provide only a few of several examples. Using the record…

  • Fluchtpunkt Techno

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2021

    The term “conexión chilena” is regularly used in print media and internet articles to describe a group of DJs, some of them very successful, who fled as children with their families to Europe during the Chilean military dictatorship (1973–1990) and have become part of the growing EDM scene there since the 1990s. Names that are often mentioned in this context include Matías Aguayo, Andrés and Pier Bucci, Luciano (Lucien Nicolet), Martin Schopf/DJ …

  • Transatlantic Techno Myths

    Open Access•Matthias Pasdzierny•ARTICLE•twentieth-century music•2020

    This article focuses on one of the earliest truly international Electronic Dance Music (EDM) festivals: the Eclipse Rave in Arica, in the Chilean Atacama Desert in November 1994. As a collaboration of mainly German and Chilean individuals, the event was confronted with a multitude of organizational obstacles and problems of intercultural understanding. Nevertheless, the event has now achieved a kind of cult status and is mythologized as the break…

  • Nationale Forschungsdateninfrastruktur, die Initiative NFDI4Culture und die Musikwissenschaft

    Open Access•Matthias Pasdzierny, Daniel Röwenstrunk et al.•ARTICLE•Die Musikforschung•2019

  • Nicole Ristow

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2018

  • Der "Fall" Eggebrecht

    Open Access•Matthias Pasdzierny, Johann Friedrich Wendorf et al.•ARTICLE•Die Musikforschung•2013

  • Christoph Dompke

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2013

  • Jascha Nemtsov

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2012

  • Sprechstimme Reconsidered Once Again

    Open Access•Avior Byron, Matthias Pasdzierny•ARTICLE•Music Theory Online•2007

    The MTO article “The Test Pressings of Schoenberg Conducting Pierrot lunaire : Sprechstimme Reconsidered” by Avior Byron claimed that “Schoenberg accepted very different performances . . . of the Sprechstimme notation by Erika Stiedry-Wagner in a period of not more than three days.” The present article discusses a surprising letter that Schoenberg wrote at the end of 1941, which seems (at first) to contradict Byron’s claim. We present this letter…

No prominent works on this page.

  • Sprechstimme Reconsidered Once Again

    Open Access•Avior Byron, Matthias Pasdzierny•ARTICLE•Music Theory Online•2007

    The MTO article “The Test Pressings of Schoenberg Conducting Pierrot lunaire : Sprechstimme Reconsidered” by Avior Byron claimed that “Schoenberg accepted very different performances . . . of the Sprechstimme notation by Erika Stiedry-Wagner in a period of not more than three days.” The present article discusses a surprising letter that Schoenberg wrote at the end of 1941, which seems (at first) to contradict Byron’s claim. We present this letter…

  • Jascha Nemtsov

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2012

  • Der "Fall" Eggebrecht

    Open Access•Matthias Pasdzierny, Johann Friedrich Wendorf et al.•ARTICLE•Die Musikforschung•2013

  • Christoph Dompke

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2013

  • Nicole Ristow

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2018

  • Nationale Forschungsdateninfrastruktur, die Initiative NFDI4Culture und die Musikwissenschaft

    Open Access•Matthias Pasdzierny, Daniel Röwenstrunk et al.•ARTICLE•Die Musikforschung•2019

  • Transatlantic Techno Myths

    Open Access•Matthias Pasdzierny•ARTICLE•twentieth-century music•2020

    This article focuses on one of the earliest truly international Electronic Dance Music (EDM) festivals: the Eclipse Rave in Arica, in the Chilean Atacama Desert in November 1994. As a collaboration of mainly German and Chilean individuals, the event was confronted with a multitude of organizational obstacles and problems of intercultural understanding. Nevertheless, the event has now achieved a kind of cult status and is mythologized as the break…

  • Fluchtpunkt Techno

    Open Access•Matthias Pasdzierny•ARTICLE•Die Musikforschung•2021

    The term “conexión chilena” is regularly used in print media and internet articles to describe a group of DJs, some of them very successful, who fled as children with their families to Europe during the Chilean military dictatorship (1973–1990) and have become part of the growing EDM scene there since the 1990s. Names that are often mentioned in this context include Matías Aguayo, Andrés and Pier Bucci, Luciano (Lucien Nicolet), Martin Schopf/DJ …

  • Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv

    Open Access•Nadia Bahra, Lando Kirchmair et al.•ARTICLE•the world of music (new series)•2024

    The introduction summarizes the key topics of the themed issue "Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv (BPhA)” and its contributions. It discusses the ethical, legal, and technical considerations involved in making these culturally significant but also sensitive recordings from the Arab world accessible to the public, especially in the context of ongoing debates around “decolonization” and cultural r…

  • Whom to Remember – How to Return? Brigitte Schiffer, the Voices of Siwa and the Entangled History of the Berlin School of Ethnomusicology

    Open Access•Matthias Pasdzierny•ARTICLE•the world of music (new series)•2024

    For some years now, there has been an intense and controversial debate about the relationship between the culture of memory and research into the consequences of colonialism, on the one hand, and the Holocaust, on the other. Michael Rothberg's concept of multidirectional memory and Nathan Sznaider's contribution to the debate on the vanishing points of memory ("Fluchtpunkte der Erinnerung") provide only a few of several examples. Using the record…

Art (7 works) · Musicology and Musical Analysis (4 works) · Sociology (4 works) · Archaeology (3 works) · Diverse Musicological Studies (3 works) · German History and Society (3 works) · History (3 works) · Media studies (3 works) · Political science (3 works) · Humanities (2 works)

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