Derek Remeš
Biographic Data
| ID | 7526065 |
|---|---|
| NAME | Derek Remeš |
| GIVEN NAMES | Derek |
| FAMILY NAME | Remeš |
| SIGNATURE | REMEŠ D |
| AFFILIATIONS | Lucerne University of Applied Sciences and Arts |
| ORCID | 0000-0002-3748-2328 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Harmonizing Chorales Systematically
This article provides the first English translation of a little-known manuscript treatise by the central-German composer and Capellmeister, Gottfried Heinrich Stölzel (1690–1749), titled Kürzer und gründliche Unterricht (Brief and Thorough Instruction, ca. 1719–49). Stölzel’s method frames speculative theory ( trias harmonica and the tabula tradition) practically in terms of thoroughbass in order to provide simple instruction on how to invent the…
Some (Dis)Assembly Required
In 2010, researchers at the Bach-Archiv Leipzig rediscovered a manuscript treatise by the central German organist and theorist Jacob Adlung titled “Anweisung zum Fantasieren” (Instruction in Improvisation), dating from c. 1726–27. The treatise, which is investigated here for the first time in print, contains twenty-eight typical baroque voice-leading patterns. Although Adlung demonstrates the variation of these patterns in detail, he remains larg…
No prominent works on this page.
Harmonizing Chorales Systematically
This article provides the first English translation of a little-known manuscript treatise by the central-German composer and Capellmeister, Gottfried Heinrich Stölzel (1690–1749), titled Kürzer und gründliche Unterricht (Brief and Thorough Instruction, ca. 1719–49). Stölzel’s method frames speculative theory ( trias harmonica and the tabula tradition) practically in terms of thoroughbass in order to provide simple instruction on how to invent the…
Some (Dis)Assembly Required
In 2010, researchers at the Bach-Archiv Leipzig rediscovered a manuscript treatise by the central German organist and theorist Jacob Adlung titled “Anweisung zum Fantasieren” (Instruction in Improvisation), dating from c. 1726–27. The treatise, which is investigated here for the first time in print, contains twenty-eight typical baroque voice-leading patterns. Although Adlung demonstrates the variation of these patterns in detail, he remains larg…
Art (2 works) · Diverse Musicological Studies (2 works) · German (2 works) · Historical Influence and Diplomacy (2 works) · Linguistics (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Visual arts (2 works) · Arithmetic (1 work)