Joseph R Jakubowski
Biographic Data
| ID | 7526087 |
|---|---|
| NAME | Joseph R Jakubowski |
| GIVEN NAMES | Joseph R |
| FAMILY NAME | Jakubowski |
| SIGNATURE | JAKUBOWSKI J R |
| AFFILIATIONS | Washington University in St. Louis |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96)
In this paper, I apply theories of metric cognition, especially Justin London’s theory of meter as entrainment behavior (2012), to analysis of form in the first section of Vortex Temporum I (Rehearsal numbers 1–37). I analyze this section in terms of listeners’ evolving entrainment responses to its meters, finding that the first section outlines a changing relationship with meter from subconscious expectation to conscious audition. I ground my an…
Harmonic clusters and tonal cadences: Bayesian learning without chord identification
Authentic and half cadences not only serve as structural cornerstones of tonal music, but are readily perceived by both expert and novice listeners. Yet it is unclear how untrained listeners, who have never studied harmonic theory, come to recognise cadential patterns that are most often codified as short series of chords, such as V7–I or ii6–V. This study addresses both questions by analysing a corpus of string-quartet excerpts whose authentic a…
No prominent works on this page.
Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96)
In this paper, I apply theories of metric cognition, especially Justin London’s theory of meter as entrainment behavior (2012), to analysis of form in the first section of Vortex Temporum I (Rehearsal numbers 1–37). I analyze this section in terms of listeners’ evolving entrainment responses to its meters, finding that the first section outlines a changing relationship with meter from subconscious expectation to conscious audition. I ground my an…
Harmonic clusters and tonal cadences: Bayesian learning without chord identification
Authentic and half cadences not only serve as structural cornerstones of tonal music, but are readily perceived by both expert and novice listeners. Yet it is unclear how untrained listeners, who have never studied harmonic theory, come to recognise cadential patterns that are most often codified as short series of chords, such as V7–I or ii6–V. This study addresses both questions by analysing a corpus of string-quartet excerpts whose authentic a…
Acoustics (2 works) · Computer Science (2 works) · Mathematics (2 works) · Music and Audio Processing (2 works) · Neuroscience and Music Perception (2 works) · Physics (2 works) · Art (1 works) · Artificial Intelligence (1 works) · Bayesian probability (1 works) · Cognition (1 works)