Matthew L C Boyle
Biographic Data
| ID | 7526110 |
|---|---|
| NAME | Matthew L C Boyle |
| GIVEN NAMES | Matthew L C |
| FAMILY NAME | Boyle |
| SIGNATURE | BOYLE M L C |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
A Thread of Recitative Ruffs: Schemas and Schenker’s Analysis of “Erbarm es, Gott”
This article presents a schema-driven analysis of the accompanied recitative “Erbarm es, Gott” from Johann Sebastian Bach’s St. Matthew Passion . Arguing that the scene is best understood in dialogue with the conventions of the Italianate “galant” style of eighteenth-century recitative, we suggest that the music is guided by a simple thread of modulation upward through the circle of fifths. This thread is driven by repeated application of a parti…
Johann Georg Sulzer's "Recitativ" and North German Musical Aesthetics: Context, Translation, Commentary
Johann Georg Sulzer's "Recitativ" is a uniquely ambitious article in hisAllgemeine Theorie der schönen Künste. The longest music article in his encyclopedia and accompanied with over 100 musical examples, it describes the technical features and expressive functions of the genre of recitative through 15 rules. It also documents a regional dispute between Berlin and Hamburg over the composition of recitative. Georg Philipp Telemann and Johann Adolf…
No prominent works on this page.
Johann Georg Sulzer's "Recitativ" and North German Musical Aesthetics: Context, Translation, Commentary
Johann Georg Sulzer's "Recitativ" is a uniquely ambitious article in hisAllgemeine Theorie der schönen Künste. The longest music article in his encyclopedia and accompanied with over 100 musical examples, it describes the technical features and expressive functions of the genre of recitative through 15 rules. It also documents a regional dispute between Berlin and Hamburg over the composition of recitative. Georg Philipp Telemann and Johann Adolf…
A Thread of Recitative Ruffs: Schemas and Schenker’s Analysis of “Erbarm es, Gott”
This article presents a schema-driven analysis of the accompanied recitative “Erbarm es, Gott” from Johann Sebastian Bach’s St. Matthew Passion . Arguing that the scene is best understood in dialogue with the conventions of the Italianate “galant” style of eighteenth-century recitative, we suggest that the music is guided by a simple thread of modulation upward through the circle of fifths. This thread is driven by repeated application of a parti…
Art (2 works) · Literature (2 works) · Art history (1 works) · Central European national history (1 works) · Computer Science (1 works) · German (1 works) · German Literature and Culture Studies (1 works) · History (1 works) · Linguistics (1 works) · Music Technology and Sound Studies (1 works)