ShiPu Wang
Biographic Data
| ID | 7527023 |
|---|---|
| NAME | ShiPu Wang |
| GIVEN NAMES | ShiPu |
| FAMILY NAME | Wang |
| SIGNATURE | WANG S |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Nikkei Artist Collectives in Interwar California
This essay surveys the rich but under-studied history of artists of Japanese descent (Nikkei) who fostered self-representation, visibility, and a sense of belonging through organizing transcultural collectives and group exhibitions in interwar California. The extent of Nikkei artists’ contributions to American modernism in the Exclusion era (1885–1965), characterized by a series of anti-immigration and anti-Asian laws, may surprise contemporary r…
Positions
We Are Scottsboro Boys
Japan against Japan
On December 8, 1941, Yasuo Kuniyoshi, a prominent émigré Japanese artist in New York, awoke to find himself an “enemy alien” after Japan's attack on Pearl Harbor. “A few short days has changed my status in this country, although I myself have not changed at all,” Kuniyoshi wrote. His statement reveals astute foresight into a new historical period in which he would have to grapple with his racial and national identity vis-à-vis Japan, the country …
No prominent works on this page.
Japan against Japan
On December 8, 1941, Yasuo Kuniyoshi, a prominent émigré Japanese artist in New York, awoke to find himself an “enemy alien” after Japan's attack on Pearl Harbor. “A few short days has changed my status in this country, although I myself have not changed at all,” Kuniyoshi wrote. His statement reveals astute foresight into a new historical period in which he would have to grapple with his racial and national identity vis-à-vis Japan, the country …
We Are Scottsboro Boys
Positions
Nikkei Artist Collectives in Interwar California
This essay surveys the rich but under-studied history of artists of Japanese descent (Nikkei) who fostered self-representation, visibility, and a sense of belonging through organizing transcultural collectives and group exhibitions in interwar California. The extent of Nikkei artists’ contributions to American modernism in the Exclusion era (1885–1965), characterized by a series of anti-immigration and anti-Asian laws, may surprise contemporary r…
History (4 works) · Art (3 works) · Art history (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Politics (2 works) · Visual arts (2 works) · Adversary (1 work) · African american (1 work)