Susanneh Bieber
Biographic Data
| ID | 7527093 |
|---|---|
| NAME | Susanneh Bieber |
| GIVEN NAMES | Susanneh |
| FAMILY NAME | Bieber |
| SIGNATURE | BIEBER S |
| AFFILIATIONS | Twitter (United States) |
| ORCID | 0000-0003-3708-3340 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
"Susanneh Bieber. Review of "Art Monsters
Judy Chicago’s Lipstick Sculptures at the Rolf Nelson Gallery
In 1966 Judy Chicago made a series of three sculptures, each consisting of a group of circular columns ranging in height from two to nine inches. Formal variations among the three Untitled works reveal a playful oscillation between representational subject matter and abstract forms. These exquisite works have been absent from Chicago historiography, and we do not know their whereabouts. But the Rolf Nelson Gallery records at the Getty Research In…
Technology, Engineering, and Feminism
"Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art." Art Journal, 80(1), pp. 106–123
Going Back to Kansas City
Donald Judd’s first solo show, held at the Green Gallery in 1963, marks the beginning of his Minimal art. Concurrently with that exhibition, Judd published “Kansas City Report” in Arts Magazine. The article reveals his interest in functional vernacular buildings, characterized by plain, geometric forms and familiar to him from his upbringing in the Midwest. Judd justified the artistic merit of such ordinary structures via modern European architec…
No prominent works on this page.
Going Back to Kansas City
Donald Judd’s first solo show, held at the Green Gallery in 1963, marks the beginning of his Minimal art. Concurrently with that exhibition, Judd published “Kansas City Report” in Arts Magazine. The article reveals his interest in functional vernacular buildings, characterized by plain, geometric forms and familiar to him from his upbringing in the Midwest. Judd justified the artistic merit of such ordinary structures via modern European architec…
Technology, Engineering, and Feminism
"Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art." Art Journal, 80(1), pp. 106–123
Judy Chicago’s Lipstick Sculptures at the Rolf Nelson Gallery
In 1966 Judy Chicago made a series of three sculptures, each consisting of a group of circular columns ranging in height from two to nine inches. Formal variations among the three Untitled works reveal a playful oscillation between representational subject matter and abstract forms. These exquisite works have been absent from Chicago historiography, and we do not know their whereabouts. But the Rolf Nelson Gallery records at the Getty Research In…
"Susanneh Bieber. Review of "Art Monsters
Art (4 works) · Art history (4 works) · Visual arts (4 works) · Art, Politics, and Modernism (2 works) · Art, Technology, and Culture (2 works) · Performance art (2 works) · Sociology (2 works) · American Environmental and Regional History (1 work) · American History and Culture (1 work) · Art History and Market Analysis (1 work)