Coline Houssais
Biographic Data
| ID | 7534025 |
|---|---|
| NAME | Coline Houssais |
| GIVEN NAMES | Coline |
| FAMILY NAME | Houssais |
| SIGNATURE | HOUSSAIS C |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
« Scènes et types » des cartes postales photographiques
Popularisée à partir de la toute fin du XIXe siècle, la carte postale photographique connaît un âge d'or jusqu'au lendemain de la Première guerre mondiale. Parallèlement à l'essor du tourisme en Bretagne et au renforcement de l'emprise coloniale en Algérie, ce médium d'un nouveau genre orchestre par ses « Scènes et types » une représentation de l'altérité manufacturée au préalable, et contribue à sa pérennité comme à sa diffusion au plus grand no…
“Visible invisibility”
This article looks at how race and gender are represented and performed as far as female Sumr (brown skinned) performers in the northern Arabian Peninsula are concerned, from traditional ṭaggāgāt (wedding singers) to contemporary pop stars. Its main thesis is that musical entertainment over the centuries has been conducted by Sumr on the basis that it was not deemed suitable by the cultural orthodoxy of the time, and that therefore only individua…
Nightingales in Baghdad” – 1920s-1950s Iraqi music, archives and live performance
“Once upon a night, I stumbled upon a blurry black and white Youtube video of Salima Murad, the greatest Iraqi singer of the 20th century. While most of musical memories from pre-revolutionary Iraq have been destroyed during the past decades, some have been preserved as of family archives. Today, they have been uploaded on the Internet and digitally recreate a past that no longer exists, yet is gaining unprecedented exposure both within the Iraqi…
No prominent works on this page.
Nightingales in Baghdad” – 1920s-1950s Iraqi music, archives and live performance
“Once upon a night, I stumbled upon a blurry black and white Youtube video of Salima Murad, the greatest Iraqi singer of the 20th century. While most of musical memories from pre-revolutionary Iraq have been destroyed during the past decades, some have been preserved as of family archives. Today, they have been uploaded on the Internet and digitally recreate a past that no longer exists, yet is gaining unprecedented exposure both within the Iraqi…
“Visible invisibility”
This article looks at how race and gender are represented and performed as far as female Sumr (brown skinned) performers in the northern Arabian Peninsula are concerned, from traditional ṭaggāgāt (wedding singers) to contemporary pop stars. Its main thesis is that musical entertainment over the centuries has been conducted by Sumr on the basis that it was not deemed suitable by the cultural orthodoxy of the time, and that therefore only individua…
« Scènes et types » des cartes postales photographiques
Popularisée à partir de la toute fin du XIXe siècle, la carte postale photographique connaît un âge d'or jusqu'au lendemain de la Première guerre mondiale. Parallèlement à l'essor du tourisme en Bretagne et au renforcement de l'emprise coloniale en Algérie, ce médium d'un nouveau genre orchestre par ses « Scènes et types » une représentation de l'altérité manufacturée au préalable, et contribue à sa pérennité comme à sa diffusion au plus grand no…
Colonialism (2 works) · Amateur (1 work) · Anthropological Studies and Insights (1 work) · Art (1 work) · Art history (1 work) · Counterpoint (1 work) · Cultural Identity and Heritage (1 work) · Diaspora (1 work) · Diverse Cultural and Historical Studies (1 work) · Diverse Musicological Studies (1 work)