André Lardinois
Biographic Data
| ID | 753612 |
|---|---|
| NAME | André Lardinois |
| GIVEN NAMES | André |
| FAMILY NAME | Lardinois |
| SIGNATURE | LARDINOIS A |
| AFFILIATIONS | Radboud University Nijmegen |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 5 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ‒ her direct style, rich imagery, and passion ‒ is apparent even in these remnants. Diane Rayor's translations …
The Sound of Silence
Item does not contain fulltext
New Philology and the Classics
Item does not contain fulltext
Eastern Myths for Western Lies
That the great cultures of the Near East influenced Mycenaean and Archaic Greek culture has been amply demonstrated by the archaeological record. But did this influence extend to Greek literature? And was it recognized by the ancient Greeks themselves? In this paper I answer these two questions in the affirmative after examining two passages from Homer’s Iliad : Hera’s identification of Oceanus and Tethys as the parents of the gods (14.201) and P…
Sappho’s Brothers Song and the Fictionality of Early Greek Lyric Poetry
Contains fulltext : 160318.pdf (Publisher’s version ) (Open Access)
The Look of Lyric
The Look of Lyric: Greek Song and the Visual addresses the varied modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality
Texts, Transmissions, Receptions
Figures 2.1 TextversioncomparisonintheMenschen en bergenonlineedition 40 2.2 TheOptionsscreenforannotationcategoriesintheWalewein ende Keye onlineedition 41 2.3 Thehover-overboxwithlinguisticinformationintheAlexanders saga editiononCD-ROM,DeLeeuwvanWeenen(2009) 42 2.4 ClusteranalysismadewithMinitab15oftheJudithepisodeinallfifteen manuscriptsoftheRijmbijbel,forthe250highestfrequencylemmas 47 2.5 PrincipalcomponentsanalysismadewithMinitab15oftheJud…
Texts, Transmissions, Receptions
The papers collected in this volume study the function and meaning of various kinds of narrative texts from the perspective of New Philology, Linguistics, Iconography and Reception studies. Their purpose is to understand the workings of narrative texts
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of the little that survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems, fragments, single words - and, notably, five stanzas of a poem that came to light in 2014. Also included are new additions to five fragments from the latest discovery, and a nearly complete poem publis…
Sacred Words: Orality, Literacy and Religion
n Contains fulltext :\n 338695.pdf (Publisher’s version ) (Closed access)\n
Sacred Words
The parrhesia of young female choruses in Ancient Greece
Chapter Four. “Someone, I Say, Will Remember Us”
Sappho is often considered a central figure in the transition from archaic to classical Greek culture, especially by German scholars. In this chapter, the author argues that Sappho first of all expected the performances of her poetry to be remembered in the future and secondly, perhaps, believed that she would be allowed to play on as singer-poet in the underworld. The re-performance of Sappho's poetry would constitute a third way in which her na…
The Polysemy of Gnomic Expressions and Ajax’ Deception Speech
Have We Solon’s Verses?
[Winnipeg, Canada] Conference on Orality and Literacy in the Ancient World VI, 6 juli 2004
Land of Dreams
This collection of essays by twenty-eight Dutch scholars is intended as a tribute to prof. dr. A.H.M. Kessels on the occasion of his retirement as professor of Greek Language and Literature at the Radboud University Nijmegen (Netherlands). It reflects his broad interests in the entire field of classical scholarship, ranging from early Greek poetry to later Latin literature and the reception of classics in modern literature. At the same time, the …
Solon of Athens
Now available in paperback for the first time, this collection of essays by specialists in the field offers fundamentally new perspectives on the poetry, laws, and historical facts associated with the figure of Solon of Athens
Solon of Athens. New Historical and Philological Approaches
Now available in paperback for the first time, this collection of essays by specialists in the field offers fundamentally new perspectives on the poetry, laws, and historical facts associated with the figure of Solon of Athens
The Wrath of Hesiod
The structure of Hesiod's Works and Days has long puzzled classical scholars, in part because the poem is not held together by an overarching narrative, but instead is composed of a single speech. In this paper I find an explanation for the structure of Works and Days in the arrangements of several angry speeches in the Homeric epics, in particular Menelaus' speech to Euphorbus (Il. 17.18-32), and I argue that this structure serves a particular r…
Tragedy and Ritual
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Making Silence Speak
Electra and the Empty Urn
Restless Dead
How the Days Fit the Works in Hesiod's Works and Days
How the Days Fit the Works in Hesiod’s Works And Days André Lardinois Ever since the nineteenth century, scholars have questioned the authenticity of the catalogue, at the end of Hesiod’s Works and Days, of favorable and unfavorable days (765–828; hereafter termed Days). Ul-rich von Wilamowitz–Moellendorff omitted the entire section from his 1928 edition, and Friedrich Solmsen bracketed it in the Oxford Classical Text.1 Even scholars who defend t…
Modern Paroemiology and the Use of Gnomai in Homer's Iliad
The Look of Lyric
The Look of Lyric: Greek Song and the Visual addresses the varied modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality
Eastern Myths for Western Lies
That the great cultures of the Near East influenced Mycenaean and Archaic Greek culture has been amply demonstrated by the archaeological record. But did this influence extend to Greek literature? And was it recognized by the ancient Greeks themselves? In this paper I answer these two questions in the affirmative after examining two passages from Homer’s Iliad : Hera’s identification of Oceanus and Tethys as the parents of the gods (14.201) and P…
Electra and the Empty Urn
How the Days Fit the Works in Hesiod's Works and Days
How the Days Fit the Works in Hesiod’s Works And Days André Lardinois Ever since the nineteenth century, scholars have questioned the authenticity of the catalogue, at the end of Hesiod’s Works and Days, of favorable and unfavorable days (765–828; hereafter termed Days). Ul-rich von Wilamowitz–Moellendorff omitted the entire section from his 1928 edition, and Friedrich Solmsen bracketed it in the Oxford Classical Text.1 Even scholars who defend t…
TEN. Who Sang Sappho’s Songs
Modern Paroemiology and the Use of Gnomai in Homer's Iliad
How the Days Fit the Works in Hesiod's Works and Days
How the Days Fit the Works in Hesiod’s Works And Days André Lardinois Ever since the nineteenth century, scholars have questioned the authenticity of the catalogue, at the end of Hesiod’s Works and Days, of favorable and unfavorable days (765–828; hereafter termed Days). Ul-rich von Wilamowitz–Moellendorff omitted the entire section from his 1928 edition, and Friedrich Solmsen bracketed it in the Oxford Classical Text.1 Even scholars who defend t…
Restless Dead
Making Silence Speak
Electra and the Empty Urn
Tragedy and Ritual
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Wrath of Hesiod
The structure of Hesiod's Works and Days has long puzzled classical scholars, in part because the poem is not held together by an overarching narrative, but instead is composed of a single speech. In this paper I find an explanation for the structure of Works and Days in the arrangements of several angry speeches in the Homeric epics, in particular Menelaus' speech to Euphorbus (Il. 17.18-32), and I argue that this structure serves a particular r…
The Polysemy of Gnomic Expressions and Ajax’ Deception Speech
Have We Solon’s Verses?
[Winnipeg, Canada] Conference on Orality and Literacy in the Ancient World VI, 6 juli 2004
Land of Dreams
This collection of essays by twenty-eight Dutch scholars is intended as a tribute to prof. dr. A.H.M. Kessels on the occasion of his retirement as professor of Greek Language and Literature at the Radboud University Nijmegen (Netherlands). It reflects his broad interests in the entire field of classical scholarship, ranging from early Greek poetry to later Latin literature and the reception of classics in modern literature. At the same time, the …
Solon of Athens
Now available in paperback for the first time, this collection of essays by specialists in the field offers fundamentally new perspectives on the poetry, laws, and historical facts associated with the figure of Solon of Athens
Solon of Athens. New Historical and Philological Approaches
Now available in paperback for the first time, this collection of essays by specialists in the field offers fundamentally new perspectives on the poetry, laws, and historical facts associated with the figure of Solon of Athens
Chapter Four. “Someone, I Say, Will Remember Us”
Sappho is often considered a central figure in the transition from archaic to classical Greek culture, especially by German scholars. In this chapter, the author argues that Sappho first of all expected the performances of her poetry to be remembered in the future and secondly, perhaps, believed that she would be allowed to play on as singer-poet in the underworld. The re-performance of Sappho's poetry would constitute a third way in which her na…
Sacred Words: Orality, Literacy and Religion
n Contains fulltext :\n 338695.pdf (Publisher’s version ) (Closed access)\n
Sacred Words
The parrhesia of young female choruses in Ancient Greece
Texts, Transmissions, Receptions
The papers collected in this volume study the function and meaning of various kinds of narrative texts from the perspective of New Philology, Linguistics, Iconography and Reception studies. Their purpose is to understand the workings of narrative texts
Sappho
Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of the little that survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems, fragments, single words - and, notably, five stanzas of a poem that came to light in 2014. Also included are new additions to five fragments from the latest discovery, and a nearly complete poem publis…
Texts, Transmissions, Receptions
Figures 2.1 TextversioncomparisonintheMenschen en bergenonlineedition 40 2.2 TheOptionsscreenforannotationcategoriesintheWalewein ende Keye onlineedition 41 2.3 Thehover-overboxwithlinguisticinformationintheAlexanders saga editiononCD-ROM,DeLeeuwvanWeenen(2009) 42 2.4 ClusteranalysismadewithMinitab15oftheJudithepisodeinallfifteen manuscriptsoftheRijmbijbel,forthe250highestfrequencylemmas 47 2.5 PrincipalcomponentsanalysismadewithMinitab15oftheJud…
Sappho’s Brothers Song and the Fictionality of Early Greek Lyric Poetry
Contains fulltext : 160318.pdf (Publisher’s version ) (Open Access)
The Look of Lyric
The Look of Lyric: Greek Song and the Visual addresses the varied modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality
Eastern Myths for Western Lies
That the great cultures of the Near East influenced Mycenaean and Archaic Greek culture has been amply demonstrated by the archaeological record. But did this influence extend to Greek literature? And was it recognized by the ancient Greeks themselves? In this paper I answer these two questions in the affirmative after examining two passages from Homer’s Iliad : Hera’s identification of Oceanus and Tethys as the parents of the gods (14.201) and P…
New Philology and the Classics
Item does not contain fulltext
The Sound of Silence
Item does not contain fulltext
Art (22 works) · Classical Antiquity Studies (19 works) · Literature (19 works) · History (16 works) · Poetry (13 works) · Philosophy (10 works) · Classics (9 works) · History (6 works) · Sociology (5 works) · Criticism and interpretation (4 works)