Marie Hadley
Biographic Data
| ID | 7542917 |
|---|---|
| NAME | Marie Hadley |
| GIVEN NAMES | Marie |
| FAMILY NAME | Hadley |
| SIGNATURE | HADLEY M |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Bad Moves as an Intellectual Property Asset
Dance reflects a snapshot of its time and a shared cultural consciousness. This is epitomised by the global phenomenon of Dr Rachael Gunn’s (aka B-Girl Raygun) breakdancing performance at the 2024 Olympics. While media discussions have centred on the class barriers that enabled her participation, accusations of trivialising Australian participation in a sport on an international stage, and the appropriation of First Nations movements, this paper …
Lack of Political Will or Academic Inertia
This article describes the failure of Australia’s indigenous art and copyright commentary to move beyond the groundbreaking work of academics in the late 1980s and 1990s. In particular, the author examines the claim that the lack of culturally appropriate protection of works is attributable to an inopportune political climate, and concludes that a lack of political will is no excuse for academic inertia. She argues that it is necessary to look ou…
No prominent works on this page.
Lack of Political Will or Academic Inertia
This article describes the failure of Australia’s indigenous art and copyright commentary to move beyond the groundbreaking work of academics in the late 1980s and 1990s. In particular, the author examines the claim that the lack of culturally appropriate protection of works is attributable to an inopportune political climate, and concludes that a lack of political will is no excuse for academic inertia. She argues that it is necessary to look ou…
Bad Moves as an Intellectual Property Asset
Dance reflects a snapshot of its time and a shared cultural consciousness. This is epitomised by the global phenomenon of Dr Rachael Gunn’s (aka B-Girl Raygun) breakdancing performance at the 2024 Olympics. While media discussions have centred on the class barriers that enabled her participation, accusations of trivialising Australian participation in a sport on an international stage, and the appropriation of First Nations movements, this paper …
Law in Society and Culture (2 works) · Appropriation (1 works) · Choreography (1 works) · Commodification (1 works) · Copyright and Intellectual Property (1 works) · Dance (1 works) · Digital and Traditional Archives Management (1 works) · Diversity and Impact of Dance (1 works) · Engineering (1 works) · Excuse (1 works)