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Sharon R Sherman

Biographic Data

ID75704
NAMESharon R Sherman
GIVEN NAMESSharon R
FAMILY NAMESherman
SIGNATURESHERMAN S R
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS13
AUTHOR COUNT22
EDITOR COUNT1
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2007
H-INDEX3
  • Folklore/Cinema: Popular Film as Vernacular Culture

    Sharon R Sherman, Mikel J Koven•BOOK•Folklore/Cinema•2007

  • Folklore/cinema: Popular Film as Vernacular Culture

    Mikel J Koven, Sharon R Sherman•BOOK•Folklore/cinema•2007

  • Documenting Ourselves: Film, Video, and Culture

    Open Access•J Bishop, Sharon R Sherman•ARTICLE•Western Folklore•2000•Cited by: 3•References: 1

    Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be authentic. And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subjec…

  • Ballad, Legend, and Film: The Representation of Frankie Silver

    Sharon R Sherman•ARTICLE•Journal of American Folklore•2000

    In 1833, Frankie Silver became the only woman ever to be hanged in Morganton, in Burke County, North Carolina. Convicted by an all-male jury for the ax murder of her husband Charles, Frankie Silver has become a heroine to some and a villain to others. In the area near Morganton, where descendants of Frankie and Charles still reside, family relationships mark the different versions of Frankie's story. Folklore has been the constant element in keep…

  • Documenting Ourselves: Film, Video and Culture

    Paul Henley, Sharon R Sherman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 5

  • The Holiday Yards of Florencio Morales: El Hombre de las Banderas

    Open Access•Gerald L Pocius, Amy Kitchener et al.•ARTICLE•Western Folklore•1997

    Art and Artists: The Series The Holiday Yards of Florencio Morales: El Hombre de las Banderas. By Amy V. Kitchener. 1994. Pp. 72. $29.50 (cloth); $15.95 (paper) Santeria Garments and Altar Speaking Without a Voice By Ysamur Flores-Pena and Roberta J. Evanchuk. 1994. Pp. 72. $29.50 (cloth); $15.95 (paper) Americana Crafted: Jehu Camper Delaware Whittler. By Robert D. Bethke. 1995. Pp. 71. $32.50 (cloth); $16.95 (paper) Chain-Saw Sculptor: The Art …

  • Perils of the Princess: Gender and Genre in Video Games

    Open Access•Sharon R Sherman•ARTICLE•Western Folklore•1997•Cited by: 4•References: 2

    Once upon a time (in 1972), computer programmers created Pong, a table tennis game, often found inside of tables in bars and restaurants. After Pong came Pac-Man. A number of other games followed. Soon the games were sold as cartridges that plugged into game consoles hooked up to computer monitors, most of which worked on a system invented by Atari. But home computer graphics did not compare with the developing arcade game market. The video arcad…

  • Zulay, Facing the 21st Century

    Open Access•Sharon R Sherman•ARTICLE•Visual Anthropology Review•1995

    Zulay, Facing the 21st century. 1993. Film by Jorge Preloran. Mabel Preloran. and Zulay Saravino. 108 min. Color. Purchase $11295 in 16 mm, $150 in Video; rental $75 (16mm) and $55 (video). Distributed By Preloran, 4834 Maytime Lane, Culver City, ca 90230; phone and fax (310) 837-9916

  • Spirits in the Wood: The Chainsaw Art of Skip Armstrong

    Michael Owen Jones, Sharon R Sherman et al.•ARTICLE•Journal of American Folklore•1994

    An in-depth portrait of a man, his art, his philosophy, and his creative process, this work cuts across folk and fine art boundaries to explore the energized world and works of chainsaw artist J. Chester Armstrong. Skip describes the forces that drive him: The chainsaw allows you that moment of thinking translated immediately into the act of creating

  • Visions of Ourselves: Filming Folklore, Present and Future

    Open Access•Sharon R Sherman•ARTICLE•Western Folklore•1991

  • Where's Your Camera: Dorson's Contribution to Visual and Nonverbal Studies in Folklore

    Sharon R Sherman•ARTICLE•Western Folklore•1989

  • Woman as Text, Video as Quilt

    Open Access•Sharon R Sherman, George West et al.•ARTICLE•Western Folklore•1988

  • Double-Edged Power: Historical Records of Gender and Race

    Open Access•Sharon R Sherman, Marlon Riggs et al.•ARTICLE•Western Folklore•1988

  • Passover, a Celebration

    Raphaël Georges, Robert Georges et al.•ARTICLE•Journal of American Folklore•1988

  • Discovering Saskatchewan Folklore: Three Case Studies

    Sharon R Sherman, Michael Taft et al.•ARTICLE•Journal of American Folklore•1985

  • The Pure Experience of Order: Essays on the Symbolic in the Folk Material Culture of Western America

    Open Access•Sharon R Sherman, Richard C Poulsen•ARTICLE•Western Folklore•1985•Cited by: 1

  • Thought for Food: Chinese Foodways

    Sharon R Sherman, Su Yung Li et al.•ARTICLE•Western Folklore•1985

  • Finnish Folklife: The "Ins" and "Outs

    Sharon R Sherman, Michael Loukinen•ARTICLE•Western Folklore•1984

  • Bombing, Breakin', and Gettin' down: The Folk and Popular Culture of Hip-Hop

    Sharon R Sherman, Tony Silver et al.•ARTICLE•Western Folklore•1984

  • Rank and File: The Visualization of Occupational Folklore and Union History

    Open Access•Sharon R Sherman, Jack Santino et al.•ARTICLE•Western Folklore•1983

  • The Diversity of American Life: Four Views

    Sharon R Sherman, Edward P Cullen et al.•ARTICLE•Western Folklore•1983

  • Du Cote de Memphis [In the Direction of Memphis]

    Sharon R Sherman, Pathe Cinema•ARTICLE•Journal of American Folklore•1983

  • Kathleen Ware, Quiltmaker

    William A Wilson, Sharon R Sherman et al.•ARTICLE•Journal of American Folklore•1982

    From the placing of an order to the completion of the last stitch, the film details the entire process of creating a traditional Lone Star quilt. As the quilt grows, so does our knowledge of Kathleen Ware's vibrant spirit as quiltmaker, wife, mother, and grandmother. A film by Sharon Sherman

  • Documenting Ourselves: Film, Video and Culture

    Paul Henley, Sharon R Sherman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 5

  • Perils of the Princess: Gender and Genre in Video Games

    Open Access•Sharon R Sherman•ARTICLE•Western Folklore•1997•Cited by: 4•References: 2

    Once upon a time (in 1972), computer programmers created Pong, a table tennis game, often found inside of tables in bars and restaurants. After Pong came Pac-Man. A number of other games followed. Soon the games were sold as cartridges that plugged into game consoles hooked up to computer monitors, most of which worked on a system invented by Atari. But home computer graphics did not compare with the developing arcade game market. The video arcad…

  • Documenting Ourselves: Film, Video, and Culture

    Open Access•J Bishop, Sharon R Sherman•ARTICLE•Western Folklore•2000•Cited by: 3•References: 1

    Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be authentic. And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subjec…

  • The Pure Experience of Order: Essays on the Symbolic in the Folk Material Culture of Western America

    Open Access•Sharon R Sherman, Richard C Poulsen•ARTICLE•Western Folklore•1985•Cited by: 1

  • Kathleen Ware, Quiltmaker

    William A Wilson, Sharon R Sherman et al.•ARTICLE•Journal of American Folklore•1982

    From the placing of an order to the completion of the last stitch, the film details the entire process of creating a traditional Lone Star quilt. As the quilt grows, so does our knowledge of Kathleen Ware's vibrant spirit as quiltmaker, wife, mother, and grandmother. A film by Sharon Sherman

  • Rank and File: The Visualization of Occupational Folklore and Union History

    Open Access•Sharon R Sherman, Jack Santino et al.•ARTICLE•Western Folklore•1983

  • The Diversity of American Life: Four Views

    Sharon R Sherman, Edward P Cullen et al.•ARTICLE•Western Folklore•1983

  • Du Cote de Memphis [In the Direction of Memphis]

    Sharon R Sherman, Pathe Cinema•ARTICLE•Journal of American Folklore•1983

  • Finnish Folklife: The "Ins" and "Outs

    Sharon R Sherman, Michael Loukinen•ARTICLE•Western Folklore•1984

  • Bombing, Breakin', and Gettin' down: The Folk and Popular Culture of Hip-Hop

    Sharon R Sherman, Tony Silver et al.•ARTICLE•Western Folklore•1984

  • Discovering Saskatchewan Folklore: Three Case Studies

    Sharon R Sherman, Michael Taft et al.•ARTICLE•Journal of American Folklore•1985

  • The Pure Experience of Order: Essays on the Symbolic in the Folk Material Culture of Western America

    Open Access•Sharon R Sherman, Richard C Poulsen•ARTICLE•Western Folklore•1985•Cited by: 1

  • Thought for Food: Chinese Foodways

    Sharon R Sherman, Su Yung Li et al.•ARTICLE•Western Folklore•1985

  • Woman as Text, Video as Quilt

    Open Access•Sharon R Sherman, George West et al.•ARTICLE•Western Folklore•1988

  • Double-Edged Power: Historical Records of Gender and Race

    Open Access•Sharon R Sherman, Marlon Riggs et al.•ARTICLE•Western Folklore•1988

  • Passover, a Celebration

    Raphaël Georges, Robert Georges et al.•ARTICLE•Journal of American Folklore•1988

  • Where's Your Camera: Dorson's Contribution to Visual and Nonverbal Studies in Folklore

    Sharon R Sherman•ARTICLE•Western Folklore•1989

  • Visions of Ourselves: Filming Folklore, Present and Future

    Open Access•Sharon R Sherman•ARTICLE•Western Folklore•1991

  • Spirits in the Wood: The Chainsaw Art of Skip Armstrong

    Michael Owen Jones, Sharon R Sherman et al.•ARTICLE•Journal of American Folklore•1994

    An in-depth portrait of a man, his art, his philosophy, and his creative process, this work cuts across folk and fine art boundaries to explore the energized world and works of chainsaw artist J. Chester Armstrong. Skip describes the forces that drive him: The chainsaw allows you that moment of thinking translated immediately into the act of creating

  • Zulay, Facing the 21st Century

    Open Access•Sharon R Sherman•ARTICLE•Visual Anthropology Review•1995

    Zulay, Facing the 21st century. 1993. Film by Jorge Preloran. Mabel Preloran. and Zulay Saravino. 108 min. Color. Purchase $11295 in 16 mm, $150 in Video; rental $75 (16mm) and $55 (video). Distributed By Preloran, 4834 Maytime Lane, Culver City, ca 90230; phone and fax (310) 837-9916

  • The Holiday Yards of Florencio Morales: El Hombre de las Banderas

    Open Access•Gerald L Pocius, Amy Kitchener et al.•ARTICLE•Western Folklore•1997

    Art and Artists: The Series The Holiday Yards of Florencio Morales: El Hombre de las Banderas. By Amy V. Kitchener. 1994. Pp. 72. $29.50 (cloth); $15.95 (paper) Santeria Garments and Altar Speaking Without a Voice By Ysamur Flores-Pena and Roberta J. Evanchuk. 1994. Pp. 72. $29.50 (cloth); $15.95 (paper) Americana Crafted: Jehu Camper Delaware Whittler. By Robert D. Bethke. 1995. Pp. 71. $32.50 (cloth); $16.95 (paper) Chain-Saw Sculptor: The Art …

  • Perils of the Princess: Gender and Genre in Video Games

    Open Access•Sharon R Sherman•ARTICLE•Western Folklore•1997•Cited by: 4•References: 2

    Once upon a time (in 1972), computer programmers created Pong, a table tennis game, often found inside of tables in bars and restaurants. After Pong came Pac-Man. A number of other games followed. Soon the games were sold as cartridges that plugged into game consoles hooked up to computer monitors, most of which worked on a system invented by Atari. But home computer graphics did not compare with the developing arcade game market. The video arcad…

  • Documenting Ourselves: Film, Video and Culture

    Paul Henley, Sharon R Sherman•ARTICLE•Journal of the Royal Anthropologica…•1999•Cited by: 5

  • Documenting Ourselves: Film, Video, and Culture

    Open Access•J Bishop, Sharon R Sherman•ARTICLE•Western Folklore•2000•Cited by: 3•References: 1

    Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be authentic. And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy. What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subjec…

  • Ballad, Legend, and Film: The Representation of Frankie Silver

    Sharon R Sherman•ARTICLE•Journal of American Folklore•2000

    In 1833, Frankie Silver became the only woman ever to be hanged in Morganton, in Burke County, North Carolina. Convicted by an all-male jury for the ax murder of her husband Charles, Frankie Silver has become a heroine to some and a villain to others. In the area near Morganton, where descendants of Frankie and Charles still reside, family relationships mark the different versions of Frankie's story. Folklore has been the constant element in keep…

  • Folklore/Cinema: Popular Film as Vernacular Culture

    Sharon R Sherman, Mikel J Koven•BOOK•Folklore/Cinema•2007

  • Folklore/cinema: Popular Film as Vernacular Culture

    Mikel J Koven, Sharon R Sherman•BOOK•Folklore/cinema•2007

Art (14 works) · History (13 works) · History (9 works) · Folklore (7 works) · Folklore, Mythology, and Literature Studies (6 works) · Sociology (6 works) · Literature (5 works) · Anthropology (4 works) · Archaeology (3 works) · Art history (3 works)

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